CALL FOR SCORES LunART Festival celebrating women composers (June 28th-30th Madison, WI)

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June 28-30th, 2018  Madison, WI

Celebrating women composers

Call For Scores (Deadline March 1st, 2018)

Serbian flutist Iva Ugrčić is organizing this year’s LunART Festival for women composers – taking place in Madison, WI from June 28-30th, 2018!  This three-day festival features a remarkable range of women, diverse and varied in their artistic visions, but with the shared passion and desire to make their voices heard!

The vision for LunART festival is to empower women in the arts by fostering originality, honoring diversity, and strengthening equality – and to put Madison on the world map as mecca for women artists.

Festival Events include four classical concerts presenting the work of women composers, a musicological lecture about women in the arts, as well as “Starry Night” after hours performances featuring local women jazz and hip hop artists, and singer-songwriters. Visual art, photography, and spoken word will be woven into all Festival events, and we are thrilled to include the Madison Youth Choir in our Closing Gala Concert.

Our 2018 Composer in Residence is award-winning composer Jenni Brandon, whose instrumental and vocal music will be showcased in our Gala concerts, including two world premieres! She will coach the LunART Festival “From Page to Stage: Emerging Composers Workshop,” offering master classes, lectures, and discussions about collaboration and tools necessary for a successful freelance career in the arts. Additionally, we have created an annual Call for Scores, open to women composers from around the globe.


Call for Scores poster

CALL FOR SCORES

(Submission Deadline Dec 1, 2017- Feb 1, 2018)

Designed for professional composers. Up to three works will be chosen and then presented each night of the Festival. Composer can come and she will have free housing provided.

Performances

Thursday June 28 @ MMoCA Lobby 7pm

Friday June 29 @ Promenade Hall, Overture Center 7pm

Saturday June 30 @ FUS Auditorium 7pm

FROM PAGE TO STAGE – Emerging Composers Workshop

(Submission Deadline Dec 15, 2017-March 15, 2018)

For younger composers and students that still need guidance and tools for professional careers.  The Page to Stage concert will be Saturday June 30 @ Capitol Lakes 2pm. Fee for this is $150 for the professional concert and recording, workshop with musicians, and masterclass with the composer, + all events for free.

 


LunART Festival Mission

The mission of the LunART Festival is to support, inspire, promote, and celebrate women in the arts through public performances, exhibitions, workshops, and interdisciplinary collaboration; thus enriching our community and creating a welcoming space for learning and experimentation.

About Dr. Iva Ugrčić  FOUNDER & ARTISTIC/EXECUTIVE DIRECTOR

“There is a place for everyone under the Sun.”

Serbian flutist Iva Ugrčić is one of the most exciting and adventurous young flutists in the international pantheon. Described as “a natural star on her instrument,” Iva has been featured as a solo artist and a chamber musician at numerous music festivals, touring and performing around Europe and the United States. She is a musician who has worn many hats throughout her professional career: flutist, teacher, artistic director, entrepreneur, freelance musician and recording artist, among others. Since moving to the United States (2014), Iva has performed with many orchestras and chamber groups.

She currently plays with Black Marigold Wind Quintet, ID flute and percussion duo, and Sound Out Loud contemporary chamber music ensemble.

After completing her Bachelor and Master’s degrees at the University of Belgrade Academy of Music, Iva Ugrčić moved to Paris, where she studied flute performance and chamber music for three years with Pierre-Yves Artraud and George Alirol.

Iva Ugrčić’s solo album, The Four Seasons by Antonio Vivaldi was released in September 2014. The same year, Ms. Ugrčić was awarded the prestigious Paul Collins Fellowship at the University of Wisconsin-Madison School of Music, where she completed her Doctorate of Musical Arts degree (2017), studying with flutist Stephanie Jutt. Iva won the Shain Irving Duo Competition in 2015 as well as multiple concerto competitions, performing as a soloist with the UW-Madison Symphony Orchestra and Miami Summer Music Festival Symphony Orchestra. In 2016, Iva received a James R. Smith Orchestra Award for excellency and leadership. She is finishing up her second solo album Cries and Whispers – Flute Works by Doina Rotaru, and currently serves as Artistic Director for the Rural Musicians Forum in Spring Green.


 

11/3 | InDIGenous Jazz Series: Nestle and Lovely Socialite @ Wisconsin Union Theater

Fri, 11/3 | Free! Doors Open 7:00p

@ Wisconsin Union Theater

800 Langdon St, Madison, WI 53706

Nestle (Album Release)

Lovely Socialite

fb.event || Tone MSN feature

from GMJC: Concerts of fresh original music, in a great listening room, with no cover charge. That’s what music fans will find at the UW Memorial Union’s Frederic March Play Circle on four Friday evenings this Fall as the Greater Madison Jazz Consortium (GMJC), Madison Music Collective and Wisconsin Union Theater present the sixth season of “InDIGenous Jazz”, a series that showcases music composed and performed by our community’s finest jazz musicians.


Nestle: Leading off this double-header concert is the experimental trio Nestle, which includes local bassist Rob Lundberg, in the premiere performance of their new GMJC-commissioned suite, “Bird Song.” This unique new suite uses archived sounds from the Cornell University Lab of Ornithology as the music’s primary generative element. In addition to Mr. Lundberg, Nestle members include Twin Ports-based guitarist Cyrus Pireh and Chicago-based percussionist and electronics artist Ryan Packard. They’ve been together as a band for two years and have developed a flexible free-flowing turn-on-a-dime improvisational rapport.

Lovely Socialite: The second set features the quirky Madison-based sextet Lovely Socialite whose bold and intricate compositions combine the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop. Often compared to Frank Zappa & The Mothers of Invention, its members include Corey Murphy (Trombone, Electronics), Abe Sorber (Vibraphone, Drums), Pat Reinholz (Electric Cello, Electronics), Brian Grimm (Pipa, Gaohu, Guzheng, Cello, Electronics), Ben Willis (Double Bass, Electronics), and Mike Koszewski (Drums, Percussion). For this concert, they will perform works composed by the band’s members over the past few years.



Nestle Bio:
The Nestle trio exists in performance.
The Nestle trio is listening.
The Nestle trio is a realization of visions.
The Nestle trio is an expression of being through doing.

The Nestle trio of Robert Lundberg, Ryan Packard, and Cyrus Pireh respectively assemble an instrumentation of double bass and electronics; percussion, accordion, and electronics; and 9-string electric future lute.

To live and thrive in the current situation invokes a certain music: not a music to put on as background or a music to wear as a shirt or badge and gain entry into social sets.

A music that is the result of doing.
A music that is the result of people.
A music that exists as proof of existence.

Lovely Socialite Bio:
Lovely Socialite, formerly Lovely Socialite Mrs. Thomas W. Phipps, is a Milwaukee/Madison-based six-piece that combines the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop. Lauded for their bold and intricate compositions, the group often draws comparisons to Frank Zappa and the Mothers of Invention. The band’s original music combines strict notation with moments of improvisation and maintains a healthy balance of dark and heavy rock grooves with quirky jazz obscurities.

While Lovely Socialite’s unusual mix of strings, traditional Chinese instruments, brass, and a jazz rhythm section suggest that the group might be a contemporary music ensemble, it is their use of stomp boxes, vocal processors, and other electronics that makes the group a suitable fit for any rock, hip-hop, or jazz bill. In fact, Lovely Socialite has been privileged to share the stage with such artists as Dessa, of Minneapolis hip-hop collective Doomtree, as well as performing live on the UW Madison Terrace with Brian Ritchie of the Violent Femmes.

In October of 2015, Lovely Socialite released their second full length album. Nearly two years in the making, “Toxic Consonance” was recorded at Blast House Studios in Madison with Landon Arkens. “Toxic Consonance” represents an edgier and more mature version of the band than their previous endeavor, “Registers Her Delight” (2012), and features extensive production efforts mixing found sounds, vocal samples, and electronic effects into their live-style recording.

Promotional Cosponsor: Terra Incognita

9/8 | Tatsuya Nakatani Gong Orchestra @ Art In

Fri, 9/8 | 8pm $12 @ Art In

1444 E Washington Ave, Madison, Wisconsin 53703

Tone Madison presents:

Tatsuya Nakatani Gong Orchestra

Pennsylvania-based avant-garde percussion master Nakatani returns, this time leading a large ensemble of local musicians playing gongs. The Gong Orchestra uses Nakatani’s bowing techniques to create an otherworldly array of harmonics and textures. It’s a gorgeous, powerful sonic experience you won’t want to miss.

$10 presale, $12 day of, $8 for Tone Madison sustainers (patreon.com/toneMSN)

(September 5th) Update!

Curator’s notes by Scott Gordon via Tone MSN


8/4 | Brennan Connors & Stray Passage @ Cafe Coda

Madison Jazz trio Brennan Connors & Stray Passage will perform tonight at Cafe Coda from 8-11pm.  The cover is $10.  We’re very excited to play a club which is specifically meant for listening to Jazz!  If you are free, come hang with us.

Cafe Coda
113 W Dayton St., Madison, Wisconsin 53703

 ** Keep an ear out for our upcoming CD, “Emergence”, coming out this fall on Italian labelsetola di maile |http://www.setoladimaiale.net/catalogue/view/SM3300

5/10 | Encore Performance of Schoenberg’s “Pierrot Lunaire” @ Music Hall!

 

Wed, 5/10 | Free, 6:30pm @ Music Hall

925 Bascom Mall Madison, WI

Sound Out Loud’s Encore Performance of

Arnold Schoenberg’s “Pierrot Lunaire”

Featuring Soprano Mimmi Fulmer

Music History Introduction by Lee Blasius

Le Pierrot Lunaire is in music what Picasso’s Les Demoiselles d’Avignon is to painting or James’ Joyce’s Ulyssses is to literature. These three revolutionary works, written in the first decades of the 20th century, have completely redefined the accepted aesthetic standards of their time and opened wide new paths to artistic creation.

Le Pierrot Lunaire is a rarely played piece because of the challenge it presents to the singer. Schoenberg uses a vocal technique, the “Sprechgesang,” that combines spoken and singing voice, a formidable task for a singer.  – Marc Vallon , UW Faculty

American soprano Mimmi Fulmer first performed “Pierrot lunaire” in 1978 at the famed Tanglewood Music Festival. Sound Out Loud is thrilled to be performing this work for the again the guidance of such an experienced & knowledgeable performer of the work. Mimmi and Ric Merritt have crafted a performers’ singing-translation of this work from German to English. Friday, March 17th we will perform it in it’s original German text.

Mimmi Fulmer performs repertoire ranging from early music to premieres of works written for her. Her distinguished career in new music includes premieres of nine roles in eight operas. An expert on Nordic repertoire, she is the editor of a three-volume anthology of songs from Finland, Sweden, Norway and Denmark. Her discography includes six CDs of American music and a CD of songs from Finland, Sweden and Norway, and she has been included in the Fulbright Specialist Roster in American music.


Excerpt from March performance notes:

“Pierrot lunaire” was composed by Arnold Schoenberg (1874 – 1951) in 1912 and is his 21st Opus.  It’s 21 short movements (3 cycles of 7) explore the poetry of Albert Giraud (1860-1929), originally published 1884 in French.

‘Pierrot’ is one of Schoenberg’s last works of “free a-tonality”, before Opus 23 which introduced his 12-tone Serialism approach to composition – forever changing the course of 20th Century music.  In this new dodecaphonic democracy, all notes were equal, and weightless of tonicisms.  It helped form a great schism in the 20thC between two great approaches to composition: Serialism (eg. Schoenberg) vs Neo-Classicism (eg. Stravinsky).  Part of the pre-serialism brilliance of “Pierrot lunaire” is Scheonberg’s invention of sprechstimme.  This new vocal technique was a form of speak-singing, which allows for a beautiful ambiguity in pitch – removing Schoenberg yet one more step from tonality.  In sprechstimme, the singer glides up and down from one note to another – only ever sustaining three “traditional” pitches in the entire 40 minute piece.  All of this results in a dazzling display of colors and orchestrational puissance to tell the tales of this tragic clown.


4/20 | Sound Out Loud performs “Music for 18 Musicians” @ Overture Center

Thr, 4/20 | 7:00pm FREE @ Overture Center, Madison WI

Conney Conference on Jewish Arts Presents

MUSIC FOR 18 MUSICIANS by Steve Reich

Featuring SOUND OUT LOUD ensemble & friends

Free performance to take place in PROMENADE HALL

Ages 5 and up
Running Time: 1 hour
Please note this concert is continuous music with no break.

[via Overture Center]
Sound Out Loud is a seven-member, new music ensemble based in Madison, Wisconsin. The group specializes in contemporary music from the early 20th century to the present, as well as commissions new works to be written for it. Having drawn inspiration from numerous performance ensembles (such as Eighth Blackbird, Silk Road, and the International Contemporary Ensemble), the group seeks to expand the realm of possibilities within the chamber ensemble repertoire through the implementation of experimental techniques, the incorporation of a variety of instruments and musical styles from the Middle East and Asia, innovative performance practice, and the use of live electronics. Along with other Madison-based musicians, the group’s inaugural concert was an outdoor performance of Steve Reich’s Music for 18 Musicians, which was enjoyed by unsuspecting passers-by and was covered in several Madison-area arts blogs. It was that performance that attracted an invitation from the Conney Conference to perform again at their 2017 conference. For more information about the core ensemble, click here.

3/17 | Sound Out Loud performs “Pierrot lunaire” @ Mills Hall

sound-out-loudpierrot-lunaire

Pierrot écoutant, 1854, by Nadar

Fri, 3/17 | Free, 8:00pm Mills Hall

455 N Park ST, Madison, WI, 53706

Le Domaine Musicale

Schoenberg’s “Pierrot lunaire”

Ravel’s “Chansons madécasses

Sound Out Loud will perform Schoenberg’s expressionistic masterpiece about the ravings of a lunatic clown, featuring UW vocal faculty member Mimmi Fulmer.  Also on the program will be Ravel’s “Chansons madécasses“, featuring vocalist Sarah Richardson.

“Pierrot lunaire” was composed by Arnold Schoenberg (1874 – 1951) in 1912 and is his 21st Opus.  It’s 21 short movements (3 cycles of 7) explore the poetry of Albert Giraud (1860-1929), originally published 1884 in French.

‘Pierrot’ is one of Schoenberg’s last works of “free a-tonality”, before Opus 23 which introduced his 12-tone Serialism approach to composition – forever changing the course of 20th Century music.  In this new dodecaphonic democracy, all notes were equal, and weightless of tonicisms.  It helped form a great schism in the 20thC between two great approaches to composition: Serialism (eg. Schoenberg) vs Neo-Classicism (eg. Stravinsky).  Part of the pre-serialism brilliance of “Pierrot lunaire” is Scheonberg’s invention of sprechstimme.  This new vocal technique was a form of speak-singing, which allows for a beautiful ambiguity in pitch – removing Schoenberg yet one more step from tonality.  In sprechstimme, the singer glides up and down from one note to another – only ever sustaining three “traditional” pitches in the entire 40 minute piece.  All of this results in a dazzling display of colors and orchestrational puissance to tell the tales of this tragic clown.

mimmi_fulmer_2_300x800-710x300

UW Madison Voice Faculty Member, Soprano Soloist Mimmi Fulmer.

American soprano Mimmi Fulmer first performed “Pierrot lunaire” in 1978 at the famed Tanglewood Music Festival. Sound Out Loud is thrilled to be performing this work for the first time under the guidance of such an experienced & knowledgeable performer of the work. Mimmi and Ric Merritt have crafted a performers’ singing-translation of this work from German to English.  Friday, March 17th we will perform it in it’s original German text.

Mimmi Fulmer performs repertoire ranging from early music to premieres of works written for her.  Her distinguished career in new music includes premieres of nine roles in eight operas.   An expert on Nordic repertoire, she is the editor of a three-volume anthology of songs from Finland, Sweden, Norway and Denmark.   Her discography includes six CDs of American music and a CD of songs from Finland, Sweden and Norway, and she has been included in the Fulbright Specialist Roster in American music.