3/12 | YAK (DET) + visual projections w Emili Earhart & BC Grimm @ Art In

yak_mad_mar12

Sun, 3/12 | $8  730p door / 8p music @ Art In

1444 E Washington Ave., Madison, WI

Emili Earhart – opens

YAK (DET) on tour

BC Grimm – closes

YAK is an ambient/industrial duo of amplified, bowed friction on strings and metal. Their 2017 Midwest Tour is an audio-visual journey into the existential mind-state of the Tibetan beast, the Yak. These sounds are tailor-made for the shaggy beast of burden of the Himalayan Plateau, evoking their life and spirit in a mesmerizing structured improvisation cycle.

Yuri Popowycz (violin) is a Detroit-based violinist, electronic music producer/performer, and illustrator. He performs with the Michigan Opera Theatre and is assistant concertmaster with the Michigan Philharmonic. He also plays out frequently in the city and is active with Detroit Bureau of Sound. Yuri is a graduate of Interlochen Arts Academy ‘11, and the Oberlin Conservatory ‘15, and has toured in Japan as concertmaster of the PMF orchestra as well as performed in Europe alongside the Jack quartet with the Lucerne Festival Academy. Currently he runs the ambient music label Music To Stretch To and enjoys working with all the wonderful artists living nearby.

Zac Brunell (percussion) is a performer and concert producer in the Motor City. As director of the Detroit Bureau of Sound, his work engulfs a range of avant garde music through his productions, which have been described as “sounding as raw as mating bull elephants” (Lansing City Pulse on “X is for Xenakis”). A classically trained percussionist and pianist, Zac is a graduate of the Michigan State University College of Music and is currently Production Manager with the award-winning ensemble New Music Detroit.

Detroit Bureau of Sound Announcing… “BOS MUTUS“, the 2017 meditation in four movements by YAK.  Digital download and physical pre-order available now via Bandcamp >>


Opening the show…

Emili Earhart is a pianist studying at UW-Madison. Recent projects have included performances of the Sonatas and Interludes for Prepared Piano by John Cage, and both books of Piano Etudes by Philip Glass. As Program Director at WSUM 91.7fm student radio, Emili hosts live ‘on-air’ performances and interviews touring acts (a/w/a local musicians!) Fridays on “Live @ WSUM”, 3-5pm. Emili is a member of noise/synth & bass duo, And Illusions. Sunday’s (3/12) set is part of a new effort to explore improvised new age piano and drone music.

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photo via Troy Peterson


Closing the show…

BC Grimm to close the night with an Orbis Obscura set!  Pipa, Guqin, #frankencello + “the hernia-maker” pedalboard.


2/5 | “Seasons Of Change” Wellness Retreat @ Blue Mounds Dharma Center

**UPDATE: This event is being rescheduled to Sunday, Feb 5th, due to the weather this weekend. You can still reserve your spot by contacting Shannel at the info below!**

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Sun 2/5 |  $70  10:30a-4:00p  @  Blue Mounds Dharma Center

2979 Main St. Blue Mounds, WI 53517

Join us for a one-day Wellness Retreat at Blue Mounds Dharma Center!
Contact Shannel – ymassageyoga@gmail.com or 608-438-9903
Checks payable to Y-Massage Bodywork and Natural Fitness
5950 Seminole Centre Court, Suite 145, Fitchburg, WI 53711

I’m thrilled for the opportunity to work with LaCouir D. Yancey this Sunday in the Bluemounds!  I’ll provide introspective music accompaniment on the ancient guqin zither for LaCouir’s movement meditation instruction.  I can’t wait to see what happens out of this collaboration!  Here are some examples of my meditative style of guqin playing, perfect for contemplation, relaxation, reflection, yoga & mental wellness.

 

8/11, 8/12 | BC Grimm “Orbis Obscura” CD Release Show!

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Album Artwork by John Praw Kruse

Thr 8/11 | 8pm $5 @ West End Conservatory

5500 W Vliet St, Milwaukee, Wisconsin 53208

“Orbis Obscura” CD Release Show feat.

HENRY/DROBKA/WELLER/MCEVOY/MILLER QUINTET

BC GRIMM

Fri 8/12 | 8pm $5 @ ArtIn Gallery

1444 E Washington Ave, Madison, Wisconsin 53703

“Orbis Obscura” CD Release Show feat.

HENRY (NYC) / WELLER (CHI) QUARTET

BC GRIMM

New BC Grimm “Orbis Obscura” (2016) CD $10
2nd ed. “The Ideating Knell” (2014) CD $10
Both CDs for $15
at the show

“Orbis Obscura” is a 35 minute “sci-fi tone poem” for Pipa (Chinese lute) with delay & fuzz pedals by BC Grimm. Available Friday, 8/12 on CD & Digital from Other Obscura Records! Other Obscura is a label promoting the compositions and improvisations of artists in Milwaukee, Madison and the surrounding areas. Est. 2016.

GrimmusiK Records is running a limited edition second printing of BC Grimm’s “The Ideating Knell”, originally released in 2014 by Signal Dreams. This seminal 70min work by BC Grimm features 16 experimental compositions performed on prepared Guzheng and phased Guqin Chinese zithers.  Available at the show!

BC Grimm

Cellist & composer Brian Grimm grew up surrounded by Chinese string instruments of every sort. After initial lessons in Chinese music with Yang Wei (pipa) & Daxun Zhang (bass) of the Silkroad Enesemble, he was lucky to then study guqin (zither), pipa (lute), gaohu (fiddle) & daruan (bass lute) in Hong Kong with members of the 香港中樂團 Hong Kong Chinese OrchestraWuji Ensemble 無極樂團. Over the last 15 years Grimm has developed a deep language of Free Improvisation & Composition with groups such as The Brothers Grimm, Lovely Socialite, and Brennan Connors & Stray Passage. In conjunction with performing & teaching, Brian runs GrimmusiK Records – a label for all projects involving him & his brother AJ (classical & flamenco guitar).

BCG on cello + pipa by John Hiller Brumbaugh

BCG on cello + pipa by John Hiller Brumbaugh


 

8/7 | Ben Willis + Brian Grimm @ Bos Meadery

8-7 Ben Willis and Brian Grimm v2

Sun 8/7  |  6pm  $5  @ Bos Meadery

849 E Washington Ave, Madison, WI 53703

solo & duo performances from

BEN WILLIS – double bass

BRIAN GRIMM – guqin, cello

Bos Meadery – “Mead Made Modern” our mission is to make the world’s oldest fermented beverage in the most modern possible way using local ingredients, so that our mead reflects the flavor of the Wisconsin landscape. Much like farm to table eating, this is field to glass drinking.

BEN WILLIS (DET/AA, MI) – solo double bass

Egret/Flatlander is a set of solo bass pieces by Ben Willis. Composed through development and exploration of improvisational practice, the movements have taken shape as open cellular structures, that act as themes and zones for extemporaneous development.

The pieces make use of a range of extended double bass techniques, drawing inspiration from contemporary classical music and free improvisation. The musical language draws from many influences, including rock structures, folk harmonies and melodies, and doom metal.

Ben Willis is a bassist whose affinities lie in collaborative projects, new music, improvisation, and the merging of cross-disciplinary elements. He’s performed his original collaborative work at venues and festivals around the U.S., including the International Society for Improvised Music Conference, Electroacoustic Barn Dance at the University of Mary Washington, the Whitewater Arts Alliance Series at the University of Wisconsin, Whitewater and the Ratchet Series at the Skylark in Chicago. In 2013, he was a Robert Black Bass Fellow at the Bang on a Can Summer Festival. Much of his work highlights the importance of collaborative, performative process in the development of new art. He is a member of the Weather Duo, an electroacoustic ensemble with cellist Pat Reinholz, dedicated to performing new music that blends classical training with improvisation and folk idioms. The Weather Duo has contributed music to the Li Chiao Ping dance company, a video project with artist Doug Rosenberg and dancer Sally Gross, and composed occasional film scores. In live performance, they explore multimedia collaboration with the help of live video artist Anna Weisling. He has also toured and recorded as a sideman, working with many indie/folk artists, including Anna Vogelzang, Dietrich Gosser, and Thistle and the Thorns. He often participates in recitals of new music and collaborations with composers, and performs regularly with the jazz/rock project Lovely Socialite Mrs. Thomas W. Phipps, and the free improvisation trio Glacier. He currently resides in Ann Arbor, MI. He earned a BM in Performance at the University of Wisconsin, Madison, and MM in Improvisation from the University of Michigan, Ann Arbor. He’s studied bass with Richard Davis, Diana Gannett, and Bob Hurst, and composition with Andrew Bishop.

Buy Egret/Flatlander here >>


BRIAN GRIMM (MAD, WI) – solo cello & guqin

Cellist & composer Brian Grimm grew up surrounded by Chinese string instruments of every sort. After initial lessons in Chinese music with Yang Wei (pipa) & Daxun Zhang (bass) of the Silkroad Enesemble, he was lucky to then study guqin (zither), pipa (lute), gaohu (fiddle) & daruan (bass lute) in Hong Kong with members of the 香港中樂團 Hong Kong Chinese OrchestraWuji Ensemble 無極樂團. Over the last 15 years Grimm has developed a deep language of Free Improvisation & Composition with groups such as The Brothers Grimm, Lovely Socialite, and Brennan Connors & Stray Passage. In conjunction with performing & teaching, Brian runs GrimmusiK Records – a label for all projects involving him & his brother AJ (classical & flamenco guitar).

** BC Grimm’s new CD “Orbis Obscura” for Pipa, Fuzz & Delay drops Friday, 8/12 on Other Obscura Records @ ArtIn Gallery on East Wash! **

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COMING SOON! NEW BC GRIMM CD “ORBIS OBSCURA” DROPS FRI 8/12


 

 

7/8 | Terrence McManus (NYC) & BC Grimm @ Ritual Barbers

Terrence McManus Fri 7.8 banner

Fri, 7/8  |  @ Ritual Barbers (Madison, WI)

117 S Pinckney St, Madison, WI 53703

7:30p door / 8:30p music / $5-10 suggested donation / BYOB

TERRENCE MCMANUS (NYC) – electric guitar + electronics

BC GRIMM (Mad) – pipa, guqin, frankencello + electronics

A native of Brooklyn, New York, guitarist/composer/sound artist Terrence McManus has been called “… one of New York’s latest guitar heroes …” (All About Jazz), and that he has “… hit on an entirely new language.” (Gambit), and “… possesses the goods to impart a significant impact …” (jazzreview.com). Time Out New York calls him a “Texture-minded guitar abstractionist …” and the NY Times times has described him as a “guitarist drawn to abstract texture”.

He has performed or recorded with many of the major innovators in contemporary music, including John Zorn, Bill Frisell, Tim Berne, Gerry Hemingway, Mark Dresser, Don Byron, Ellery Eskelin, Herb Robertson, Mark Helias, John Hollenbeck, Ben Monder, Russ Lossing, Randy Peterson, Mat Maneri, Tom Rainey, Michael Sarin, and Marty Ehrlich. He has performed at the Metropolitan Museum of Art, Carnegie Hall, the New York Guitar Festival, Jazz Festival Willisau (Switzerland), Jazzfestival Saalfelden (Austria), the New Orleans Jazz National Historic Park, and the inaugural month at John Zorn’s The Stone. Terrence was featured in the book State of the Axe: Guitar Masters in Photographs and Words, by legendary photographer Ralph Gibson.

Terrence currently performs with the Gerry Hemingway Quintet, the Gerry Hemingway/Terrence McManus Duo, the John Hébert/Terrence McManus Duo and in a trio with John Hébert and Billy Mintz. Terrence is featured on the Gerry Hemingway Quintet release Riptide (Clean Feed Records) and the Hemingway/McManus Duo release Below the surface of (Auricle Records). In 2010 the Hemingway/McManus Duo toured the Midwest, performing and teaching in Michigan, Wisconsin, Illinois, and Minnesota. That same year the John Hébert/Terrence McManus duo performed and taught in New Orleans, LA.
 
Terrence is also a member of multiple NYC groups including the Cellar and Point and Bryan and the Haggards, and he has been a guest musician with the new music group Ensemble Pampelmousse.
 
Terrence has also provided music for the theater, in a production with the New York City players at the historic NYC theater venue the Performing Garage.
 
Terrence’s previous ensembles include Transcendental Numbers, with Mark Helias and Gerry Hemingway, which has a recording entitled Transcendental Numbers (NoBusiness Records) that Time Out New York calls “… a set of subtle, highly textural trio improvisation.” He also lead a chamber ensemble that included Ellery Eskelin, Mat Maneri, Russ Lossing and Gerry Hemingway, which performed a sixty minute, multi-sectional, through-composed work titled The Machine; the piece has also been performed in a trio configuration and in a solo guitar setting.
 
An accomplished solo guitarist, Terrence performs his own works on electric and classical guitar and has developed a unique style of improvisation, drawing on extended technique and prepared guitar. His solo recording Brooklyn EP was described as having “… visceral, stimulating fabrics.” (The New York City Jazz Record). He has done numerous solo tours, performing in California, Oregon, Washington, Texas and Alaska. In 2011, Terrence was selected as a semi-finalist on classical guitar in the Portland State University Guitar Festival.
 
Actively involved in education, Terrence has taught at The University of California, San Diego, Hochschule Luzern (Luzern, Switzerland), The New School for Jazz and Contemporary Music, Rutgers University (Newark), California State University, Bakersfield, Loyola University New Orleans, the University of New Orleans, the University of Nebraska-Lincoln and Saddleback College.

 

4/12 – 4/19 | Brian Grimm Tax Day Tour (ft. Ben Willis; NoExit Performance)

BCG Tax Day Tour header

Tues 4/12 – Tues 4/19  BRIAN GRIMM TAX DAY TOUR

Heading on the road with electric cello, cellitar, guqin zither & a pedal board!

For bios, photos, etc. check out:  BC Grimm EPK

Tue, 4/12  |  9p-12a  Free  @  the Mason Lounge  [Madison, WI]

Five Points Jazz Collective, the resident “Tuesday Night Squad” house-band

Wed, 4/13  |  9:30p  Free  @  Constellation  [Chicago, IL]

Oscar Jan Hoogland Chicago Project – SOUND OF THE CITY WORKSHOP

Thr, 4/14  |  8pm  $8  @  Trinosophes  [Detroit, MI]

Jack Wright & Bob Marsh duo + Willis/Grimm duo

Fri, 4/15; Sat 4/16  |  6p-12a  $5-10  @  Detroit Free Arts Music Festival  [Detroit, MI]

* Fri, 4/15  11:15-11:45pm – Ben Willis + Brian Grimm Duo

Sun, 4/17  |  tba-pm  Free  @  Pioneer Restaurant  [Indianapolis, IN]

Brian Grimm solo set (cello, cellitar, guqin)

Mon, 4/18  |  8p  Free  SPOTLIGHT 2016  @  Clowes Memorial Hall  [Indianapolis, IN]

DINNER – dance by Tommy Lewey, NoExit Performance

score by Brian Grimm

Tue, 4/19  |  9p-12a  Free  @  the Mason Lounge  [Madison, WI]

Five Points Jazz Collective

5 points jazz collective

Five Points Jazz Collective! Live Jazz every Tuesday night from 9p-12 @ the Mason Lounge > 416 S Park St

 


4/24 | Jack Wright & Bob Marsh @ Arts + Literature Laboratory

4-24 SHOW POSTER 4.2

Sun, 4/24 | All Ages  $10  7pm  @ Arts + Literature Laboratory

2021 Winnebago St, Madison, Wisconsin 53704

JACK WRIGHT & BOB MARSH (TOUR)
sax + bass, electronics, sound suit

BC GRIMM & MICHAEL KOSZEWSKI (Mad) [of Lovely Socialite]
cello, Chinese string instruments + percussion

TONTINE ENSEMBLE (MILWAUKEE)
double bass, cello, viola, violin – through fx

JACK & BOB

These two have been playing together since they met in Detroit in 1986, their duo transforming over time as their music has developed. This despite moving far apart, and never more than at present; after fifteen years in the Bay Area Bob now lives in Pueblo CO and Jack is in Easton Pa, so their meetings are infrequent. They have toured on the East and West Coast and the Midwest, most recently connecting in the Bay Area, before that tours that took them from the east coast to Chicago. Their music has shifted from a huge web of notes and fast-shifting directions on conventional instruments to sound and space, with Bob playing electronics and distorted voice….yet still they are indelibly the same duo. And the best of friends.

A review of a 2012 performance in Philadelphia from Cadence Magazine: “Jack Wright (sax) and his longtime collaborator, Bob Marsh (cello, voicings) sat in cramped quarters with records stacked all around, low ceiling strung with Christmas lights, and frightful paintings lining the wall. The two explorers seemed to like the atmospheric space and quickly went about their business of quietly merging tones and thoughts. Marsh, who was on a rare trip to these parts from this California abode, used everything out of his cello case on his instrument except the kitchen sink, which he was unable to get down the steep stairs of the lair. Also of note was the sighting of Wright in real pants and not his ever-present shorts…” 

GRIMM & KOSZEWSKI

Michael Koszewski (percussion) & Brian Grimm (cello, Chinese string instruments) of Madison’s psychedelic Jazz/Rock outfit Lovely Socialite join forces as a duo. Both cut from the New Music cloth, they bring sensitivity, dynamics & chops to their explorations. Between Koszewski’s 5 years in Madison’s acclaimed Clocks in Motion Percussion ensemble & BC Grimm’s array of Chinese zithers, lutes & bowed strings – who knows what sonic orchestrations may come to pass.

Michael Koszewski and BC Grimm

TONTINE ENSEMBLE

Tontine Ensemble was founded in the spring of 2014 with the mission to perform improvisational and contemporary chamber works, as well as champion the compositions of Milwaukee composers. Its four current members first played together for a Blank Radio recording session and immediately began rehearsing regularly. Allen Russell, Molly Lieberman, Pat Reinholz, and Barry Paul Clark are all classically trained musicians who teach and regularly perform in a variety of styles around the Milwaukee area and beyond.

Tontine Ensemble has appeared as guest artists at Mike Neumeyer and Friends, Danceworks, Inc. (Paleontology of a Woman – 2014, Footsteps, Shadows & Whispers – 2015), Milwaukee Follies, Formations Series for New and Improvised Music, Alverno Presents (Prince Uncovered – 2015) and The Pre-Maturely Air Conditioned Arts Collective.  The ensemble has shared the stage with JOBS, Netmoiré, Lovely Socialite Mrs. Thomas W. Phipps, Geodes, Trench, Jonah Parzen-Johnson, and Jamison Williams.

Tontine Ensemble
http://tontineensemble.com/


“I, Nefarious” CD available for Pre-Order

Fri, 1/08 *Sat, 1/09* |  8pm @ Audio For The Arts Studios

7 S Blair St, Madison, Wisconsin 53703

DOUBLE RELEASE SHOW

$10 admission gets free copy of Bell Monks “Big Bay” EP [Wren&Shark]
$5 for BRAIN GRIMMER “I, Nefarious”

NUDE HUMAN

BELL MONKS

WILLISGRIMMISWILLIMM DUO


 “I, Nefarious” CD compilation by BRAIN GRIMMER

Release Date Jan 8th 2016

on GrimmusiK & Mine All Mine Records

Drawing influences from Hip-Hop, Jazz, and World Music, this CD compilation features the producer heavily on cello & bass as well as Chinese zithers & lutes to create bizzaro covers and off kilter remixes.  Reserve your limited edition disc, co-release with Mine All Mine Records. Features collaborations with SiLas Be Ritchie, Brian Tairaku Ritchie, C.J. Boyd, Bashiri Asad, Nice Boy Vice, Rob Dixon, Justin Brewer, & Alan Watts

Pre-Order Today!


 

Live Set EP by BRAIN GRIMMER now on SoundCloud!

BRAIN GRIMMER  “Live Set (Bonus Cuts)” EP is now streaming on SoundCloud!

Tracks recorded from live BRAIN GRIMMER sets 2012-2013

…with a few bonus tracks sprinkled in.

Live Set (Bonus Cuts) EP

All tracks produced and performed by BRAIN GRIMMER
Cello, Guzheng, Guqin, Ableton Live, APC 40, QuNeo

Don Cherry – vocals, trumpet (track 2)
Alan Watts – vocals (track 3)
BenZ – rap (track 5)
Aldous Huxley – vocals (track 6)
Nas – vocals (track 7)


6/17 | New Album THE IDEATING KNELL for sale on Signal Dreams

‘The Ideating Knell’ by BC Grimm is now available on Signal Dreams!

Limited Edition CD
16 tracks 70 mins $7
Order your copy today!

ᄼᄽᄿᄽᄿᄼᄾᄼᄽᄾᄿᄽᄿᄼᄾᄼᄽᄾᄿ
A few words on the album from Signal Dreams

 Madison, WI-based avant-jazz explorer BC Grimm is well known locally not just for his phenomenal cello work in live collaborations with artists like Julian Lynch, Spires That In The Sunset Rise, and the mighty Db Pedersen (to name just a few), but also the mind-blowing improvisational chops he showcases with his brother A.J. Grimm in cello-guitar duo The Brothers Grimm and his worldly and detailed production work as Brain Grimmer. More recently, Grimm’s work has been shifting focus toward his intriguing work with two different Chinese zithers, Guqin and Guzheng. We’re extremely proud to present ‘The Ideating Knell,’ a staggering album that combines Grimm’s deep experimentation with the zithers with his love of detailed processing. Honestly, nothing we could say about it could match the beautiful clarity of this statement from BC Grimm himself:

“‘The Ideating Knell’ is an experimental acoustic album of compositions for two ancient Chinese zithers, Guqin 古琴 & Guzheng 古筝. This record includes 6 ‘doppler phase’ pieces for guqin, emulating tape composition techniques to create the movement of sound to/from the vanishing point on the horizon line to/from the listener’s ears. There are 6 pieces for prepared guzheng using: dulcimer hammers, cajon brushes, chopsticks, mate straw, metal bowls, broken teaware, clay sculpting tools, snare wires, & seashell strands. 3 pieces revisit the title track composition from BCG’s 2011 solo guqin album, “Flock Migrates Over The Pines”: with re-recorded, reconstructed versions in two custom tunings, and a new variation on the theme in a traditional tuning. The actual notes in the composition’s score visually depict various forms & shapes of birds taking off into flight, or in formation during flight. Also, specially devised for this project is a new ‘Pentatemperment’ tuning system on guqin, which splits the octave into 5 equal steps, instead of 12 [ low to high: C-40c D0c E+40c G-20c A+20c C-40c D0c ]. Guzheng 古筝, a 21 string bridged zither spanning 4 octaves, and Guqin 古琴, a 7 string fretless zither spanning 1 octave, tune to pentatonic scales. Both instruments share a culturally important performance history stretching back about 2,500 years to the Warring States period.”

Artwork by Nathaniel Ritter. Price is postage paid in the US. Please see shipping rates for Canada/World.  

This Signal Dreams batch also includes: Troy Schafer ‘Untitled No. 1‘ & Derek Rogers ‘Prevais‘.

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