Tues, 6/11, 9p-12a no cover @ The Mason Lounge 416 S Park St, Madison, WI 53715, USA Isthmus Jazz Festival presents the Five Points Jazz Collective CD Release show with Live Art!
“Don’t Worry About It” CDs $10
Entering Madison’s Mason Lounge for the first time, one immediately notices the quirks. The stuffed chicken in a henhouse in the wall, complete with straw. The action figures dangling from string, rigged up to move when someone opens the door to the restroom. The collection of neckties and paint can lids on the walls. Every element is so out of place, it somehow fits.
Like the décor, the Five Points Jazz Collectiveis quirky and disparate. Serving as the house band since the Mason opened in 2010, the Collective is an extended family of local musicians from varied backgrounds. Playing a mixture of jazz old and new, the group has evolved over the years from an open jam into a stable sextet with an increasingly large repertoire.
In its current incarnation, the group consists of Rin Ribble (violin), Eric Shackelford (drums), band leader Charlie Painter (guitar), Trey Grimm (keyboard), Kyle Rightley (trombone and euphonium), and Brian Grimm (bass and contracello). As Tuesday night regulars will attest, no two shows are ever alike. Listeners can expect to hear many subgenres of Jazz including swing standards, modal jazz, latin jazz, pop arrangements, blues, and funk.
About the CD Release
In collaboration with the Isthmus Jazz Festival, the Five Points Jazz Collective will be celebrating its first official album release! For 5 years the sextet version of this collective has played nearly 50 shows a year and decided it was time to lay down favorite selections of our vast catalogue. When listening to this debut album, you’ll feel the energy and spontaneity of the Five Points live sound with the buzzing atmosphere created by our regular fans. CDs and download cards will be available for sale at the show. Come grab your very own copy of this special recording captured live at the Mason Lounge!
Our CD Release will be made extra special with live visual artist contributions. Watch along as one of our most regular supporters John Ribble, plus special guest Jim McKiernan, create portraits of band members in real time to our music!
On Thursday, 1/24 from 5:30-7:30pm in Boardman & Clark Law Offices at the US Bank Building; the annual fundraiser to fight domestic abuse against women “I, RESOLVE” will be held. Suggested donation is $20 and the event includes silent auction, live music (provided by yours truly), hor d’oeuvres, and drinks. Hosted by Legal Association for Women to benefit Domestic Abuse Intervention Services (DIAS) Legal Program. Please RSVP to Jennifer Luther at email@example.com.
In the last 5 years, I’ve had the pleasure of collaborating in various ways with ambient bassist & vocalist CJ Boyd (Joyful Noise Recordings; Obsolete Media Objects). We have a track “Horses” coming out on his yet-to-be-released, mammoth sized “50 states project” (more on that when the time comes!). Back in 2014, I contributed a track to his fundraiser compilation for reproductive rights: Running Up That Hill. When CJ came through town in 2013, it was the impetus for Mine All Mine Records + GrimmusiK Records ambient compilation Colias. I also made an official remix of “slowly by your passing” for his Visions & Revisions remix compilation. The point being, for someone who is on perpetual tour I’ve managed to collaborate with CJ nearly as much as some of my regular bandmates in town! Now multiply that by all of the musicians that he is keeping track of on the road, constantly in a cycle of scheduling tours, booking shows, recording albums (sometimes in our local coffee shop bathrooms!), releasing collaborative projects, etc…. this guy is busy! I am always impressed by the hard work and persistence I see from full time touring musician CJ Boyd.
CJ still finds time to have a voice in matters of social injustice, whether it’s through social media platforms or directly in his music. The timing doesn’t always work out when he is coming through town, but I’m glad it did this year! As always, I am excited to spend some time with CJ before/after the show and to enjoy his ambient music stylings at Madison’s new all ages venue, Communication.
CJ and I are both fans of Taralie Peterson’s musical output, including her solo projects as Tar Pet, Louise Bock, and in the dynamic duo Spires That In The Sunset Rise. A multi-instrumentalist and improviser extraordinaire, Taralie has the rare gift to pull sounds through the void from other dimensions for you to hold momentarily. This will be our first duo collaboration and I am honored to sit next to her on stage this Thursday.
Hear sounds born out of the ’60s counterculture with works exploring minimalism, social and political engagement, and electronic experimentation, as well as the music they inspired for decades to come. The program will include a mixture of instrumental, vocal, and electroacoustic music, with featured guest artist Conduit. Highlights include composer and Lawrence Conservatory faculty Evan Williams’ “Bodies Upon the Gears” for clarinet, viola, and audio from Mario Savio’s 1964 speech urging the importance of civil protest; Steve Reich’s “New York Counterpoint” for amplified clarinet and tape; and Andy Akiho’s “Stop Speaking” for solo snare in conversation with digital playback. There will be a cash bar, as well as opportunities to explore the exhibits, including the MMoCA’s current exhibition “Far Out: Art of the 1960s.”
Complete Program: Music by Melissa Dunphy, Angelica Negron, Evan Williams, Steve Reich, Gilda Lyons, Anna Meadors, Kyle Tieman-Strauss, David Lang, and Andy Akiho
Performed by: Conduit (Zach Manzi, clarinet and Evan Saddler, percussion); Caitlin Mead, soprano; Kristina Teuschler, clarinet; ZouZou Robidoux, cello; Jeremy Kienbaum, viola; Heather Zinninger Yarmel, flute.
Saturday, 8/11 2:00pm at Bethel Lutheran, 312 Wisconsin Ave.
Madison New Music Festival continues with an afternoon program that invokes spirituality, morality, and reflection. Hear music including organ interludes performed by Madison Symphony Orchestra organist Greg Zelekand Vital Organ Project founder Tyler Jameson Pimm, soundscapes for viola and piano by Morton Feldman and Toru Takemitsu, African spirituals arranged for instrumental chamber ensemble, and the renowned Langston Hughes set to music by composers including Madison’s Scott Gendel.
Tickets: $15/$5 for students.
Program: Music by Toru Takemitsu, Trevor Weston, Morton Feldman, Daniel Ficarri, John Weaver, Tyler Pimm, Tania J. Leon, John Musto, Ricky Ian Gordon, and Scott Gendel.
Performed by: Jeremy Kienbaum, viola; Satoko Hayami, piano; Caitlin Mead, soprano; Scott Gendel, piano; Kristina Teuschler, clarinet; Micah Cheng, cello; Alex Norris, violin; Greg Zelek, organ; and Tyler Jameson Pimm, organ.
Sunday, 8/12 7:30pm at Robinia Courtyard, 829 E Washington Ave
Polish off your weekend with a drink at Robinia Courtyard as you listen to the world premiere of “They’re Still Here,” a new work by local multi-instrumentalist B.C. Grimm featuring 9 instruments ranging from cello to Chinese pipa. Then, kick back for a set of solo string music from violinist Aaron Yarmel and violist Jeremy Kienbaum, featuring pieces by Philip Glass, Ursula Mamlock, and one of Yarmel’s own improvisations. Finally, musicians from all three concerts close out the festival together with a performance of Julius Eastman’s “brilliant and brazen” 1973 piece, “Stay On It.” This rarely performed work ends our musical weekend with a bang– and a groove! There will be a cash bar.
Live set up for BC Grimm’s new 30min piece, “They’re Still Here”.
“They’re Still Here” Program Notes
Composed August, 2018 by BC Grimm (b 1986) for the Madison New Music Festival
This piece explores how those who have passed away continue to pop up in the everyday moments of our lives. You’ll hear field recordings of my day-to-day experience fused with instrumental sound design. These scenes recreate and reference real life moments I’ve had in the wake of these deaths.
“They’re Still Here”is dedicated in loving memory to Patrick Kelly, Ross Sutherin & Brian White-Stout and to the Grimm, Sutherin, Kelly, Morrow, White-Stout & Brethauer families.
Scene I Passing of a Friend, The Work Day Begins
Tenor Viola da Gamba with field recording
Scene II News Cycle On Fire: Rbt. Mueller’s Lonely Russia Probe
Gaohu Cantonese fiddle with foley, field recording, 1940’s radio broadcast, singing bowls, violoncello, dizi flute, bawu flute, xiao flute, sheng mouth organ
Scene III Do I Tell The Children? No, Teach On.
Violoncello with field recording, pipa lute, tenor viola da gamba, violoncello, contracello
Scene IV Fluorescence Hums The Harmonic Order of Nature
APC40 (electric hum in just intonation)
Scene V Morning Routine, Scrambled Brains
Field Recording with foley
Scene VI A Call With My Brother, Wise Counsel
Sarangi-Cello in pipa tuning with claps, cajon, motorcycle
Scene VII Ask The Corn Spirits
Gaohu fiddle with bawu flute
Scene VIII Hermie’s Chimes, They’re Still Here
Guqin Zither with pipa lute, gaohu fiddle, dizi flute
Scene IX Funeral Grave
Scene X Temple of Ancestors
Sarangi-Cello in pipa tuning with pipa lute, synthesis
Scene XI Transfigurations
Guqin zither with pipa lute, Russian folk harp, singing bowls
Scene XII Schoolyard in Snow; Children Play On
Tenor Viola da Gamba,
APC40 (electric hum in equal temperament), field recordings, foley