I’m Leaving My Teaching Posts…

Here’s a little Bach gigue to dance you away, in joyful spirit

Life Update

Monday, 8/23/2021 was my last day teaching cello lessons! I’ve kept this pretty quiet, but I’m stepping away from all of my teaching posts at Monroe Street Arts Center, Prairie Music & Arts, and Music con Brio. It was a hard decision to make, but ’twas something that had been on my mind for a few years (even before the pandemic hit). Though I’m sad to say goodbye to all of my cello students and supportive families, I’m glad for all of the time we got to spend together making music! That time means a lot to me and I hope that I was able to make a positive impact on your lives.

It’s been pretty surreal to say ‘good-bye’ virtually to all of my students and employers, as opposed to in-person… I’ve taught at Monroe Street Arts Center and Prairie Music & Arts for 7 years and Music con Brio for 3 years, time just flies! I became close with many of my bosses and fellow teachers, and was really lucky to teach along side some very good friends and even some bandmates (how cool is that)! Though I’ll no longer be teaching for Music con Brio, I’ll still be on board as the Music Engraver for their Black Composer Project!! Can’t wait to see how this program blossoms!

An enormous Thank You to all of the administrative staff who helped schedule lessons, handle payments, and recruit students who fit my teaching style. Big Love and Respect to my bosses for believing in me as a teacher, and for giving me critical feedback alongside educational training to better my interactions with students. I learned A LOT.

I’ll be posting up more video lessons on my Brian Grimm’s Cello Zone YouTube & Instagram pages once the dust settles on the next few projects. So folks can continue to learn from me in that capacity, if you find my videos helpful.

I’m stepping away from teaching to focus my energies on Composition and Recording. Now that lessons are finished, I’ll be diving straight into doing sound design and theater score for 2 different Plays under the direction of my dear friend Mikael Burke!! Super excited to jump into the deep end on these productions, including a return to my alma mater Butler University!

PS. If you or your ensemble would like to commission a piece from me, or your band is going on tour and could use my mult-instrumental services… hit me up!!!


Episode XXI: Return of the Five Points!

Tuesday, 7/6/21 8-11pm No Cover @ the Mason Lounge!
416 S. Park St.

On the left side you can see the Five Points set from our last Tuesday night hit at the Mason on 03/10/2020, before the Covid shutdown happened. On the right side, you can see our set list for 07/06/2021 – the first set we’ll play since the pandemic hit! That squiggling green line down the center of the page represents the last 16 months…. Crazy!

Wow!! After playing bass with the Five Points Jazz Collective at the Mason Lounge every Tuesday for 7 years, the Covid-19 pandemic hit and shut everything down. Hard stop. It was one of the many bizarre experiences resulting from the global pandemic that all musicians had their upcoming gigs cancelled immediately. What a shock and unfamiliar place to find our whole community and then of course we felt it in our pocket books for all of 2020, and now half of 2021. This is the least I’ve performed in a long, long, long, long time. Not only did all of that income straight up disappear, but many of us who teach music as well as perform, &/or hold down multiple part time jobs DID NOT qualify for the new “pandemic gig worker unemployment insurance” (which seems like a huge crack to fall in as a professional musician…). But, more importantly, we didn’t get to hang out with all of our bandmates in rehearsals or on stage for over a year… what a drag!

We’re all very aware of the times we live in, so let’s get on to the good news…. the Five Points Jazz Collective is BACK baby, and we’ll be the first group playing live-music at our most beloved craft brew bar, the Mason Lounge! We’ll be bringing you a classic 5 Points set on Tuesday, 7/6/21, filled with Jazz, Funk, Blues and Originals. And for the record, we plan to write a whole bunch more originals moving forward, which I know you’re excited to hear. Come on, just think of Kyle’s tune “Start Somewhere” or Trey’s originals “Unspiration”, and “After Close” – you know you want to hear more of those jibbiddy-jamz. Plus you better believe that I’ve got a few tunes for the 5PJC up my sleeve. There Will Be Funk.

THE CHANGES

  1. TIME
    First thing for all of you regulars to note is that our time has changed, we are bumping the whole show an hour earlier! From now on, we’ll be playing from 8-11pm. A lot of people have been requesting this change, even some of the bandmembers! So come down a little earlier and enjoy local Jazz for a little longer before you head home. We’re pretty excited about this earlier time slot, and we hope it means that we can see more of more of you at the Mason. 😉❤

  2. EVERY TUESDAY?
    Speaking of time and timing… “are we going back to our EVERY Tuesday of the year schedule???” NO. We will not be playing every Tuesday. We’ve talked with the owner, and he’s got some new, cool plans for the music at the Mason. Five Points will play something closer to once a month. However, that probably won’t always be at the Mason, we are looking to branch out and play other spots too. We’d love to hear suggestions from you, what’s a great place you love to see Jazz and Funky music where you think the Five Points would fit in? Leave a comment or contact us and let us know about cool venues we should check out! There will still be themed music nights at the Mason, for instance Jazz night on Tuesday and Bluegrass night on Thursday… however, it won’t be the same house-band playing each week. Which is cool for you, because that means there will be more variety of music for you to check out! Speaking of the owner….

  3. OWNERSHIP
    Right around when the pandemic hit, the ownership of the Mason changed hands. Many of you regulars got to know Bryan, the tall and good natured bartender serving up delicious beers, but maybe you didn’t realize that baseball cap wearin’ son-of-a-gun was the owner! Now the Mason Lounge is in the hands of Matt, also a baseball cap wearer… but with glasses & beard, so don’t get them confused. Matt has been tending bar at the Mason for years and we know that the joint will be in good hands. The Five Points crew went down to visit, and we can confirm that it still looks and feels like the Mason. Matt has kept up the vibe very well! We wish Matt all of the best luck as he takes the Mason into it’s next chapter!

    We’ve got nothing but love for Bryan (even though he spells it with a “y”), he really took care of us and became our friend. One of my favorite things about Tuesdays was when he would come over to the band to ask if anyone needed a drink. I would simply describe how I was feeling, or give him an abstract prompt. He’d scratch his chin, give it a ponder, then say “yea… I think I’ve got something for that…” Then he’d come back with a beer that perfectly interpreted my mood, fancy and indulgence. A sport for the challenge and never did he disappoint. Thanks for all of the Thanksgiving wines and Christmas socks Bryan; and for being an all around upstanding dude. We will all miss seeing you when we play at the Mason, but hopefully you will stop by sometime when we are playing… for old times sake.

  4. LEADERSHIP / LINE UP:
    Speaking of changes in ownership, or leadership in this case… Charlie Painter, our long time fearless bandleader and friend, has officially decided to step down from his roll as bandleader and also to step away from his roll as guitarist for the Five Points Jazz Collective. Charlie decided he really wants to focus on his Charlie Painter Jazz Trio and put his creative energy there. Charlie’s trio has been active around Madison, even in spite of the pandemic. So go check him out at one of his trio gigs and continue to support his music! Charlie is the one who put the band together in the first place and held down the Tuesday night slot at the Mason for an entire DECADE! Can you believe that, that is a lot of Tuesdays. Charlie came up with our setlists, directed the vision of our arrangements, sorted out who would be soloing and when, took care of the money management and booking duties. That’s a lot of work! Not only that but he showed up each week with the whole 2+ hour set memorized and played his heart out. I don’t think I ever heard Charlie be ‘lazy’ up there on stage, he never gave you any half-assed Jazz. Charlie came to play his best each week and approached the bandstand with respect. And he’s been making good use of this pandemic, studying new courses in Jazz Theory from some cats in New York, so you know he’s going to keep learning and ripping. Go see his trio and hear what he’s up to!

    Charlie, we love ya buddy and wish you the best on your new Jazz journeys. Thanks for bringing Trey (piano), Rin (violin), Kyle (trombone), Eric (drums) and myself (bass) together to form the Five Points Jazz Collective (we’ll be keeping the name). We’ll miss playing with you and appreciate all of the work you put in for this group and for the Mason Lounge the past 10 years! 🎶🎵🎼♥♥♥♥

  5. FRANKENCELLO
    Lastly (I think…), speaking of line up changes, I’ll still be playing fretless bass and fretted bass for the Five Points; but in an exciting turn of events, I’m adding Frankencello to my quiver on stage (*applause and cheers*)!! For those of you who don’t know… #Frankencello is my homemade electric cello that I normally play with Madison Free Jazz Trio Brennan Connors & Stray Passage, and with psychedelic Jazz Rock Sextet Lovely Socialite, and solo as BC Grimm. However, now it is slinked up with traditional gut strings and it sounds freakin’ fantastic. It’s almost unbelievable how much more natural and cello-like it sounds with gut strings on an electric cello, rather than steel. More warmth, more resonance, more bass, and of course more girth. I’m excited for it to open up some new sonic possibilities for the band. As an example, we’ll now have two bowed string instruments in our group, and there’s been some discussion of other instruments sneaking on stage as well….

That’s all for now, just wanted to give you all the inside scoop on this juicy gossip, straight from the source. We hope to see some of your shining faces at the Mason next week! ❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤


1/7 | Celebrate Shackelford’s Last Jam & Kate’s BDay tonight @ the Mason Lounge

9pm – 12am No Cover | Five Points Jazz Collective Live at the Mason Lounge

416 S Park St, Madison, WI 53715

After 7 years of keeping the time in-line at the Mason Lounge every Tuesday night with the Five Points Jazz Collective, our drummer Eric Shackelford is stepping down. Come join us tonight to celebrate his seven years in service of the groove! Also, we’ll be celebrating the birthday of our fearless bartendress, Kate!

Eric the Shack-man pictured here staring a hole through your soul. The camera lens was injured in the taking of this photograph and was later re-tired. (photo by Matthew Norman)

It’s been so much fun playing bass in the Five Points Jazz Collective with Eric at the helm of the pocket. Famous for his “buh-da-dun dun dun, _ duh-nunt!” endings and exciting solos, Eric has been the bedrock of the the Five Points sound for 7 years! In that time, Eric and I have developed what I would describe as an effortless groove. It’s easy and it just goes… You don’t have to think about it or calculate, you simply play. And for me, that’s when it’s really fun. If I ever throw a funky surprise at Eric, he’s ready to catch it and throw it right back at me. And when it’s time for a drum-and-bass-trade during solos, I know things are gonna get interesting because of his careful listening and conversational style. In fact, some of my favorite memories during my time with “the Tuesday Night Squad” have been those drum’n bass trades!

Drawing of Eric Drumford’n Sons on New Year’s Eve 2020 by master John Ribble, Crawdaddy of Five Points violinist Rin Q Ribble!

A versatile drummer, Eric also plays heavy in the blues trio Aaron Williams and the Hoodoo. It’s actually not common nowadays to play with a Jazz drummer who can bust out a solid blues style. Well, Eric’s got a whole bag of blues baby. I’ve always enjoyed hearing the blues side of jazz come out in The Shack’s playing. Sometimes just for a chorus during a solo, always in good taste.

One of my favorite memories playing with Eric and the Five Points Jazz Collective happened this past Fall 2019, when we collaborated with Music con Brio at the Barrymore Theater (pictures below). It was a crashing together of worlds for me, because I also teach cello at Music con Brio! Eric did such a fantastic job playing fun drum beats to fit the children’s songs and the kids had a great time. The cello group’s favorite moment was performing the surf-rock edition of “Drunken Sailor”!

Eric has the unique gift of an experienced drummer who know’s how to play-the-room. It’s a rare thing indeed for a drum set player to keep the volume at a low, manageable level yet also hold up the energy and create an exciting group sound. The Shack-man has always found the sweet spot at the Mason Lounge and never overplays the room. Quite a feat! This is but one of the many reasons why Eric will be leaving some big shoes to fill for the next drummer of the Five Points!

We tip our hats to you Eric and raise a glass… or two or three. We’ll miss you and your drumming at the Mason Lounge each week. It’s been a blast and we cherish the friendship & music we’ve created with you over the last 7 years!

We wish you the best!
from solid-blue-Brian, the Five Points Jazz Collective & The Mason Lounge


9/20 | Musique Concrète élégie “They’re Still Here” by BC Grimm now available for download, honoring loved ones who’ve passed


They’re Still Here” Liner Notes

Composed, Recorded and Premiered in August of 2018 by BC Grimm (b 1986) for the 2018 Madison New Music Festival. All instruments performed by BC Grimm. Available for Download on September 20th, 2019 to mark one year since Grandma Joyce’s passing. This release is also in remembrance my Grandma Nerren who passed away this summer, her 97th birthday would have been on September 17th. Much love to both my Grimm and Nerren families.

[About the Work]
Those who have passed away continue to pop up in the everyday moments of our lives. This work explores the modern dichotomy of navigating grief and mourning whilst carrying on with your work day and life obligations. You’ll hear field recordings of my day-to-day experience fused with instrumental composition and sound design. These “scenes” reference and even recreate real life moments I had in 2018 while in the wake of a series of close friend and family deaths. Many scenes are embedded with inside jokes or nods to the loved ones who passed. In addition, some scenes imagine what may be taking place for the dying at the transition between this world and the next. I felt that I didn’t give myself permission to truly process my grief publicly when this was all happening – how many of us are quietly carrying around these feelings at the same time?

A month after the premier of this work, I felt like I’d had a chance to process and contextualize my feelings and was scheduled to perform the piece a second time on 9/20/2018. Ironically, that was the day my Grandma Joyce passed away and the themes of this piece played out in front of me once again, in real time. I received “the call” right before leaving for work in the morning and had 3 jobs to work that day… run to the next run to the next run to the next. But on that day, I told everyone of the news I’d just heard and what I was going through internally. It helped me to get through that day without breaking down. I just couldn’t believe it had happened again, like clockwork. I’d like to thank Taralie Peterson, who performed a set of free improvisation as a duet with me that night. It was the first time that whole day I was able to let out and explore my feelings about my Grandmother’s passing.

[Dedications]
The 2018 composition, recording and performance of “They’re Still Here” is dedicated in loving memory to Patrick Kelly, Ross Sutherin & Brian White-Stout and to the Grimm, Sutherin, Kelly, Morrow, White-stout & Brethauer families. I’d like to dedicate the 2019 public releasing of this music to my Grandma Joyce & Grandma Nerren, and to my Nerren and Grimm families. Both grandmas passed away in the last year since the making of this piece. I miss you both very much and think of you often when I play cello now.

[Album Art]
A special heartfelt thank you to one of my Art heroines growing up, Aunt Jean (daughter of Grandma Joyce) who made the Album Art for this release. I’m so glad we were able to collaborate on this special project.

[On Listening]
“They’re Still Here” is meant to be listened to and contemplated in one continuous sitting. Therefore the movements haven’t been separated, to facilitate the best listening experience (as it was performed live).


PROGRAM NOTES

[00:00] SCENE I “Passing of a Friend, The Work Day Begins”
Tenor Viola da Gamba with field recording

[02:31] SCENE II “News Cycle On Fire: Rbt. Mueller’s Lonely Russia Probe”
Gaohu Cantonese fiddle with foley, field recording, 1940’s radio broadcast, singing bowls, violoncello, dizi flute, bawu flute, xiao flute, sheng mouth organ

[04:25] SCENE III “Do I Tell The Children? No, Teach On.”
Violoncello with field recording, pipa lute, tenor viola da gamba, contracello

[06:27] SCENE IV “Fluorescence Hums The Harmonic Order of Nature”
APC40 (electric hum in Just Intonation)

[10:31] SCENE V “Morning Routine, Scrambled Brains”
Field Recording with foley

[13:00] SCENE VI “A Call With My Brother, Wise Counsel”
*Sarangi-Cello in pipa tuning with claps, cajon, Tyler’s motorcycle

[14:55] SCENE VII “Ask The Corn Spirits”
Bawu flute with gaohu fiddle

[17:28] SCENE VIII “Hermie’s Chimes, They’re Still Here”
Guqin Zither (tuned to Hermie’s chimes) with pipa lute, gaohu fiddle, dizi flute

[21:07] SCENE IX “Funeral Grave”
solo Violoncello

[22:22] SCENE X “Temple of Ancestors”
Sarangi-Cello in pipa tuning with pipa lute, synthesis

[24:29] SCENE XI “Transfigurations”
Guqin zither with pipa lute, Russian folk harp, singing bowls

[27:27] SCENE XII “Schoolyard in Snow; Children Play On”
Tenor Viola da Gamba, APC40 (electric hum in equal temperament), field recordings,
foley

  • “sarangi-cello” (d, g, a, d’) is tenor-violin (normally G, d, a, e’ or G, d, a, d’) tuned in pipa lute tuning with alternating wound and plain gut strings. I use a Nakatani-Kobo bow to help create a ‘sarangi-style’ on cello. The bowed Sarangi of North India and Pakistan is normally tuned to Sa=E (e, b, e’). I have my cello modeled after this tuning but a wholestep lower where Sa=D, where my guruji pt. Sugato Nag tunes his sitar. The sarangi has 3 melodic strings and the cello has 4, so I have tried a number of different tuning schemes and have settled on the Pipa Chinese lute tuning – as it is the most settled and advantageous one I have tried: d wound gut, g plain gut, a wound gut, d’ plain gut or silk. Alternate tunings I have used: (1) d, a, g, d’ (2) d, g, g, d’ (3) d, a, a, d’