9/20 | CJ Boyd, Taralie Peterson + Brian Grimm, Scaroth @ Communication

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Thr, 9/20 | 7:30pm  $8  All Ages  Alcohol

@ Communication

2645 Milwaukee St. Madison, WI 53704

CJ BOYD (permatour)

Taralie Peterson + Brian Grimm

Scaroth

In the last 5 years, I’ve had the pleasure of collaborating in various ways with ambient bassist & vocalist CJ Boyd (Joyful Noise RecordingsObsolete Media Objects).  We have a track “Horses” coming out on his yet-to-be-released, mammoth sized “50 states project” (more on that when the time comes!).  Back in 2014, I contributed a track to his fundraiser compilation for reproductive rights: Running Up That Hill.  When CJ came through town in 2013, it was the impetus for Mine All Mine Records + GrimmusiK Records ambient compilation Colias.  I also made an official remix of “slowly by your passing” for his Visions & Revisions remix compilation.  The point being, for someone who is on perpetual tour I’ve managed to collaborate with CJ nearly as much as some of my regular bandmates in town!  Now multiply that by all of the musicians that he is keeping track of on the road, constantly in a cycle of scheduling tours, booking shows, recording albums (sometimes in our local coffee shop bathrooms!), releasing collaborative projects, etc…. this guy is busy!  I am always impressed by the hard work and persistence I see from full time touring musician CJ Boyd.

CJ still finds time to have a voice in matters of social injustice, whether it’s through social media platforms or directly in his music.  The timing doesn’t always work out when he is coming through town, but I’m glad it did this year! As always, I am excited to spend some time with CJ before/after the show and to enjoy his ambient music stylings at Madison’s new all ages venue, Communication.

Check out CJ’s many records here: https://cjboyd.bandcamp.com/

More on CJ: http://www.cjboyd.com/

CJ and I are both fans of Taralie Peterson’s musical output, including her solo projects as Tar Pet, Louise Bock, and in the dynamic duo Spires That In The Sunset Rise.  A multi-instrumentalist and improviser extraordinaire, Taralie has the rare gift to pull sounds through the void from other dimensions for you to hold momentarily.  This will be our first duo collaboration and I am honored to sit next to her on stage this Thursday.


 

 

 

9/4, 9/7, 9/8 | Shows This Week

JAZZ SEXTET

Tues, 9/4 | 9p-12 $0 @ The Mason Lounge (every Tuesday!)

416 S Park St, Madison, WI 53715

FIVE POINTS JAZZ COLLECTIVE!

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As always, you can find me on Bass Guitars at the Mason Lounge on S. Park ST every Tuesday night, with the Five Points Jazz Collective!  We’ll have the full sextet this week, featuring Charlie Painter on guitar, Trey Grimm on keyboard, Rin Ribble on violin, Kyle Rightley on trombone/euphonium, and Eric Shackelford on drums!  Sure to please with funk, latin-jazz, swing, and blues along side the wonderful selection of craft brew that the Mason rotates on tap.  Warning! Jazz occurs between 9p-12a.


JAZZ, IMPROV, & INDIE ROCK

 Fri, 9/7 | 7p $Tips @ Bos Meadery

849 E Washington Ave, Madison, WI 53703

BOAT PATROL (on tour Jazz/Grass)

LABRADOR, THE BAND (Indie Rock)

BRENNAN CONNORS & STRAY PASSAGE (Free Jazz)

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Built on an improvisational base, Boat Patrol (pictured above) uses a trove of influences and techniques ranging from bluegrass to avant-garde jazz to create extensive musical landscapes and textures.

Boat Patrol began creating music in the fall of 2017 in the Northwoods of Wisconsin.  Avoiding simple categorization, boat patrol explores every nook and cranny of the musical palate with each live performance serving as a unique portrait of the band.  Featuring Cai Mountjoy – bass/madolin/guitar, Daleth Mountjoy – keys/synths, Evan Verploegh – drums/theremin

Labrador. The band. are a mellow, moody three-piece that sounds like the type of estro-rock you might hear in The Bronze on an episode of Buffy the Vampire Slayer.

Brennan Connors & Stray Passage is a free/outside jazz trio. Performances delve into fiery high energy music, focused minimalism, and raw expression.

Donations suggested.


FREE-IMPROV

Sat, 9/8 |6p potluck 8p music $5 @ The Vault

JACK WRIGHT & ROUGHHOUSING (tour)

HIGH PRIESTS OF THE APOCALYPSE

BRIAN GRIMM (cellos)

Improviser extraordinaire and road warrior Jack Wright and his trio Roughhousing is back in Madison for a show at The Vault!  Roughhousing features bassist Evan Lipson and guitarist Zach Darrup.  Read more about the trio here > Roughhousing EPK. Potluck starts at 6pm – bring a tasty dish to share and enjoy; music starts by 8pm.  Enjoy a night of free improv at one of Madison’s most notorious DIY venues with a trio that aims to strip away the layers of facades that plague the digital marketing age.


8/10-12 | Madison New Music Festival 2018, “They’re Still Here” premiere

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Madison New Music Festival Schedule

Friday, 8/10 7:30pm at Madison Museum of Contemporary Art, 227 State St.

MNMF Opening Night 2018: Sounds of the ’60s and Beyond!  [tickets]

Hear sounds born out of the ’60s counterculture with works exploring minimalism, social and political engagement, and electronic experimentation, as well as the music they inspired for decades to come. The program will include a mixture of instrumental, vocal, and electroacoustic music, with featured guest artist Conduit. Highlights include composer and Lawrence Conservatory faculty Evan Williams’ “Bodies Upon the Gears” for clarinet, viola, and audio from Mario Savio’s 1964 speech urging the importance of civil protest; Steve Reich’s “New York Counterpoint” for amplified clarinet and tape; and Andy Akiho’s “Stop Speaking” for solo snare in conversation with digital playback. There will be a cash bar, as well as opportunities to explore the exhibits, including the MMoCA’s current exhibition “Far Out: Art of the 1960s.”

Complete Program: Music by Melissa Dunphy, Angelica Negron, Evan Williams, Steve Reich, Gilda Lyons, Anna Meadors, Kyle Tieman-Strauss, David Lang, and Andy Akiho

Performed by: Conduit (Zach Manzi, clarinet and Evan Saddler, percussion); Caitlin Mead, soprano; Kristina Teuschler, clarinet; ZouZou Robidoux, cello; Jeremy Kienbaum, viola; Heather Zinninger Yarmel, flute.

Saturday, 8/11 2:00pm at Bethel Lutheran, 312 Wisconsin Ave.

MNMF Concert #2: Sounds of Reflection [tickets]

Madison New Music Festival continues with an afternoon program that invokes spirituality, morality, and reflection. Hear music including organ interludes performed by Madison Symphony Orchestra organist Greg Zelekand Vital Organ Project founder Tyler Jameson Pimm, soundscapes for viola and piano by Morton Feldman and Toru Takemitsu, African spirituals arranged for instrumental chamber ensemble, and the renowned Langston Hughes set to music by composers including Madison’s Scott Gendel.

Tickets: $15/$5 for students.

Program: Music by Toru Takemitsu, Trevor Weston, Morton Feldman, Daniel Ficarri, John Weaver, Tyler Pimm, Tania J. Leon, John Musto, Ricky Ian Gordon, and Scott Gendel.

Performed by: Jeremy Kienbaum, viola; Satoko Hayami, piano; Caitlin Mead, soprano; Scott Gendel, piano; Kristina Teuschler, clarinet; Micah Cheng, cello; Alex Norris, violin; Greg Zelek, organ; and Tyler Jameson Pimm, organ.

Sunday, 8/12 7:30pm at Robinia Courtyard, 829 E Washington Ave

MNMF Closing Night 2018! [tickets]

Polish off your weekend with a drink at Robinia Courtyard as you listen to the world premiere of “They’re Still Here,” a new work by local multi-instrumentalist B.C. Grimm featuring 9 instruments ranging from cello to Chinese pipa. Then, kick back for a set of solo string music from violinist Aaron Yarmel and violist Jeremy Kienbaum, featuring pieces by Philip Glass, Ursula Mamlock, and one of Yarmel’s own improvisations. Finally, musicians from all three concerts close out the festival together with a performance of Julius Eastman’s “brilliant and brazen” 1973 piece, “Stay On It.” This rarely performed work ends our musical weekend with a bang– and a groove! There will be a cash bar.


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Live set up for BC Grimm’s new 30min piece, “They’re Still Here”.

“They’re Still Here”  Program Notes

Composed August, 2018 by BC Grimm (b 1986) for the Madison New Music Festival

This piece explores how those who have passed away continue to pop up in the everyday moments of our lives.  You’ll hear field recordings of my day-to-day experience fused with instrumental sound design.  These scenes recreate and reference real life moments I’ve had in the wake of these deaths.

“They’re Still Here” is dedicated in loving memory to Patrick Kelly, Ross Sutherin & Brian White-Stout and to the Grimm, Sutherin, Kelly, Morrow, White-Stout & Brethauer families.

Scene I   Passing of a Friend, The Work Day Begins

Tenor Viola da Gamba with field recording

Scene II   News Cycle On Fire: Rbt. Mueller’s Lonely Russia Probe

Gaohu Cantonese fiddle with foley, field recording, 1940’s radio broadcast, singing bowls, violoncello, dizi flute, bawu flute, xiao flute, sheng mouth organ

Scene III   Do I Tell The Children?  No, Teach On.

Violoncello with field recording, pipa lute, tenor viola da gamba, violoncello, contracello

Scene IV   Fluorescence Hums The Harmonic Order of Nature

APC40 (electric hum in just intonation)

Scene V   Morning Routine, Scrambled Brains

Field Recording with foley

Scene VI   A Call With My Brother, Wise Counsel

Sarangi-Cello in pipa tuning with claps, cajon, motorcycle

Scene VII   Ask The Corn Spirits

Gaohu fiddle with bawu flute

Scene VIII   Hermie’s Chimes, They’re Still Here

Guqin Zither with pipa lute, gaohu fiddle, dizi flute

Scene IX   Funeral Grave

Violoncello

Scene X   Temple of Ancestors

Sarangi-Cello in pipa tuning with pipa lute, synthesis

Scene XI   Transfigurations

Guqin zither with pipa lute, Russian folk harp, singing bowls

Scene XII   Schoolyard in Snow; Children Play On

Tenor Viola da Gamba,

APC40 (electric hum in equal temperament), field recordings, foley


 

4/11 | Thollem’s Hot Pursuit Of Happiness w/ Glassmen, Space Tugboat and Stray Passage @ The Frequency

Wed, 4/11 | @ The Frequency

121 W Main St, Madison, WI 53703

Doors 7pm // Show 7:30pm

18+ ID Required
$8 (+$3 minor surcharge @ door)

Thollem
Glassmen
Space Tugboat
Brennan Connors & Stray Passage

//////////////////////////////thollem-at-luggage-store-cropped_3THOLLEM (On Tour)
With a synthesizer and a microphone, Thollem’s Hot Pursuit Of Happiness forges elements of Punk Rock, Blue and Psychedelia, among many other influences. Including new songs and solo arrangements of Tsigoti songs, with “fluid keys pulverization” (Brad Cohan, Spin Magazine), Thollem’s work is ”political debauchery and a forward vocal delivery … that comes a-swingin’ right out of the gate” (Chocolate Grinder, Tiny Mix Tapes)

Over the last decade, Thollem’s toured non-stop internationally, recording with over a hundred different musicians from a wide variety of genres resulting in more than 60 albums on 22 different vanguard labels. As a vocalist, Thollem’s been releasing albums the last 10 years with his Italian agit-punk band Tsigoti (5th album soon), Hand To Man Band (Mike Watt, John Dieterich, Tim Barnes) and Andy Kaufman plus his initial solo album ‘Machine in The Ghost’. He’s planning on releasing the first HPOH album later this year.

Thollem has performed and recorded with members of Deerhoof, The Minutemen, Yeah Yeah Yeahs, Half Japanese, Wilco, Unwound, Old Time Relijun, Cibo Matto, Jealousy Party, Stars Like Fleas, Tenderizor and more. 

www.thollem.com/hot-pursuit-of-happiness

Personal Note: Thollem McDonas is one of my favorite perma-tour Experimental artists.  He has been very influential to my free improvisation explorations in the last decade.  I’m thrilled to share a bill with him once again!  Also, I can’t wait to see Angela, I always learn so much from her.  It’s been a couple of years, they are beautiful people and there’s much to catch up on.  Thollem has collaborated with GrimmusiK Records in the past on both the Colias experimental/ambient compilation, live free-improv collaborations at Dobra Tea, and with a marvelous performance at our Audio For the Arts series (can’t seem to hunt down the live recording for that, unfortunately).  Thollem has an overwhelming discography, check out his extensive releases here.  < So much wonderful music to explore in his collaboration filled catalog.

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Brennan Connors & Stray Passage (Madison, WI) is a jazz trio that embraces free and structured improvisation, original compositions, groove based material, and sound exploration. The breadth of a performance ranges from fiery high energy music to focused minimalism, all while maintaining a sense of narrative organization and compelling ensemble interplay.  “Emergence” CD (setola di miale) available at the show!

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Glassmen (Madison, WI) is experimental indie rock with guitar, organ pedals, drums, and vibrato. The sound, sometimes jarring, is fragile, sharp, and reflective — like glass.

Sarah Jennings Evans started Glassmen in 2012 after being diagnosed with a rare joint condition that left her unable to use her arms.  She created music with voice, organ pedals, and loops of old recordings.  Guitar came back as her arms recovered.  Meanwhile, multi-instrumentalist Vivian Lin (TUO TUO) kept busy playing in other people’s side projects (The Party Drug, The Divine Hammers), but was looking for a musical home.  She joined Glassmen in 2015 to add drums and vocals.

Personal Note:  I’ve been meaning to get on a bill with Glassmen for a couple of years now and it’s finally going down!  ^ Check out this live version of Needle, love the sound.  Excited to hear their live set!

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Space Tugboat (Madison, WI) is dark catchy punk rock, with a twist of demented humor of reality. 

Personal Note:  Big thanks to Dan from Space Tugboat for hooking up the show and taking care of booking.  Dan has supported Stray Passage for years and given us opportunities to play.  Now we finally get to share a bill together!!


 

10/21 | “Emergence” CD Release Show w/ Invisible Guy Trio (SF)

Sat, 10/21 | No Cover 630-930p @ The Mason Lounge

416 S Park St, Madison, WI

INVISIBLE GUY TRIO (SF)

BRENNAN CONNORS & STRAY PASSAGE (Mad)

↑ CD Release via setola di maiale (Italy)

Brennan Connors & Stray Passage have a new CD “Emergence” coming out this October on Italian label, setola di maile!

http://www.setoladimaiale.net/catalogue/view/SM3300

“Their sets embrace plenty of sinuous melody and conversational interplay,
but can just as easily dive into minimalism and dissonance.” ~ Tone Madison

Experimental Jazz trio Brennan Connors & Stray Passage has been performing in Madison for the past 5 years, exciting listeners with a range of sonic capabilities.  Their improvised music is directly linked to the atmosphere in the room and energy of the audience.  The listener is such a crucial element in shaping the band’s sound that they recorded this album in front of a live studio audience – expertly captured by master engineer Steve Gotcher at Audio for the Arts.  Listeners will experience a jazz trio that embraces both free and structured improvisation, original compositions, groove based experiments, and sound exploration. The breadth of a performance ranges from focused minimalism to fiery high energy music, all while maintaining a sense of narrative organization and compelling ensemble interplay.

The group is led by Brennan Connors on tenor and soprano saxophones.  Geoff Brady orchestrates drum and percussion textures, while Brian Grimm rounds out the trio bowing cello, contra-cello, and electric bass.

We are ecstatic and grateful to setola di maiale records in Italy for officially releasing our first album!


We’ll be joined by a fantastic drummer & friend of mine, Hamir Atwal (San Francisco), with his trio Invisible Guy.  The group features Michael Coleman on keyboard & Ben Goldberg on clarinet.  We are very glad to share our CD release show bill with another trio that explores the dynamics of free-improv in full range!

“Mr. Goldberg is a clarinetist of range and curiosity.” – The New York Times

Ben Goldberg’s Bay Area-based trio looks forward and backward at the same time, creating both nostalgic reveries and modern statements. Goldberg is known for drawing on his Jewish roots and radical versions of Klezmer music and his clarinet work is always focused with an endearing lyrical quality. Pianist Michael Coleman leaps between stride riffs and electronic splatter. Drummer Hamir Atwall provides everything from a swinging undercurrent to a clattery rush.

As a trio, Ben, Michael, and Hamir are in strict pursuit of beautiful melody. Michael Coleman says: “Melody is the knife that cuts through to truth. Then there is the importance of breath, and personal expression.” Reviewing a 2014 concert, Howard Reich of the Chicago Tribune said the group is “an unusually focused ensemble inventing a musical syntax for itself.”

From 1992, when his group New Klezmer Trio released Masks and Faces and “kicked open the door for radical experiments with Ashkenazi roots music” (SF Chronicle) to 2013’s simultaneous release of Subatomic Particle Homesick Blues (featuring Joshua Redman) and Unfold Ordinary Mind (featuring Nels Cline), which the New York Times noted for “a feeling of joyous research into the basics of polyphony and collective improvising,” clarinetist and composer Ben Goldberg has shaped a career through relentless pursuit of musical truth across many genres and styles, resulting in the Downbeat Critics’ Poll naming him the #1 Rising Star Clarinetist in both 2011 and 2013. In 2015 Ben released a recording of his songcycle Orphic Machine , sung by Carla Kihlstedt and performed by an allstar nine piece band including Nels Cline, Greg Cohen, and Ches Smith. The LA Times called Orphic Machine “knotted and occasionally spooky composition marked by dazzling interplay.” All Music Guide says “Orphic Machine is wildly ambitious and sophisticated, but also graceful, emotionally honest, and accessible. It makes the profound embraceable and, as a result, is a masterpiece.” Ben currently composes for and leads the following groups:
Unfold Ordinary Mind ; Go Home ; Ben Goldberg School ; and Ben Goldberg Trio with Greg Cohen and Kenny Wollesen.

Drummer/Percussionist Hamir Atwal is a Berklee College of Music graduate who
has taught at Music Academy International, and the Stanford Jazz Workshop. Hamir is an active endorser of DREAM Cymbals. Hamir has played with saxophonists Joe Lovano, Greg Osby, and Grant Stewart; Bassist/Producer Bill Laswell; and clarinetist Ben Goldberg.

Michael Coleman is a pianist, improviser and composer currently residing in Brooklyn, NY. He has had the pleasure of playing with many great musicians and recording with some of his favorite bands and people. Apart from leading his own groups (Beep!, CavityFang, Young Nudist), Michael has toured the world with Chris Cohen, tUnEyArDs,
Sean Hayes, Miles Kurosky and Jug Free America.


 

3/25 | Cello/Gamba Night @ Arts + Literature Laboratory

Sat, 3/25  | Tix $10 in advance / $15 at the doors

doors 730p / music 8p

Arts + Literature Laboratory

2021 Winnebago St, Madison, Wisconsin 53704

Patrick Reinholz – cello + electronics

Eric Miller – viola da gamba

Brian Grimm – cellitar, cross tuned cello

Join us for an evening of old and new music with Eric Miller, Patrick Reinholz, and Brian Grimm on Saturday, March 25, 2017. Tickets $10 in advance at http://ericmiller.bpt.me/, or $15 at the door starting at 7:30pm.

ERIC MILLER

Eric Miller presents the intimate and ethereal music for the unaccompanied viola da gamba, an instrument which was described in the late 18th century as one “with which one forgets the troubles of the day in quiet twilight.” The evening will center upon a pair compositions, one by the obscure and brilliant Parisian Le Sieur de Machy, and the other by the Dutch master Johannes Schenk, Sprinkled throughout will be smaller pieces by other luminaries of the rarefied instrument. A classically trained cellist and viola da gambist, Eric is known to Madison as a member of the Wisconsin Baroque Ensemble and has appeared with many of Madison and Milwaukee’s top ensembles.


PATRICK REINHOLZ


Patrick Reinholz is a cellist, improviser, composer, and educator currently living in Milwaukee, Wisconsin. Always innovating, he is a member of the new music/improvising chamber group Tontine Ensemble, and the jazz/rock outfit Lovely Socialite.  

Pat will be releasing his new album for solo cello + electronics via Other Obscura, so come grab your copy!


BRIAN GRIMM

In Brian Grimm’s solo set, you may hear dances of the unaccompanied Bach cello suites; ever popular melodies of the Erhu Chinese fiddle adapted for cello; as well as original compositions from his dance/theatre scores & solo albums.


3/29 | Evil Genius (LA) w Stray Passage @ Art In

Wed, 3/29 | $8 doors 730p  / music 800p @ Art In

1444 E Wash Ave., Madison, WI 53703

EVIL GENIUS (LA) – tuba, guitar, drums

Brennan Connors & Stray Passage

Join us for an evening of Jazz Trios at Art In’s spacious gallery!

Evil Genius (Portland/Los Angeles) is a forward-marching experimental jazz trio formed in 2012. The band is made up of Max Kutner on guitars (Grandmothers of Invention, Magic Band, Alphonso Johnson), Stefan Kac on tuba (Milo Fine, Jon Armstong, Hammerstein) and Michael “Bonepocket” Lockwood on drums and percussion (Atomic Ape, Deradoorian, Matt Kivel). The band’s unique sound has drawn comparisons to groups as wide-ranging as the Minutemen, This Heat and Captain Beefheart to jazz figures like John McLaughlin, Steve Lacy, Henry Threadgill and many more. They have received acclaim from the New York City Jazz Record, Bad Alchemy, Los Angeles Jazz Station, Downtown Music Gallery, El Intruso and more. In the words of Larry Koonse, “this band can do it all–whether its in your face rock, free wheeling open improvisation, 20th century classical music, or jazz–they can pull it off and upend all of your expectations.” Their debut album, “Bitter Human” was released in late 2015 and available through Orenda Records in Los Angeles.

Welcome.

You have arrived at the spontaneous soundscapes of Evil Genius, just on the cusp of this dimension of sound and waiting to transcend to another. Sign in here.

Now you may enter. There’s no need to take off your jacket. Take a seat. Here, sip this iced tea. Or would you like a soda? No, there are no soy lattes. Don’t be ridiculous!

Now drink – it will calm your nerves.

You are now ready to begin.

You are now a participant in the experience. A series of experiments. Each experiment will uncover a new layer of understanding, a new level of intrigue.

It may vary for you depending on you – are you cautious? Are you adventurous?

Only time will tell.

We hope you enjoy your stay…

(excerpt from the liner notes by Angela Allan)


3/17 | Sound Out Loud performs “Pierrot lunaire” @ Mills Hall

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Pierrot écoutant, 1854, by Nadar

Fri, 3/17 | Free, 8:00pm Mills Hall

455 N Park ST, Madison, WI, 53706

Le Domaine Musicale

Schoenberg’s “Pierrot lunaire”

Ravel’s “Chansons madécasses

Sound Out Loud will perform Schoenberg’s expressionistic masterpiece about the ravings of a lunatic clown, featuring UW vocal faculty member Mimmi Fulmer.  Also on the program will be Ravel’s “Chansons madécasses“, featuring vocalist Sarah Richardson.

“Pierrot lunaire” was composed by Arnold Schoenberg (1874 – 1951) in 1912 and is his 21st Opus.  It’s 21 short movements (3 cycles of 7) explore the poetry of Albert Giraud (1860-1929), originally published 1884 in French.

‘Pierrot’ is one of Schoenberg’s last works of “free a-tonality”, before Opus 23 which introduced his 12-tone Serialism approach to composition – forever changing the course of 20th Century music.  In this new dodecaphonic democracy, all notes were equal, and weightless of tonicisms.  It helped form a great schism in the 20thC between two great approaches to composition: Serialism (eg. Schoenberg) vs Neo-Classicism (eg. Stravinsky).  Part of the pre-serialism brilliance of “Pierrot lunaire” is Scheonberg’s invention of sprechstimme.  This new vocal technique was a form of speak-singing, which allows for a beautiful ambiguity in pitch – removing Schoenberg yet one more step from tonality.  In sprechstimme, the singer glides up and down from one note to another – only ever sustaining three “traditional” pitches in the entire 40 minute piece.  All of this results in a dazzling display of colors and orchestrational puissance to tell the tales of this tragic clown.

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UW Madison Voice Faculty Member, Soprano Soloist Mimmi Fulmer.

American soprano Mimmi Fulmer first performed “Pierrot lunaire” in 1978 at the famed Tanglewood Music Festival. Sound Out Loud is thrilled to be performing this work for the first time under the guidance of such an experienced & knowledgeable performer of the work. Mimmi and Ric Merritt have crafted a performers’ singing-translation of this work from German to English.  Friday, March 17th we will perform it in it’s original German text.

Mimmi Fulmer performs repertoire ranging from early music to premieres of works written for her.  Her distinguished career in new music includes premieres of nine roles in eight operas.   An expert on Nordic repertoire, she is the editor of a three-volume anthology of songs from Finland, Sweden, Norway and Denmark.   Her discography includes six CDs of American music and a CD of songs from Finland, Sweden and Norway, and she has been included in the Fulbright Specialist Roster in American music.