9pm – 12am No Cover | Five Points Jazz Collective Live at the Mason Lounge
416 S Park St, Madison, WI 53715
After 7 years of keeping the time in-line at the Mason Lounge every Tuesday night with the Five Points Jazz Collective, our drummer Eric Shackelford is stepping down. Come join us tonight to celebrate his seven years in service of the groove! Also, we’ll be celebrating the birthday of our fearless bartendress, Kate!
It’s been so much fun playing bass in the Five Points Jazz Collective with Eric at the helm of the pocket. Famous for his “buh-da-dun dun dun, _ duh-nunt!” endings and exciting solos, Eric has been the bedrock of the the Five Points sound for 7 years! In that time, Eric and I have developed what I would describe as an effortless groove. It’s easy and it just goes… You don’t have to think about it or calculate, you simply play. And for me, that’s when it’s really fun. If I ever throw a funky surprise at Eric, he’s ready to catch it and throw it right back at me. And when it’s time for a drum-and-bass-trade during solos, I know things are gonna get interesting because of his careful listening and conversational style. In fact, some of my favorite memories during my time with “the Tuesday Night Squad” have been those drum’n bass trades!
A versatile drummer, Eric also plays heavy in the blues trio Aaron Williams and the Hoodoo. It’s actually not common nowadays to play with a Jazz drummer who can bust out a solid blues style. Well, Eric’s got a whole bag of blues baby. I’ve always enjoyed hearing the blues side of jazz come out in The Shack’s playing. Sometimes just for a chorus during a solo, always in good taste.
One of my favorite memories playing with Eric and the Five Points Jazz Collective happened this past Fall 2019, when we collaborated with Music con Brio at the Barrymore Theater (pictures below). It was a crashing together of worlds for me, because I also teach cello at Music con Brio! Eric did such a fantastic job playing fun drum beats to fit the children’s songs and the kids had a great time. The cello group’s favorite moment was performing the surf-rock edition of “Drunken Sailor”!
Eric has the unique gift of an experienced drummer who know’s how to play-the-room. It’s a rare thing indeed for a drum set player to keep the volume at a low, manageable level yet also hold up the energy and create an exciting group sound. The Shack-man has always found the sweet spot at the Mason Lounge and never overplays the room. Quite a feat! This is but one of the many reasons why Eric will be leaving some big shoes to fill for the next drummer of the Five Points!
We tip our hats to you Eric and raise a glass… or two or three. We’ll miss you and your drumming at the Mason Lounge each week. It’s been a blast and we cherish the friendship & music we’ve created with you over the last 7 years!
We wish you the best! from solid-blue-Brian, the Five Points Jazz Collective & The Mason Lounge
Composed, Recorded and Premiered in August of 2018 by BC Grimm (b 1986) for the 2018 Madison New Music Festival. All instruments performed by BC Grimm. Available for Download on September 20th, 2019 to mark one year since Grandma Joyce’s passing. This release is also in remembrance my Grandma Nerren who passed away this summer, her 97th birthday would have been on September 17th. Much love to both my Grimm and Nerren families.
[About the Work] Those who have passed away continue to pop up in the everyday moments of our lives. This work explores the modern dichotomy of navigating grief and mourning whilst carrying on with your work day and life obligations. You’ll hear field recordings of my day-to-day experience fused with instrumental composition and sound design. These “scenes” reference and even recreate real life moments I had in 2018 while in the wake of a series of close friend and family deaths. Many scenes are embedded with inside jokes or nods to the loved ones who passed. In addition, some scenes imagine what may be taking place for the dying at the transition between this world and the next. I felt that I didn’t give myself permission to truly process my grief publicly when this was all happening – how many of us are quietly carrying around these feelings at the same time?
A month after the premier of this work, I felt like I’d had a chance to process and contextualize my feelings and was scheduled to perform the piece a second time on 9/20/2018. Ironically, that was the day my Grandma Joyce passed away and the themes of this piece played out in front of me once again, in real time. I received “the call” right before leaving for work in the morning and had 3 jobs to work that day… run to the next run to the next run to the next. But on that day, I told everyone of the news I’d just heard and what I was going through internally. It helped me to get through that day without breaking down. I just couldn’t believe it had happened again, like clockwork. I’d like to thank Taralie Peterson, who performed a set of free improvisation as a duet with me that night. It was the first time that whole day I was able to let out and explore my feelings about my Grandmother’s passing.
[Dedications] The 2018 composition, recording and performance of “They’re Still Here” is dedicated in loving memory to Patrick Kelly, Ross Sutherin & Brian White-Stout and to the Grimm, Sutherin, Kelly, Morrow, White-stout & Brethauer families. I’d like to dedicate the 2019 public releasing of this music to my Grandma Joyce & Grandma Nerren, and to my Nerren and Grimm families. Both grandmas passed away in the last year since the making of this piece. I miss you both very much and think of you often when I play cello now.
[Album Art] A special heartfelt thank you to one of my Art heroines growing up, Aunt Jean (daughter of Grandma Joyce) who made the Album Art for this release. I’m so glad we were able to collaborate on this special project.
[On Listening] “They’re Still Here” is meant to be listened to and contemplated in one continuous sitting. Therefore the movements haven’t been separated, to facilitate the best listening experience (as it was performed live).
[00:00] SCENE I “Passing of a Friend, The Work Day Begins”
Tenor Viola da Gamba with field recording
[02:31] SCENE II “News Cycle On Fire: Rbt. Mueller’s Lonely Russia Probe”
Gaohu Cantonese fiddle with foley, field recording, 1940’s radio broadcast, singing bowls, violoncello, dizi flute, bawu flute, xiao flute, sheng mouth organ
[04:25] SCENE III “Do I Tell The Children? No, Teach On.”
Violoncello with field recording, pipa lute, tenor viola da gamba, contracello
[06:27] SCENE IV “Fluorescence Hums The Harmonic Order of Nature”
APC40 (electric hum in Just Intonation)
[10:31] SCENE V “Morning Routine, Scrambled Brains”
Field Recording with foley
[13:00] SCENE VI “A Call With My Brother, Wise Counsel”
*Sarangi-Cello in pipa tuning with claps, cajon, Tyler’s motorcycle
[14:55] SCENE VII “Ask The Corn Spirits”
Bawu flute with gaohu fiddle
[17:28] SCENE VIII “Hermie’s Chimes, They’re Still Here”
Guqin Zither (tuned to Hermie’s chimes) with pipa lute, gaohu fiddle, dizi flute
[21:07] SCENE IX “Funeral Grave”
[22:22] SCENE X “Temple of Ancestors”
Sarangi-Cello in pipa tuning with pipa lute, synthesis
[24:29] SCENE XI “Transfigurations”
Guqin zither with pipa lute, Russian folk harp, singing bowls
[27:27] SCENE XII “Schoolyard in Snow; Children Play On”
Tenor Viola da Gamba, APC40 (electric hum in equal temperament), field recordings,
“sarangi-cello” (d, g, a, d’) is tenor-violin (normally G, d, a, e’ or G, d, a, d’) tuned in pipa lute tuning with alternating wound and plain gut strings. I use a Nakatani-Kobo bow to help create a ‘sarangi-style’ on cello. The bowed Sarangi of North India and Pakistan is normally tuned to Sa=E (e, b, e’). I have my cello modeled after this tuning but a wholestep lower where Sa=D, where my guruji pt. Sugato Nag tunes his sitar. The sarangi has 3 melodic strings and the cello has 4, so I have tried a number of different tuning schemes and have settled on the Pipa Chinese lute tuning – as it is the most settled and advantageous one I have tried: d wound gut, g plain gut, a wound gut, d’ plain gut or silk. Alternate tunings I have used: (1) d, a, g, d’ (2) d, g, g, d’ (3) d, a, a, d’
Tues, 6/11, 9p-12a no cover @ The Mason Lounge 416 S Park St, Madison, WI 53715, USA Isthmus Jazz Festival presents the Five Points Jazz Collective CD Release show with Live Art!
“Don’t Worry About It” CDs $10
Entering Madison’s Mason Lounge for the first time, one immediately notices the quirks. The stuffed chicken in a henhouse in the wall, complete with straw. The action figures dangling from string, rigged up to move when someone opens the door to the restroom. The collection of neckties and paint can lids on the walls. Every element is so out of place, it somehow fits.
Like the décor, the Five Points Jazz Collectiveis quirky and disparate. Serving as the house band since the Mason opened in 2010, the Collective is an extended family of local musicians from varied backgrounds. Playing a mixture of jazz old and new, the group has evolved over the years from an open jam into a stable sextet with an increasingly large repertoire.
In its current incarnation, the group consists of Rin Ribble (violin), Eric Shackelford (drums), band leader Charlie Painter (guitar), Trey Grimm (keyboard), Kyle Rightley (trombone and euphonium), and Brian Grimm (bass and contracello). As Tuesday night regulars will attest, no two shows are ever alike. Listeners can expect to hear many subgenres of Jazz including swing standards, modal jazz, latin jazz, pop arrangements, blues, and funk.
About the CD Release
In collaboration with the Isthmus Jazz Festival, the Five Points Jazz Collective will be celebrating its first official album release! For 5 years the sextet version of this collective has played nearly 50 shows a year and decided it was time to lay down favorite selections of our vast catalogue. When listening to this debut album, you’ll feel the energy and spontaneity of the Five Points live sound with the buzzing atmosphere created by our regular fans. CDs and download cards will be available for sale at the show. Come grab your very own copy of this special recording captured live at the Mason Lounge!
Our CD Release will be made extra special with live visual artist contributions. Watch along as one of our most regular supporters John Ribble, plus special guest Jim McKiernan, create portraits of band members in real time to our music!
The mission of LunART Festivalis to support, inspire, promote, and celebrate women in the arts through public performances, exhibitions, workshops, and interdisciplinary collaboration; thus enriching our community and creating a welcoming space for learning and experimentation. This international art festival features engaging and accessible events and concerts in Madison, an educational program for emerging composers, as well as community building events for artists. LunART interweaves art forms throughout events, offering diverse and exciting programming, where creativity is queen!
Join us for a Playhouse Gallery Reception from 6 PM – 8 PM! Art Discussion with Kelly Parks Snider starts at 6:30 PM!
We are women united against hate. We are mothers, sisters, grandmother and caretakers. We are joined together purposely to shine a light, capture attention, and push back against injustice.
A collective effort of artists and activists, “Women Against Hate United by Love” is a platform, an entry point for a female-led anti-hate campaign united against bigotry, intolerance and racism. The creative building blocks for our artwork and messaging are women’s stories—powerful, tough, revealing stories of injustice, tragedy, strength, and amazingly, hope.
The goal of “From Page to Stage” is to support emerging women composers in gaining a clearer understanding of not only expressing their creativity, but also creating clear scores, cultivating relationships with performers, and the art of collaboration. The master class with festival composer-in-residence Valerie Coleman will explore works submitted by participants, while talks about collaboration and the role of the independent composer will offer participants a well-rounded approach to growing their own careers.
Join the LunART Festival in celebrating women in the arts with our opening gala concert. Featuring chamber music, poetry, monologues and aerial dancing, this concert will be a spectacular showcase of creativity by women artists!
Program: Kirsten Volness little tiny stone, full of blue fire for flute/alto, clarinet/bass clarinet, violin & cello
Valerie Coleman, Tzigane for woodwind quintet
Barbara Strozzi, L’Astratto, Opus 8.04 Che si può fare, Opus 8.06
Hilary Tann, The Walls of Morlais Castle for oboe, viola & cello
Kate Soper, Only the Words Themselves Mean What They Say for flute & soprano
Special guests: Andrea Musher – poet Deborah Hearst – theatre artist Linda DiRaimondo – aerial dancer + BC Grimm guqin zither
What does it mean to create art as a woman in the 21st century, and how do our experiences shape what we produce and perform? Join us to hear stories of modern women and their unique personal journeys that led them to lives and careers in the arts.
This is a free pre-concert lecture that is open to the public. Stick around for the 7 PM concert Portraits of Josephine featuring an evening of music and dance.
Join us for a night of music and dance! Featuring a percussive string quintet by composer Edna Alejandra Longoria and a choreographed exploration of rhythm by dancer Liz Sexe & Kimi Evelyn, this concert will have you moving in your seat throughout the evening.
Ellen Taaffe Zwilich, Concerto for trumpet and five players
Valerie Coleman, Portraits of Josephine wind quintet
Edna Alejandra Longoria, Danzas Cautivas for string quintet & piano
Liz Sexe, Lone Sum: Part II (choreographed dance)
Stacy Garrop, My Dearest Ruth for soprano, violin, cello, clarinet & piano
Kimi Evelyn, She (choreographed dance)
Missy Mazzoli, The Sound of the Light for flute, violin, trumpet, trombone & piano
This lineup of amazing comedians is gonna be a stunner! Featuring local comics from the Midwest who are blazing a trail of funny that will leave you gasping in their wake. Come to the Robinia courtyard where these Queens will be “Holding Court.”
We are extremely excited to welcome our 2019 participants to LunART’s educational program “From Page to Stage: Emerging Composers!” After attending masterclasses and workshops, these 6 talented composers will have their compositions performed by Madison musicians during this free concert at Capitol Lakes.
Emily Joy Sullivan – Dangerous Curves Ahead for violin, cello & piano
Claudia Sofía Alvarez Cuba – Nada queda (Nothing Left) for soprano & marimba
Shelby Scott – Going Thoughts for piano solo
Veronica Cator – Direction for string quartet
Anna Marcus-Hecht – Transfiguration for mezzo-soprano & piano
Join us for our final gala concert of the festival! This program will feature a wickedly upbeat clarinet & piano duo by Eunike Tanzil (who will be here to perform the piece herself!), Clara Schumann’s classic Piano Trio in G minor, and Valerie Coleman’s groundbreaking Afro-Cuban Concerto for wind quintet.
The ARTemis Women’s Choir returns for a second year and we’ll be featuring the artwork of women artists from Studio 84, Inc. and ARTWORKING, two nonprofit organizations that support artists with disabilities.
ARTemis Women’s Choir: Joan Szymko, Eli Eli Meg Huskin, Oblivion Jocelyn Hagen, Moon Goddess Alexandra Olsavsky, What Happens When a Woman?
Eunike Tanzil, Catching Time! for clarinet & piano
Clara Schumann, Piano Trio in G minor for violin, cello & piano
“Mooning Around” Poetry Reading and Artist Mixer – no better way to close our 2019 season! Join us for a performance of “One for Mileva Maric (Einstein)” by Andrea Musher, with special guests Sarah Whelan and Jackie Bradley, and poetry readings by The Line-Breakers: Andrea Potos, Eve Robillard, Rosemary Zurlo-Cuva & Katrin Talbot.
Enjoy your morning coffee and brunch while making creative connections with other artists. Open the public and all artists – bring your portfolios, business cards, and get creative!