3/12 | YAK (DET) + visual projections w Emili Earhart & BC Grimm @ Art In

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Sun, 3/12 | $8  730p door / 8p music @ Art In

1444 E Washington Ave., Madison, WI

Emili Earhart – opens

YAK (DET) on tour

BC Grimm – closes

YAK is an ambient/industrial duo of amplified, bowed friction on strings and metal. Their 2017 Midwest Tour is an audio-visual journey into the existential mind-state of the Tibetan beast, the Yak. These sounds are tailor-made for the shaggy beast of burden of the Himalayan Plateau, evoking their life and spirit in a mesmerizing structured improvisation cycle.

Yuri Popowycz (violin) is a Detroit-based violinist, electronic music producer/performer, and illustrator. He performs with the Michigan Opera Theatre and is assistant concertmaster with the Michigan Philharmonic. He also plays out frequently in the city and is active with Detroit Bureau of Sound. Yuri is a graduate of Interlochen Arts Academy ‘11, and the Oberlin Conservatory ‘15, and has toured in Japan as concertmaster of the PMF orchestra as well as performed in Europe alongside the Jack quartet with the Lucerne Festival Academy. Currently he runs the ambient music label Music To Stretch To and enjoys working with all the wonderful artists living nearby.

Zac Brunell (percussion) is a performer and concert producer in the Motor City. As director of the Detroit Bureau of Sound, his work engulfs a range of avant garde music through his productions, which have been described as “sounding as raw as mating bull elephants” (Lansing City Pulse on “X is for Xenakis”). A classically trained percussionist and pianist, Zac is a graduate of the Michigan State University College of Music and is currently Production Manager with the award-winning ensemble New Music Detroit.

Detroit Bureau of Sound Announcing… “BOS MUTUS“, the 2017 meditation in four movements by YAK.  Digital download and physical pre-order available now via Bandcamp >>


BC Grimm to close the night with an Orbis Obscura set!  Pipa, Guqin, #frankencello + “the hernia-maker” pedalboard.


CD Release: BC Grimm “Orbis Obscura” available via Other Obscura records

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Buy “Orbis Obscura” CD/Digital worldwide for $10 from Other Obscura record label

“Orbis Obscura” is a 35 minute “sci-fi tone poem” for Pipa (Chinese lute) with delay & fuzz pedals by BC Grimm. Now available world wide on CD & Digital from Other Obscura Records! Other Obscura is a label promoting the compositions and improvisations of artists in Milwaukee, Madison and the surrounding areas. Est. 2016.


ORBIS OBSCURA REVIEWS

From Tone Madison, 8/10:
Brian Grimm is something of an experimental-music powerhouse in Madison.”; ” …one of the most sonically untethered things Grimm has put out there so far—which is saying something, and also not a complaint. He uses this eccentric but relatively stripped-down setup to veer through an array of warmly distorted drones, sticky pulsating rhythms, and layers of scratchy texture. The release is also the first from a new Madison- and Milwaukee-focused label, Other Obscura”     

— Scott Gordon, Tone Madison

From Isthmus Daily Page, 8/12:
 Madison composer and cellist Brian Grimm’s meditative, experimental soundscapes blend modern improvisational styles with ancient Chinese string instrument technique. …Prepare to be transported into a beautiful dream.

From Dayz Of Purple And Orange, 8/15:
” – a totally immersive, blissed-out trip that transports the listener away to distant climes…simply beautiful!”; “…glimmers of ‘sci-fi’ noises bleed through the drones. Over the course of the 35 minutes it totally immerses the listener in wave upon wave of gorgeous drones and otherworldly noises – utterly bewitching. (read: full review)     

— Andy Uzzell, Dayz Of Purple And Orange


BC Grimm

Cellist & composer Brian Grimm grew up surrounded by Chinese string instruments of every sort. After initial lessons in Chinese music with Yang Wei (pipa) & Daxun Zhang (bass) of Yo-Yo Ma’s Silkroad Enesemble, he was lucky to then study guqin (zither), pipa (lute), gaohu (fiddle) & daruan (bass lute) in Hong Kong with members of the 香港中樂團 Hong Kong Chinese OrchestraWuji Ensemble 無極樂團. Over the last 15 years Grimm has developed a deep language of Free Improvisation & Composition with groups such as The Brothers Grimm, Lovely Socialite, and Brennan Connors & Stray Passage. In conjunction with performing & teaching, Brian runs GrimmusiK Records – a label for all projects involving him & his brother AJ (classical & flamenco guitar).

BCG on cello + pipa by John Hiller Brumbaugh

BCG on cello + pipa by John Hiller Brumbaugh


 

8/11, 8/12 | BC Grimm “Orbis Obscura” CD Release Show!

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Album Artwork by John Praw Kruse

Thr 8/11 | 8pm $5 @ West End Conservatory

5500 W Vliet St, Milwaukee, Wisconsin 53208

“Orbis Obscura” CD Release Show feat.

HENRY/DROBKA/WELLER/MCEVOY/MILLER QUINTET

BC GRIMM

Fri 8/12 | 8pm $5 @ ArtIn Gallery

1444 E Washington Ave, Madison, Wisconsin 53703

“Orbis Obscura” CD Release Show feat.

HENRY (NYC) / WELLER (CHI) QUARTET

BC GRIMM

New BC Grimm “Orbis Obscura” (2016) CD $10
2nd ed. “The Ideating Knell” (2014) CD $10
Both CDs for $15
at the show

“Orbis Obscura” is a 35 minute “sci-fi tone poem” for Pipa (Chinese lute) with delay & fuzz pedals by BC Grimm. Available Friday, 8/12 on CD & Digital from Other Obscura Records! Other Obscura is a label promoting the compositions and improvisations of artists in Milwaukee, Madison and the surrounding areas. Est. 2016.

GrimmusiK Records is running a limited edition second printing of BC Grimm’s “The Ideating Knell”, originally released in 2014 by Signal Dreams. This seminal 70min work by BC Grimm features 16 experimental compositions performed on prepared Guzheng and phased Guqin Chinese zithers.  Available at the show!

BC Grimm

Cellist & composer Brian Grimm grew up surrounded by Chinese string instruments of every sort. After initial lessons in Chinese music with Yang Wei (pipa) & Daxun Zhang (bass) of the Silkroad Enesemble, he was lucky to then study guqin (zither), pipa (lute), gaohu (fiddle) & daruan (bass lute) in Hong Kong with members of the 香港中樂團 Hong Kong Chinese OrchestraWuji Ensemble 無極樂團. Over the last 15 years Grimm has developed a deep language of Free Improvisation & Composition with groups such as The Brothers Grimm, Lovely Socialite, and Brennan Connors & Stray Passage. In conjunction with performing & teaching, Brian runs GrimmusiK Records – a label for all projects involving him & his brother AJ (classical & flamenco guitar).

BCG on cello + pipa by John Hiller Brumbaugh

BCG on cello + pipa by John Hiller Brumbaugh


 

8/7 | Ben Willis + Brian Grimm @ Bos Meadery

8-7 Ben Willis and Brian Grimm v2

Sun 8/7  |  6pm  $5  @ Bos Meadery

849 E Washington Ave, Madison, WI 53703

solo & duo performances from

BEN WILLIS – double bass

BRIAN GRIMM – guqin, cello

Bos Meadery – “Mead Made Modern” our mission is to make the world’s oldest fermented beverage in the most modern possible way using local ingredients, so that our mead reflects the flavor of the Wisconsin landscape. Much like farm to table eating, this is field to glass drinking.

BEN WILLIS (DET/AA, MI) – solo double bass

Egret/Flatlander is a set of solo bass pieces by Ben Willis. Composed through development and exploration of improvisational practice, the movements have taken shape as open cellular structures, that act as themes and zones for extemporaneous development.

The pieces make use of a range of extended double bass techniques, drawing inspiration from contemporary classical music and free improvisation. The musical language draws from many influences, including rock structures, folk harmonies and melodies, and doom metal.

Ben Willis is a bassist whose affinities lie in collaborative projects, new music, improvisation, and the merging of cross-disciplinary elements. He’s performed his original collaborative work at venues and festivals around the U.S., including the International Society for Improvised Music Conference, Electroacoustic Barn Dance at the University of Mary Washington, the Whitewater Arts Alliance Series at the University of Wisconsin, Whitewater and the Ratchet Series at the Skylark in Chicago. In 2013, he was a Robert Black Bass Fellow at the Bang on a Can Summer Festival. Much of his work highlights the importance of collaborative, performative process in the development of new art. He is a member of the Weather Duo, an electroacoustic ensemble with cellist Pat Reinholz, dedicated to performing new music that blends classical training with improvisation and folk idioms. The Weather Duo has contributed music to the Li Chiao Ping dance company, a video project with artist Doug Rosenberg and dancer Sally Gross, and composed occasional film scores. In live performance, they explore multimedia collaboration with the help of live video artist Anna Weisling. He has also toured and recorded as a sideman, working with many indie/folk artists, including Anna Vogelzang, Dietrich Gosser, and Thistle and the Thorns. He often participates in recitals of new music and collaborations with composers, and performs regularly with the jazz/rock project Lovely Socialite Mrs. Thomas W. Phipps, and the free improvisation trio Glacier. He currently resides in Ann Arbor, MI. He earned a BM in Performance at the University of Wisconsin, Madison, and MM in Improvisation from the University of Michigan, Ann Arbor. He’s studied bass with Richard Davis, Diana Gannett, and Bob Hurst, and composition with Andrew Bishop.

Buy Egret/Flatlander here >>


BRIAN GRIMM (MAD, WI) – solo cello & guqin

Cellist & composer Brian Grimm grew up surrounded by Chinese string instruments of every sort. After initial lessons in Chinese music with Yang Wei (pipa) & Daxun Zhang (bass) of the Silkroad Enesemble, he was lucky to then study guqin (zither), pipa (lute), gaohu (fiddle) & daruan (bass lute) in Hong Kong with members of the 香港中樂團 Hong Kong Chinese OrchestraWuji Ensemble 無極樂團. Over the last 15 years Grimm has developed a deep language of Free Improvisation & Composition with groups such as The Brothers Grimm, Lovely Socialite, and Brennan Connors & Stray Passage. In conjunction with performing & teaching, Brian runs GrimmusiK Records – a label for all projects involving him & his brother AJ (classical & flamenco guitar).

** BC Grimm’s new CD “Orbis Obscura” for Pipa, Fuzz & Delay drops Friday, 8/12 on Other Obscura Records @ ArtIn Gallery on East Wash! **

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COMING SOON! NEW BC GRIMM CD “ORBIS OBSCURA” DROPS FRI 8/12


 

 

7/23, 7/25, 7/27 | 3not2miss shows: Lovely Socialite @ Sh*tty Barn & more!

Sat 7/23  |  10pm  Free  @ Mickey’s Tavern

1524 Williamson St, Madison, Wisconsin 53703

JULIAN LYNCH + BC GRIMM  (MAD)

WEI ZHONGLE  (CHI)

CLOUD BECOMES YOUR HAND  (NYC)

CAP ALAN  (MAD)

Wei Zhongle (CHI) & Cloud Becomes Your Hand (NYC) are touring together this July! Catch them both for free on Sat, 7/23 10pm at Mickey’s Tavern. Local acts bookending: Julian Lynch + BC Grimm duo opens / Cap Alan closes.

Catch a sneak peak of Wei Zhongle’s new single “peeping tom” on Impose Magazine

Impose Magazine interviews Cloud Becomes Your Hand


Mon 7/25  |  7pm door $8  all ages @  Arts + Literature Laboratory

2021 Winnebago St, Madison, WI

FAUN AND A PAN FLUTE  (ATL)

CYRUS PIREH  (MPLS)

BRENNAN CONNORS & STRAY PASSAGE  (MAD)

Though experimental may be the quickest catchall word that comes to mind when describing Faun and a Pan Flute, the multi-talented nine-piece has evolved beyond its experimental roots. Last year’s sprawling self-titled LP showcased a virtually unclassifiable, new musical vocabulary. The individual strengths of the group’s members ebb and flow, giving each song its own tonal combinations where change is the only constant. Every song is composed with careful precision, but the unpredictability of the group’s songwriting adds a fluidity uncharacteristic of contemporary classical music. With any of its debut album’s four numbers, “John,” “Linda,” “Augur,” and “Dave,” Faun glides from swells of noise to modal motifs to abstract textures. The collective’s true strength lies in how nine musicians with such distinct styles find a unifying form instead of devolving into a battle of conflicting egos. Even when the group descends into an amorphous mass of sound, every second is unmistakably Faun.

Cyrus Pireh, a crafty guitarist who leans towards the tremolo side of life, specializes in making guitar amps inside of pill bottles and out of old telephones.  Recently, Cyrus joined up with Rob Lundberg (JOBS) & Ryan Packard to form power trio Nestle.  We can’t wait for his solo set on Monday!

Experimental Jazz Trio Brennan Connors & Stray Passage has been performing in Madison for over three years, exciting listeners with their range of sonic capabilities. The breadth of a performance ranges from focused minimalism to fiery high energy music, all while maintaining a sense of narrative organization and compelling ensemble interplay. Repertoire includes original compositions, a few old favorite tunes, and raw improvisation. The group is led by Brennan Connors on tenor and soprano saxophones. Geoff Brady provides orchestrated drum and percussion textures & Brian Grimm who rounds out the trio playing cello, contra-cello, and electric bass.


Wed 7/27  |  7pm $15 @ Shitty Barn Sessions: 139

506 E Madison St, Spring Green, WI 53588

ME eN YOU (MAD)

LOVELY SOCIALITE (MAD/MKE)

TICKETS AVAILABLE

ME eN YOU are not an artist collective, ME eN YOU are a collective artist. We are the band that everybody in the world is in.

From the Wisconsin Public Television 30 Minute Music Hour: Madison-based hip-hop ensemble that combines the intense beats of a classic urban house party with the sweet expressions of a gospel choir.

Watch ME eN YOU on Wisconsin Public Television 30-Minute Music Hour

Lovely Socialite, formerly Lovely Socialite Mrs. Thomas W. Phipps, is a Madison-based six-piece that combines the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop. Lauded for their bold and intricate compositions, the group often draws comparisons to Frank Zappa and the Mothers of Invention. The bands original music combines strict notation with moments of improvisation and maintains a healthy balance of dark and heavy rock grooves with quirky jazz obscurities.

While Lovely Socialites unusual mix of strings, traditional Chinese instruments, brass, and a jazz rhythm section suggest that the group might be a contemporary music ensemble, it is their use of stomp boxes, vocal processors, and other electronics that makes the group a suitable fit for any rock, hip-hop, or jazz bill. In fact, Lovely Socialite has been privileged to share the stage with such artists as Dessa, of Minneapolis hip-hop collective Doomtree, as well as performing live on the UW Madison Terrace with Brian Ritchie of the Violent Femmes.


 

7/8 | Terrence McManus (NYC) & BC Grimm @ Ritual Barbers

Terrence McManus Fri 7.8 banner

Fri, 7/8  |  @ Ritual Barbers (Madison, WI)

117 S Pinckney St, Madison, WI 53703

7:30p door / 8:30p music / $5-10 suggested donation / BYOB

TERRENCE MCMANUS (NYC) – electric guitar + electronics

BC GRIMM (Mad) – pipa, guqin, frankencello + electronics

A native of Brooklyn, New York, guitarist/composer/sound artist Terrence McManus has been called “… one of New York’s latest guitar heroes …” (All About Jazz), and that he has “… hit on an entirely new language.” (Gambit), and “… possesses the goods to impart a significant impact …” (jazzreview.com). Time Out New York calls him a “Texture-minded guitar abstractionist …” and the NY Times times has described him as a “guitarist drawn to abstract texture”.

He has performed or recorded with many of the major innovators in contemporary music, including John Zorn, Bill Frisell, Tim Berne, Gerry Hemingway, Mark Dresser, Don Byron, Ellery Eskelin, Herb Robertson, Mark Helias, John Hollenbeck, Ben Monder, Russ Lossing, Randy Peterson, Mat Maneri, Tom Rainey, Michael Sarin, and Marty Ehrlich. He has performed at the Metropolitan Museum of Art, Carnegie Hall, the New York Guitar Festival, Jazz Festival Willisau (Switzerland), Jazzfestival Saalfelden (Austria), the New Orleans Jazz National Historic Park, and the inaugural month at John Zorn’s The Stone. Terrence was featured in the book State of the Axe: Guitar Masters in Photographs and Words, by legendary photographer Ralph Gibson.

Terrence currently performs with the Gerry Hemingway Quintet, the Gerry Hemingway/Terrence McManus Duo, the John Hébert/Terrence McManus Duo and in a trio with John Hébert and Billy Mintz. Terrence is featured on the Gerry Hemingway Quintet release Riptide (Clean Feed Records) and the Hemingway/McManus Duo release Below the surface of (Auricle Records). In 2010 the Hemingway/McManus Duo toured the Midwest, performing and teaching in Michigan, Wisconsin, Illinois, and Minnesota. That same year the John Hébert/Terrence McManus duo performed and taught in New Orleans, LA.
 
Terrence is also a member of multiple NYC groups including the Cellar and Point and Bryan and the Haggards, and he has been a guest musician with the new music group Ensemble Pampelmousse.
 
Terrence has also provided music for the theater, in a production with the New York City players at the historic NYC theater venue the Performing Garage.
 
Terrence’s previous ensembles include Transcendental Numbers, with Mark Helias and Gerry Hemingway, which has a recording entitled Transcendental Numbers (NoBusiness Records) that Time Out New York calls “… a set of subtle, highly textural trio improvisation.” He also lead a chamber ensemble that included Ellery Eskelin, Mat Maneri, Russ Lossing and Gerry Hemingway, which performed a sixty minute, multi-sectional, through-composed work titled The Machine; the piece has also been performed in a trio configuration and in a solo guitar setting.
 
An accomplished solo guitarist, Terrence performs his own works on electric and classical guitar and has developed a unique style of improvisation, drawing on extended technique and prepared guitar. His solo recording Brooklyn EP was described as having “… visceral, stimulating fabrics.” (The New York City Jazz Record). He has done numerous solo tours, performing in California, Oregon, Washington, Texas and Alaska. In 2011, Terrence was selected as a semi-finalist on classical guitar in the Portland State University Guitar Festival.
 
Actively involved in education, Terrence has taught at The University of California, San Diego, Hochschule Luzern (Luzern, Switzerland), The New School for Jazz and Contemporary Music, Rutgers University (Newark), California State University, Bakersfield, Loyola University New Orleans, the University of New Orleans, the University of Nebraska-Lincoln and Saddleback College.

 

6/19-6/25 | SILKROAD’S GLOBAL MUSICIAN WORKSHOP @ DePauw University [Greencastle, IN]

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SILKROAD’S GLOBAL MUSICIAN WORKSHOP 2016

June 19th – 25th, 2016 | DePauw University [Greencastle, IN]

The mission of Silkroad’s Global Musician Workshop (GMW) is to foster a community of globally minded musicians engaged in learning from one another’s traditions and incorporating them into their own artistic voices. An all-star artist-faculty will teach styles of music from across the world. GMW is directed by Silk Road Ensemble cellist Mike Block.

GMW will be taught by an all-star faculty representing a wide range of backgrounds and cultures, including Seamus Blake (jazz saxophone), Sandeep Das (Indian tabla), Hadi Eldebek (Arabic oud), Gamin (Korean wind instruments), Maeve Gilchrist (Celtic harp/vocals), Bruce Molsky (Old-time Appalachian fiddle), Balla Kouyate (Malian balafon), Edward Perez (Afro-Latin bass), Shane Shanahan (world percussion), Abigail Washburn (Banjo/Vocals mixing American/Chinese styles), and GMW Director Mike Block (multi-style strings). (from Silkroad GMW site)

This year’s Guest Artist is banjo virtuoso, Bela Fleck!

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Pt. Sandeep Das leads a workshop on Tehais in Indian Classical music @ 2015 GMW. (Brian Grimm w/ guqin zither, pictured on the right.)

This year, I am absolutely thrilled to participate on cello and guqin zither in chamber ensembles led by Gamin (Korean wind instruments), Edward Perez (Afro-Latin bass), & Hadi Eldebek (Arabic oud)!  I’ve always loved Korean music from afar, the treatment of space, pitch & rhythm fascinates me.  I haven’t heard much of the wind music, so Gamin’s perspective, knowledge & mastery will be a totally new experience.  Edward, or Beast-Hands as I liked to call him, brought so much dancing joy to our workshop last year.  The Afro-Peruvian layering of rhythm coupled with the concept of when to be ‘inbetween a straight rhythm & a swung rythm’ was ear-boggling.  When Edward plays the bass lines solo, the style-shift is instantly felt.  You can almost hear what the rest of the band would be playing – ’tis mark of a true groove master!  The Arabic music presence at last year’s workshop was the highlight of my year.  So soulful & passionate; ranging from pure excitement to calming microtones.  Having learned Flamenco from my brother AJ Grimm, I could immediately hear and see it’s Arabic music roots.  Arabic rhythm stuctures enthrall me, I can’t wait to learn more from Hadi this year.    It’s going to be another blissful week of cross-cultural learning and friendship making!  ~ Brian Grimm


~ 2015 Faculty Performances ~


~ 2015 Participant Performances ~


 

3/18, 3/19 | Brennan Connors & Stray Passage record live album @ Audio For The Arts

AFA 20.PNGGrimmusiK logo

Brennan Connors & Stray Passage
TWO NIGHTS, LIVE IN-STUDIO
ALBUM RECORDING SESSIONS
@ Audio For The Arts Studios

March 18th & 19th, 2016
$10 cover, doors at 7:30pm
7 S Blair St # 1, Madison, WI 53703

“Their sets embrace plenty of sinuous melody and conversational interplay,
but can just as easily dive into minimalism and dissonance.” ~ Tone Madison

Brennan Connors & Stray PAssage

Experimental Jazz Trio Brennan Connors & Stray Passage has been performing in Madison for over three years, exciting listeners with their range of sonic capabilities.  Their improvised music is directly linked to the atmosphere in the room and energy of the audience.  Being that the listener is such a crucial element in shaping the band’s sound, it is only fitting that this album should be recorded in front of a live in-studio audience.  Attendees will experience a jazz trio that embraces free and structured improvisation, original compositions, groove based experiments, and sound exploration. The breadth of a performance ranges from focused minimalism to fiery high energy music, all while maintaining a sense of narrative organization and compelling ensemble interplay.

The group is led by Brennan Connors on tenor and soprano saxophones.  Geoff Brady provides orchestrated drum and percussion textures & Brian Grimm who rounds out the trio playing cello, contra-cello, and electric bass. On Friday, March 18th & 19th (Fri, Sat) – the trio will record two, live-concert performances which are open to the public.  The sessions will be hosted & recorded by master engineer Steve Gotcher at Audio for the Arts on 7 South Blair Street in Madison WI.  Stray Passage would be honored by the presence of anyone who wishes to experience the recording process.

Brennan Connors & Stray Passage
facebook event page
facebook band page
soundcloud


 

4/24 | Jack Wright & Bob Marsh @ Arts + Literature Laboratory

4-24 SHOW POSTER 4.2

Sun, 4/24 | All Ages  $10  7pm  @ Arts + Literature Laboratory

2021 Winnebago St, Madison, Wisconsin 53704

JACK WRIGHT & BOB MARSH (TOUR)
sax + bass, electronics, sound suit

BC GRIMM & MICHAEL KOSZEWSKI (Mad) [of Lovely Socialite]
cello, Chinese string instruments + percussion

TONTINE ENSEMBLE (MILWAUKEE)
double bass, cello, viola, violin – through fx

JACK & BOB

These two have been playing together since they met in Detroit in 1986, their duo transforming over time as their music has developed. This despite moving far apart, and never more than at present; after fifteen years in the Bay Area Bob now lives in Pueblo CO and Jack is in Easton Pa, so their meetings are infrequent. They have toured on the East and West Coast and the Midwest, most recently connecting in the Bay Area, before that tours that took them from the east coast to Chicago. Their music has shifted from a huge web of notes and fast-shifting directions on conventional instruments to sound and space, with Bob playing electronics and distorted voice….yet still they are indelibly the same duo. And the best of friends.

A review of a 2012 performance in Philadelphia from Cadence Magazine: “Jack Wright (sax) and his longtime collaborator, Bob Marsh (cello, voicings) sat in cramped quarters with records stacked all around, low ceiling strung with Christmas lights, and frightful paintings lining the wall. The two explorers seemed to like the atmospheric space and quickly went about their business of quietly merging tones and thoughts. Marsh, who was on a rare trip to these parts from this California abode, used everything out of his cello case on his instrument except the kitchen sink, which he was unable to get down the steep stairs of the lair. Also of note was the sighting of Wright in real pants and not his ever-present shorts…” 

GRIMM & KOSZEWSKI

Michael Koszewski (percussion) & Brian Grimm (cello, Chinese string instruments) of Madison’s psychedelic Jazz/Rock outfit Lovely Socialite join forces as a duo. Both cut from the New Music cloth, they bring sensitivity, dynamics & chops to their explorations. Between Koszewski’s 5 years in Madison’s acclaimed Clocks in Motion Percussion ensemble & BC Grimm’s array of Chinese zithers, lutes & bowed strings – who knows what sonic orchestrations may come to pass.

Michael Koszewski and BC Grimm

TONTINE ENSEMBLE

Tontine Ensemble was founded in the spring of 2014 with the mission to perform improvisational and contemporary chamber works, as well as champion the compositions of Milwaukee composers. Its four current members first played together for a Blank Radio recording session and immediately began rehearsing regularly. Allen Russell, Molly Lieberman, Pat Reinholz, and Barry Paul Clark are all classically trained musicians who teach and regularly perform in a variety of styles around the Milwaukee area and beyond.

Tontine Ensemble has appeared as guest artists at Mike Neumeyer and Friends, Danceworks, Inc. (Paleontology of a Woman – 2014, Footsteps, Shadows & Whispers – 2015), Milwaukee Follies, Formations Series for New and Improvised Music, Alverno Presents (Prince Uncovered – 2015) and The Pre-Maturely Air Conditioned Arts Collective.  The ensemble has shared the stage with JOBS, Netmoiré, Lovely Socialite Mrs. Thomas W. Phipps, Geodes, Trench, Jonah Parzen-Johnson, and Jamison Williams.

Tontine Ensemble
http://tontineensemble.com/


2/21 | NoExit Performance presents “DINNER”

DINNERDINNER     A Romance in Four Courses

Sun, 2/21 | doors 5:30 PM  $100 > TIX

@ Mesh on Mass Ave
725 Massachusetts Avenue
Indianapolis, IN 46204

$100 ticket includes 4 course meal, wine pairings, and gratuity
4 movement dance work by NoExit Performance
with live score by BC Grimm

Tommy LeweyMake your reservations with NoExit Performance’s  award-winning director and choreographer Tommy Lewey, as he collaborates with the chefs at Mesh on Mass Ave and Madison-based musician Brian Grimm to create the most unique dinner theater experience in Indianapolis. This alternative Valentine’s Day event takes inspiration from the diverse menu at Mesh on Mass and the interpersonal connections forged while dining with loved ones. Each of the four courses and wine pairings will be carefully crafted to track the love/life cycle of one couple’s relationship around a table. This is a delectable culinary performance that is not to be missed!
Cunningham Restaurant Group is the Official Sponsor for Dinner.

One ticket provides admission for one person, including a four course meal, wine pairings, and gratuity