What Clients, Critics, and Collaborators are Saying…

What Clients, Critics, and Collaborators are Saying…

[Guqin Yoga/Meditation] “Everything is exactly as it should be. Breathe. Listen. Actively and peacefully exist. Swirls of yellows and limes invite you to reflect. Gratitude for this moment is deeper than can be expressed. Observing and participating in the peace that … Continue reading

Jessica Strauss, Playwright/Director

[Guqin Yoga/Meditation]  “I had the immense privilege of experiencing Brian’s musically guided meditation. The centering powers of the qin while masterfully and thoughtfully played by Brian invited me into a state of calm that had seemed unachievable previously. I am grateful … Continue reading

Jessica Strauss, Playwright/Director

[Dance/Theater Score]  “The Collaborative Process – Brian, has worked very closely with our directors to produce not only the kind of sound that a production needs, but the kind of score that transcends the page.   Commitment – Like an … Continue reading

Erin S. Baal, Board of Directors, Strollers Theatre Ltd., Madison

[Dance/Theater Score]  “I strongly recommend Brian Grimm and his work as a composer and collaborator. I worked with Brian on a unique project over an intensive six-month period in 2010 in which he created, composed, and played live onstage an … Continue reading

James Still, Writer and Director, Los Angeles

[Dance/Theater Score]  “Brian Grimm is a true collaborator. I highly recommend him as his expertise, generosity, and improvisational skills made him an integral element of Indiana Repertory Theater’s success with the production of ‘Mary’s Wedding’. Brian’s passion for music, narrative, … Continue reading

Gwendolyn Whiteside, Producing Artistic Director, American Blues Theater, Chicago

[Dance/Theater Score]  “There are very few artists that I trust implicitly, and Brian is one of them.  It’s amazing how much he can capture emotion and the human condition in those inanimate strings.”

Tommy Lewey, Choreographer & Director, NoExit Performance, Indianapolis

[Album Review]  “Madison, WI-based avant-jazz explorer BC Grimm is well known locally not just for his phenomenal cello work in live collaborations with artists like Julian Lynch, Spires That In The Sunset Rise, and the mighty Db Pedersen (to name … Continue reading

Signal Dreams, 2014

[Album Review]  “Madison-based multi-instrumentalist Brian Grimm specializes in playing the guqin and guzheng, Chinese zithers that sometimes run as large as a small canoe. He’s also a classically trained cellist and, under the name Brain Grimmer, produces adept and twisted … Continue reading

Arts Extract Podcast, 2014

[Album Review]  “Madison composer and cellist Brian Grimm’s meditative, experimental soundscapes blend modern improvisational styles with ancient Chinese string instrument technique. …Prepare to be transported into a beautiful dream.“

Isthmus Daily Page, 2016

[Album Review] “[Orbis Obscura] … builds, peaks, and resolves through a series of aural whirlwinds and jolting, churning dialogue between the ancient sonic traditions of a 2,000-year old instrument and a just-encountered effects pedal.”

Emili Earhart, Tone Madison’s “Top 20 Best Madison Records of 2016”

[Album Review] “Brian Grimm is something of an experimental-music powerhouse in Madison.”; ” …one of the most sonically untethered things Grimm has put out there so far—which is saying something, and also not a complaint. He uses this eccentric but … Continue reading

Scott Gordon, Tone Madison, 2016

[Album Review]  “- a totally immersive, blissed-out trip that transports the listener away to distant climes…simply beautiful!”, “…glimmers of ‘sci-fi’ noises bleed through the drones. Over the course of the 35 minutes it totally immerses the listener in wave upon … Continue reading

 Dayz Of Purple And Orange (UK), 2016

[Album Review]  “(Brothers Grimm) … able to create extremely striking contemporary classical with only string instruments.  Compositions like “Stochastic Contexture: Heads” possess the unique ability to calm and agitate almost simultaneously.”

AV Club, Madison, 2012

[Album Review]  “(Brothers Grimm) … compositions are both classical and experimental, both disciplined and exploratory.”

Isthmus Daily Page, 2012

[Services: Events/Fundraiser]  “We hired Brian to provide music for a fundraiser for a community organization with approximately 75 guests. He was wonderful to work with and his music added an element to our event that was unique and elegant. Brian … Continue reading

Lynn K. Lodahl, Attorney, Hawks Quindel s.c.

[Guqin Yoga/Meditation]  “Brian’s accompaniment and flexibility as an artist added elements of grounding, exquisite expression, and serenity to our recent Y-Massage retreat. We are thrilled to be able to work with him again.”

Shannel and LaCouir Yancey, Y-Massage

[Services: Wedding]  “I am so grateful for what Brian brought to our ceremony.  Being able to provide such a broad request for a certain type of mood, having him dial in immediately and help it grow was priceless.  His presence … Continue reading

Neil Jarman

Recent Posts

“In the Practice Room” Bass Guitar No.1!

Replacement + Position Shift Fingering Exercise on Root 4th 5th in each position

This fall I switched back to standard 4ths tuning on my bass guitars. I had been playing bass guitar tuned in 5ths (an octave lower than cello) for the last 7 years!! So it’s been a totally mind bender to relearn the fretboard in 4ths. 🤪 Transitioning back really makes me appreciate all of the great things about a 4ths tuning system. Truth be told, I hadn’t been practicing bass much in the past 5 or so years, I’ve mostly been focused in on cello. But! Changing my tuning back to 4ths is forcing me to practice 😁 So! Every time I practice, I create multiple exercises and then work on it until I have it in the hands. Sometimes it is hyper focused on a certain technique or theory, but other times it is free spirited. This one came out of pure improvisation, and it is a finger twister! The concept is to play Root 5th 4th in the hand (ex 1 3 1) then Root 5th 4th again but as a 1×2 extension where 2nd finger replaces 3 (or stays put if already extended) in order to shift up a position to play the 4th on the lower string with your 4th finger (1×2 / 4). Then you are a up in the next position and can start the climbing cycle all over again! The key to this exercise is to lift 1st finger off the board when you are on 2nd finger and about to shift up, leading with the 4th finger. Good Luck!

You can purchase the sheet music for this exercise above and hear my play through the exercise (1) slow and staccato and (2) trying it out a little faster in the Instagram post below!

#bassguitar #etude #bassguitarexercises #bassguitarlesson #musiclessons #musicexercise #fingeringexercise #inthepracticeroom #briangrimmcellozone #cellozone #briangrimm #remoteteaching #remotelessons

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