9/20 | Musique Concrète élégie “They’re Still Here” by BC Grimm now available for download, honoring loved ones who’ve passed


They’re Still Here” Liner Notes

Composed, Recorded and Premiered in August of 2018 by BC Grimm (b 1986) for the 2018 Madison New Music Festival. All instruments performed by BC Grimm. Available for Download on September 20th, 2019 to mark one year since Grandma Joyce’s passing. This release is also in remembrance my Grandma Nerren who passed away this summer, her 97th birthday would have been on September 17th. Much love to both my Grimm and Nerren families.

[About the Work]
Those who have passed away continue to pop up in the everyday moments of our lives. This work explores the modern dichotomy of navigating grief and mourning whilst carrying on with your work day and life obligations. You’ll hear field recordings of my day-to-day experience fused with instrumental composition and sound design. These “scenes” reference and even recreate real life moments I had in 2018 while in the wake of a series of close friend and family deaths. Many scenes are embedded with inside jokes or nods to the loved ones who passed. In addition, some scenes imagine what may be taking place for the dying at the transition between this world and the next. I felt that I didn’t give myself permission to truly process my grief publicly when this was all happening – how many of us are quietly carrying around these feelings at the same time?

A month after the premier of this work, I felt like I’d had a chance to process and contextualize my feelings and was scheduled to perform the piece a second time on 9/20/2018. Ironically, that was the day my Grandma Joyce passed away and the themes of this piece played out in front of me once again, in real time. I received “the call” right before leaving for work in the morning and had 3 jobs to work that day… run to the next run to the next run to the next. But on that day, I told everyone of the news I’d just heard and what I was going through internally. It helped me to get through that day without breaking down. I just couldn’t believe it had happened again, like clockwork. I’d like to thank Taralie Peterson, who performed a set of free improvisation as a duet with me that night. It was the first time that whole day I was able to let out and explore my feelings about my Grandmother’s passing.

[Dedications]
The 2018 composition, recording and performance of “They’re Still Here” is dedicated in loving memory to Patrick Kelly, Ross Sutherin & Brian White-Stout and to the Grimm, Sutherin, Kelly, Morrow, White-stout & Brethauer families. I’d like to dedicate the 2019 public releasing of this music to my Grandma Joyce & Grandma Nerren, and to my Nerren and Grimm families. Both grandmas passed away in the last year since the making of this piece. I miss you both very much and think of you often when I play cello now.

[Album Art]
A special heartfelt thank you to one of my Art heroines growing up, Aunt Jean (daughter of Grandma Joyce) who made the Album Art for this release. I’m so glad we were able to collaborate on this special project.

[On Listening]
“They’re Still Here” is meant to be listened to and contemplated in one continuous sitting. Therefore the movements haven’t been separated, to facilitate the best listening experience (as it was performed live).


PROGRAM NOTES

[00:00] SCENE I “Passing of a Friend, The Work Day Begins”
Tenor Viola da Gamba with field recording

[02:31] SCENE II “News Cycle On Fire: Rbt. Mueller’s Lonely Russia Probe”
Gaohu Cantonese fiddle with foley, field recording, 1940’s radio broadcast, singing bowls, violoncello, dizi flute, bawu flute, xiao flute, sheng mouth organ

[04:25] SCENE III “Do I Tell The Children? No, Teach On.”
Violoncello with field recording, pipa lute, tenor viola da gamba, contracello

[06:27] SCENE IV “Fluorescence Hums The Harmonic Order of Nature”
APC40 (electric hum in Just Intonation)

[10:31] SCENE V “Morning Routine, Scrambled Brains”
Field Recording with foley

[13:00] SCENE VI “A Call With My Brother, Wise Counsel”
*Sarangi-Cello in pipa tuning with claps, cajon, Tyler’s motorcycle

[14:55] SCENE VII “Ask The Corn Spirits”
Bawu flute with gaohu fiddle

[17:28] SCENE VIII “Hermie’s Chimes, They’re Still Here”
Guqin Zither (tuned to Hermie’s chimes) with pipa lute, gaohu fiddle, dizi flute

[21:07] SCENE IX “Funeral Grave”
solo Violoncello

[22:22] SCENE X “Temple of Ancestors”
Sarangi-Cello in pipa tuning with pipa lute, synthesis

[24:29] SCENE XI “Transfigurations”
Guqin zither with pipa lute, Russian folk harp, singing bowls

[27:27] SCENE XII “Schoolyard in Snow; Children Play On”
Tenor Viola da Gamba, APC40 (electric hum in equal temperament), field recordings,
foley

  • “sarangi-cello” (d, g, a, d’) is tenor-violin (normally G, d, a, e’ or G, d, a, d’) tuned in pipa lute tuning with alternating wound and plain gut strings. I use a Nakatani-Kobo bow to help create a ‘sarangi-style’ on cello. The bowed Sarangi of North India and Pakistan is normally tuned to Sa=E (e, b, e’). I have my cello modeled after this tuning but a wholestep lower where Sa=D, where my guruji pt. Sugato Nag tunes his sitar. The sarangi has 3 melodic strings and the cello has 4, so I have tried a number of different tuning schemes and have settled on the Pipa Chinese lute tuning – as it is the most settled and advantageous one I have tried: d wound gut, g plain gut, a wound gut, d’ plain gut or silk. Alternate tunings I have used: (1) d, a, g, d’ (2) d, g, g, d’ (3) d, a, a, d’

6/11 | Isthmus Jazz Festival: Five Points Jazz Collective CD Release + Live Art!

Tues, 6/11, 9p-12a no cover @ The Mason Lounge
416 S Park St, Madison, WI 53715, USA
Isthmus Jazz Festival presents the
Five Points Jazz Collective CD Release show with Live Art!

“Don’t Worry About It” CDs $10

Entering Madison’s Mason Lounge for the first time, one immediately notices the quirks. The stuffed chicken in a henhouse in the wall, complete with straw. The action figures dangling from string, rigged up to move when someone opens the door to the restroom. The collection of neckties and paint can lids on the walls. Every element is so out of place, it somehow fits.

Like the décor, the Five Points Jazz Collective is quirky and disparate. Serving as the house band since the Mason opened in 2010, the Collective is an extended family of local musicians from varied backgrounds. Playing a mixture of jazz old and new, the group has evolved over the years from an open jam into a stable sextet with an increasingly large repertoire.

In its current incarnation, the group consists of Rin Ribble (violin), Eric Shackelford (drums), band leader Charlie Painter (guitar), Trey Grimm (keyboard), Kyle Rightley (trombone and euphonium), and Brian Grimm (bass and contracello). As Tuesday night regulars will attest, no two shows are ever alike. Listeners can expect to hear many subgenres of Jazz including swing standards, modal jazz, latin jazz, pop arrangements, blues, and funk.

Five Points at the Mason’s frozen back patio on set break – photo by Matthew Norman

About the CD Release

In collaboration with the Isthmus Jazz Festival, the Five Points Jazz Collective will be celebrating its first official album release! For 5 years the sextet version of this collective has played nearly 50 shows a year and decided it was time to lay down favorite selections of our vast catalogue. When listening to this debut album, you’ll feel the energy and spontaneity of the Five Points live sound with the buzzing atmosphere created by our regular fans. CDs and download cards will be available for sale at the show. Come grab your very own copy of this special recording captured live at the Mason Lounge!

Our CD Release will be made extra special with live visual artist contributions. Watch along as one of our most regular supporters John Ribble, plus special guest Jim McKiernan, create portraits of band members in real time to our music!

Live Drawing of me on bass at the Mason by John Ribble!

June 5th-9th, the 2019 LunART Festival is here!

The mission of LunART Festival is to support, inspire, promote, and celebrate women in the arts through public performances, exhibitions, workshops, and interdisciplinary collaboration; thus enriching our community and creating a welcoming space for learning and experimentation. This international art festival features engaging and accessible events and concerts in Madison, an educational program for emerging composers, as well as community building events for artists. LunART interweaves art forms throughout events, offering diverse and exciting programming, where creativity is queen!

Wed June 5, 6pm free | Overture Center for the Arts
Women Against Hate United By Love Gallery Reception

Join us for a Playhouse Gallery Reception from 6 PM – 8 PM!
Art Discussion with Kelly Parks Snider starts at 6:30 PM!

We are women united against hate. We are mothers, sisters, grandmother and caretakers. We are joined together purposely to shine a light, capture attention, and push back against injustice.

A collective effort of artists and activists, “Women Against Hate United by Love” is a platform, an entry point for a female-led anti-hate campaign united against bigotry, intolerance and racism. The creative building blocks for our artwork and messaging are women’s stories—powerful, tough, revealing stories of injustice, tragedy, strength, and amazingly, hope.


Thr June 6th, 9am free @ First United Methodist Church
From Page to Stage: Emerging Composers Masterclass

Free and open to the public!

The goal of “From Page to Stage” is to support emerging women composers in gaining a clearer understanding of not only expressing their creativity, but also creating clear scores, cultivating relationships with performers, and the art of collaboration. The master class with festival composer-in-residence Valerie Coleman will explore works submitted by participants, while talks about collaboration and the role of the independent composer will offer participants a well-rounded approach to growing their own careers.

Thr June 6th, 7pm $20 @ Maiahaus (402 E Mifflin St)
Only The Words Themselves – Opening Gala Concert

Join the LunART Festival in celebrating women in the arts with our opening gala concert. Featuring chamber music, poetry, monologues and aerial dancing, this concert will be a spectacular showcase of creativity by women artists!

Program:
Kirsten Volness little tiny stone, full of blue fire for flute/alto, clarinet/bass clarinet, violin & cello

Valerie Coleman, Tzigane for woodwind quintet

Barbara Strozzi, L’Astratto, Opus 8.04
Che si può fare, Opus 8.06

Hilary Tann, The Walls of Morlais Castle for oboe, viola & cello

Kate Soper, Only the Words Themselves Mean What They Say for flute & soprano

Special guests:
Andrea Musher – poet
Deborah Hearst – theatre artist
Linda DiRaimondo – aerial dancer + BC Grimm guqin zither


Fri June 7th, 6pm free @ Overture Center for the Arts
Portrait of the Artist as a Young Woman

What does it mean to create art as a woman in the 21st century, and how do our experiences shape what we produce and perform? Join us to hear stories of modern women and their unique personal journeys that led them to lives and careers in the arts.

This is a free pre-concert lecture that is open to the public. Stick around for the 7 PM concert Portraits of Josephine featuring an evening of music and dance.

Fri June 7th, 7pm $20 @ Overture Center for the Arts
Portraits of Josephine – Friday Gala Concert

Join us for a night of music and dance! Featuring a percussive string quintet by composer Edna Alejandra Longoria and a choreographed exploration of rhythm by dancer Liz Sexe & Kimi Evelyn, this concert will have you moving in your seat throughout the evening.

Program:

Ellen Taaffe Zwilich, Concerto for trumpet and five players

Valerie Coleman, Portraits of Josephine wind quintet

Edna Alejandra Longoria, Danzas Cautivas for string quintet & piano

Liz Sexe, Lone Sum: Part II (choreographed dance)

Stacy Garrop, My Dearest Ruth for soprano, violin, cello, clarinet & piano

Kimi Evelyn, She (choreographed dance)

Missy Mazzoli, The Sound of the Light for flute, violin, trumpet, trombone & piano

Fri June 7th, 9pm $7/$10 @ Robinia Courtyard
Holding Court – All Women Comedy Show

This lineup of amazing comedians is gonna be a stunner! Featuring local comics from the Midwest who are blazing a trail of funny that will leave you gasping in their wake. Come to the Robinia courtyard where these Queens will be “Holding Court.”

Featuring Vanessa Tortolano, Chastity Washington, Vickie Lynn, Samara Suomi & Cynthia Marie!


Sat June 8th, 10am free @ Madison Public Library
The Multi-Faceted Artist – Panel Discussion

This engaging panel discussion is for anyone interested in the ongoing trend and need for artists to wear multiple hats to succeed and thrive.

This panel will be held in the Bubbler Room of Madison Public Library Central. Free and open to the public.

Led by Valerie Coleman-Page Flutist & Composer, Linda DiRaimondo & Katrin Talbot

Sat June 8th, 2pm free @ Capitol Lakes
From Page to Stage: Emerging Composers Concert

We are extremely excited to welcome our 2019 participants to LunART’s educational program “From Page to Stage: Emerging Composers!” After attending masterclasses and workshops, these 6 talented composers will have their compositions performed by Madison musicians during this free concert at Capitol Lakes.

Program:

Emily Joy Sullivan – Dangerous Curves Ahead for violin, cello & piano

Claudia Sofía Alvarez Cuba – Nada queda (Nothing Left) for soprano & marimba

Shelby Scott – Going Thoughts for piano solo

Veronica Cator – Direction for string quartet

Anna Marcus-Hecht – Transfiguration for mezzo-soprano & piano

Nikea Randolph – Underground for wind quintet

Sat June 8th, 7pm $20 @ Furst Unitarian Society
Gaia – Closing Gala Concert

Join us for our final gala concert of the festival! This program will feature a wickedly upbeat clarinet & piano duo by Eunike Tanzil (who will be here to perform the piece herself!), Clara Schumann’s classic Piano Trio in G minor, and Valerie Coleman’s groundbreaking Afro-Cuban Concerto for wind quintet.

The ARTemis Women’s Choir returns for a second year and we’ll be featuring the artwork of women artists from Studio 84, Inc. and ARTWORKING, two nonprofit organizations that support artists with disabilities.

Full program:

ARTemis Women’s Choir:
Joan Szymko, Eli Eli
Meg Huskin, Oblivion
​Jocelyn Hagen, Moon Goddess
Alexandra Olsavsky, What Happens When a Woman?

Eunike Tanzil, Catching Time! for clarinet & piano

Clara Schumann, Piano Trio in G minor for violin, cello & piano

Valerie Coleman-Page Flutist & Composer, Afro-Cuban Concerto for wind quintet

Andrea Clearfield, Gaia for soprano, oboe & piano


Sun June 9th, 10am free @ Common Ground Middleton
Mooning Around – Poetry Reading and Artist Mixer

“Mooning Around” Poetry Reading and Artist Mixer – no better way to close our 2019 season! Join us for a performance of “One for Mileva Maric (Einstein)” by Andrea Musher, with special guests Sarah Whelan and Jackie Bradley, and poetry readings by The Line-Breakers: Andrea Potos, Eve Robillard, Rosemary Zurlo-Cuva & Katrin Talbot.

Enjoy your morning coffee and brunch while making creative connections with other artists. Open the public and all artists – bring your portfolios, business cards, and get creative!


4/5 | Lovely Socialite @ Central Library for InDIGenous Jazz Series


Lovely Socialite is excited to debut a lot of new material at the InDIGenous Jazz Series this week. These new tunes will be recorded on our 4th studio album this summer with Landon Arkens (engineer for Registers Her Delight [2012], Toxic Consonance [2015]) at Blast House Studios!

Fri, 4/5 | Free! 7:30 PM – 10 PM @ Central Library, Madison Public Library
201 E Mifflin St, Madison, Wisconsin 53703

Presented by The Madison Music Collective and The Greater Madison Jazz Consortium, the inDIGenous Jazz series continues with a return performance from the Lovely Socialite.

Lovely Socialite is a Madison/Milwaukee-based six-piece that combines the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop. Lauded for their bold and intricate compositions, the group often draws comparisons to Frank Zappa and the Mothers of Invention. The band’s original music combines strict notation with moments of improvisation and maintains a healthy balance of dark and heavy rock grooves with quirky jazz obscurities. The group will perform original jazz/rock fusion compositions composed by its members since our inception in 2010. Musicians with Lovely Socialite: Ben Willis-Double Bass, Electronics; Pat Reinholz-Electric Cello, Electonics; Brian Grimm-Pipa (琵琶), Gaohu (高胡), Cello, Electronics; Corey Murphy-Trombone, Electronics; Abe Sorber-Vibraphone, Drums; Mike Koszewski-Drums, Percussion

All InDIGenous shows are free and start at 7:30pm on the 3rd floor of the Madison Central Library 201 W. Mifflin St

We would like to thank our series sponsors who help us make these concerts possible:

Madison Public Library, John and Carolyn Peterson Charitable Foundation, Dane Arts (with additional funds from the W. Jerome Frautschi Foundation), Wisconsin Arts Board, WORT-FM, Wisconsin Public Radio, Bear Sound, Janus Galleries, and Presenting Organizations: Madison Music Collective and The Greater Madison Jazz Consortium

Please visit jazzinmadison.org for more information on our local jazz scene

New to Lovely Socialite’s music? Catch up on our previous albums!

8/10-12 | Madison New Music Festival 2018, “They’re Still Here” premiere

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Madison New Music Festival Schedule

Friday, 8/10 7:30pm at Madison Museum of Contemporary Art, 227 State St.

MNMF Opening Night 2018: Sounds of the ’60s and Beyond!  [tickets]

Hear sounds born out of the ’60s counterculture with works exploring minimalism, social and political engagement, and electronic experimentation, as well as the music they inspired for decades to come. The program will include a mixture of instrumental, vocal, and electroacoustic music, with featured guest artist Conduit. Highlights include composer and Lawrence Conservatory faculty Evan Williams’ “Bodies Upon the Gears” for clarinet, viola, and audio from Mario Savio’s 1964 speech urging the importance of civil protest; Steve Reich’s “New York Counterpoint” for amplified clarinet and tape; and Andy Akiho’s “Stop Speaking” for solo snare in conversation with digital playback. There will be a cash bar, as well as opportunities to explore the exhibits, including the MMoCA’s current exhibition “Far Out: Art of the 1960s.”

Complete Program: Music by Melissa Dunphy, Angelica Negron, Evan Williams, Steve Reich, Gilda Lyons, Anna Meadors, Kyle Tieman-Strauss, David Lang, and Andy Akiho

Performed by: Conduit (Zach Manzi, clarinet and Evan Saddler, percussion); Caitlin Mead, soprano; Kristina Teuschler, clarinet; ZouZou Robidoux, cello; Jeremy Kienbaum, viola; Heather Zinninger Yarmel, flute.

Saturday, 8/11 2:00pm at Bethel Lutheran, 312 Wisconsin Ave.

MNMF Concert #2: Sounds of Reflection [tickets]

Madison New Music Festival continues with an afternoon program that invokes spirituality, morality, and reflection. Hear music including organ interludes performed by Madison Symphony Orchestra organist Greg Zelekand Vital Organ Project founder Tyler Jameson Pimm, soundscapes for viola and piano by Morton Feldman and Toru Takemitsu, African spirituals arranged for instrumental chamber ensemble, and the renowned Langston Hughes set to music by composers including Madison’s Scott Gendel.

Tickets: $15/$5 for students.

Program: Music by Toru Takemitsu, Trevor Weston, Morton Feldman, Daniel Ficarri, John Weaver, Tyler Pimm, Tania J. Leon, John Musto, Ricky Ian Gordon, and Scott Gendel.

Performed by: Jeremy Kienbaum, viola; Satoko Hayami, piano; Caitlin Mead, soprano; Scott Gendel, piano; Kristina Teuschler, clarinet; Micah Cheng, cello; Alex Norris, violin; Greg Zelek, organ; and Tyler Jameson Pimm, organ.

Sunday, 8/12 7:30pm at Robinia Courtyard, 829 E Washington Ave

MNMF Closing Night 2018! [tickets]

Polish off your weekend with a drink at Robinia Courtyard as you listen to the world premiere of “They’re Still Here,” a new work by local multi-instrumentalist B.C. Grimm featuring 9 instruments ranging from cello to Chinese pipa. Then, kick back for a set of solo string music from violinist Aaron Yarmel and violist Jeremy Kienbaum, featuring pieces by Philip Glass, Ursula Mamlock, and one of Yarmel’s own improvisations. Finally, musicians from all three concerts close out the festival together with a performance of Julius Eastman’s “brilliant and brazen” 1973 piece, “Stay On It.” This rarely performed work ends our musical weekend with a bang– and a groove! There will be a cash bar.


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Live set up for BC Grimm’s new 30min piece, “They’re Still Here”.

“They’re Still Here”  Program Notes

Composed August, 2018 by BC Grimm (b 1986) for the Madison New Music Festival

This piece explores how those who have passed away continue to pop up in the everyday moments of our lives.  You’ll hear field recordings of my day-to-day experience fused with instrumental sound design.  These scenes recreate and reference real life moments I’ve had in the wake of these deaths.

“They’re Still Here” is dedicated in loving memory to Patrick Kelly, Ross Sutherin & Brian White-Stout and to the Grimm, Sutherin, Kelly, Morrow, White-Stout & Brethauer families.

Scene I   Passing of a Friend, The Work Day Begins

Tenor Viola da Gamba with field recording

Scene II   News Cycle On Fire: Rbt. Mueller’s Lonely Russia Probe

Gaohu Cantonese fiddle with foley, field recording, 1940’s radio broadcast, singing bowls, violoncello, dizi flute, bawu flute, xiao flute, sheng mouth organ

Scene III   Do I Tell The Children?  No, Teach On.

Violoncello with field recording, pipa lute, tenor viola da gamba, violoncello, contracello

Scene IV   Fluorescence Hums The Harmonic Order of Nature

APC40 (electric hum in just intonation)

Scene V   Morning Routine, Scrambled Brains

Field Recording with foley

Scene VI   A Call With My Brother, Wise Counsel

Sarangi-Cello in pipa tuning with claps, cajon, motorcycle

Scene VII   Ask The Corn Spirits

Gaohu fiddle with bawu flute

Scene VIII   Hermie’s Chimes, They’re Still Here

Guqin Zither with pipa lute, gaohu fiddle, dizi flute

Scene IX   Funeral Grave

Violoncello

Scene X   Temple of Ancestors

Sarangi-Cello in pipa tuning with pipa lute, synthesis

Scene XI   Transfigurations

Guqin zither with pipa lute, Russian folk harp, singing bowls

Scene XII   Schoolyard in Snow; Children Play On

Tenor Viola da Gamba,

APC40 (electric hum in equal temperament), field recordings, foley


 

5/3 | Nan Cheney March For Justice Awards @ Monona Terrace

Nan Cheney March For Justice Award

Thr, 5/3 | 5:00-7:00 PM @ Monona Terrace Community & Convention Center 

1 John Nolen Drive, Madison, WI 53703

Register Here:  https://conta.cc/2qqrxyI

Forward Community Investments is pleased to announce the 2018 Nan Cheney March for Justice Award recipient . . . it’s the awesome Will Green! Per Salli Martyniak, FCI’s president, “When I asked people who was that one person in our community who led with courage, conviction and passion but whose accomplishments were not always given the spotlight they deserve, the person who rose to the top was always Will. Now, it’s our privilege to shine the spotlight on Will!” FCI will be honoring will on May 3, 5:00 to 7:00pm, at Monona Terrace. 

Will Green is the recipient of the Second Annual Nan Cheney March for Justice Award

Drumroll, please . . . this year’s Nan Cheney March for Justice Award recipient is Will Green. Will is a consummate doer and giver in Madison. He runs Mentoring Positives, a nonprofit that mentors and guides youth – many of them youth of color – in Madison’s Darbo neighborhood. For more than 10 years, Will and his wife, Becky, have touched the lives of more than 2,500 young people, teaching them what it means to reach their fullest potential and offering them the resources to overcome peer pressure.

Thanks to Will’s own “can do” attitude, Mentoring Positives also introduces youth to entrepreneurship through the production of Off the Block salsa. For the last seven summers, Will and his team of youth entrepreneurs have grown and harvested tomatoes, turned those tomatoes into salsa and marketed and sold jars of Off the Block salsa in Metcalf’s and other stores across Dane County. Sale proceeds go towards supporting the work of Mentoring Positives.

In addition to leading Mentoring Positives, Will is the girls’ varsity basketball coach at Madison’s LaFollette High School. It’s a natural “second job” for Will who played a good game of b-ball when he attended the University of Wisconsin-Eau Claire.

Will’s inspiration for all of his work was his mom, Muriel Pipkins, who raised Will and his two brothers to be caring, kind individuals who give back to their communities. It’s fitting that Mentoring Positives bears the same initials as Will’s mom. It was upon her death that Mentoring Positives was started. To this day, Muriel is recognized as the inspiration behind Will’s work. And, we are thrilled to keep her spirit going through Will who is the inspiration to the young men and women he mentors. Honoring Will as this year’s recipient of the Nan Cheney March for Justice $15,000 grant is the right thing to do!

~ all information via Forward Community Investments

Brian Grimm will provide light cello music as guest enter on behalf of Monroe Street Arts Center.


1/18 | “I Resolve” fundraiser for Domestic Abuse Intervention Services (DAIS)

I RESOLVE 2018

The Legal Association for Women is hosting its annual “I Resolve” fundraiser for the Domestic Abuse Intervention Services’ (DAIS) Legal Services Program on Thursday, January 18th, from 5:30 to 7:30 PM. The event will be held at the Boardman & Clark Law Firm in their lovely atrium overlooking the State Capitol and will feature live music, hors d’oeuvres, drinks, and a silent auction. To RSVP, please e-mail Lynn Lodahl at llodahl@hq-law.com. We hope you can join us for this fun event!

*Brian Grimm will be providing live solo cello for this event!


 

CALL FOR SCORES LunART Festival celebrating women composers (June 28th-30th Madison, WI)

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June 28-30th, 2018  Madison, WI

Celebrating women composers

Call For Scores (Deadline March 1st, 2018)

Serbian flutist Iva Ugrčić is organizing this year’s LunART Festival for women composers – taking place in Madison, WI from June 28-30th, 2018!  This three-day festival features a remarkable range of women, diverse and varied in their artistic visions, but with the shared passion and desire to make their voices heard!

The vision for LunART festival is to empower women in the arts by fostering originality, honoring diversity, and strengthening equality – and to put Madison on the world map as mecca for women artists.

Festival Events include four classical concerts presenting the work of women composers, a musicological lecture about women in the arts, as well as “Starry Night” after hours performances featuring local women jazz and hip hop artists, and singer-songwriters. Visual art, photography, and spoken word will be woven into all Festival events, and we are thrilled to include the Madison Youth Choir in our Closing Gala Concert.

Our 2018 Composer in Residence is award-winning composer Jenni Brandon, whose instrumental and vocal music will be showcased in our Gala concerts, including two world premieres! She will coach the LunART Festival “From Page to Stage: Emerging Composers Workshop,” offering master classes, lectures, and discussions about collaboration and tools necessary for a successful freelance career in the arts. Additionally, we have created an annual Call for Scores, open to women composers from around the globe.


Call for Scores poster

CALL FOR SCORES

(Submission Deadline Dec 1, 2017- Feb 1, 2018)

Designed for professional composers. Up to three works will be chosen and then presented each night of the Festival. Composer can come and she will have free housing provided.

Performances

Thursday June 28 @ MMoCA Lobby 7pm

Friday June 29 @ Promenade Hall, Overture Center 7pm

Saturday June 30 @ FUS Auditorium 7pm

FROM PAGE TO STAGE – Emerging Composers Workshop

(Submission Deadline Dec 15, 2017-March 15, 2018)

For younger composers and students that still need guidance and tools for professional careers.  The Page to Stage concert will be Saturday June 30 @ Capitol Lakes 2pm. Fee for this is $150 for the professional concert and recording, workshop with musicians, and masterclass with the composer, + all events for free.

 


LunART Festival Mission

The mission of the LunART Festival is to support, inspire, promote, and celebrate women in the arts through public performances, exhibitions, workshops, and interdisciplinary collaboration; thus enriching our community and creating a welcoming space for learning and experimentation.

About Dr. Iva Ugrčić  FOUNDER & ARTISTIC/EXECUTIVE DIRECTOR

“There is a place for everyone under the Sun.”

Serbian flutist Iva Ugrčić is one of the most exciting and adventurous young flutists in the international pantheon. Described as “a natural star on her instrument,” Iva has been featured as a solo artist and a chamber musician at numerous music festivals, touring and performing around Europe and the United States. She is a musician who has worn many hats throughout her professional career: flutist, teacher, artistic director, entrepreneur, freelance musician and recording artist, among others. Since moving to the United States (2014), Iva has performed with many orchestras and chamber groups.

She currently plays with Black Marigold Wind Quintet, ID flute and percussion duo, and Sound Out Loud contemporary chamber music ensemble.

After completing her Bachelor and Master’s degrees at the University of Belgrade Academy of Music, Iva Ugrčić moved to Paris, where she studied flute performance and chamber music for three years with Pierre-Yves Artraud and George Alirol.

Iva Ugrčić’s solo album, The Four Seasons by Antonio Vivaldi was released in September 2014. The same year, Ms. Ugrčić was awarded the prestigious Paul Collins Fellowship at the University of Wisconsin-Madison School of Music, where she completed her Doctorate of Musical Arts degree (2017), studying with flutist Stephanie Jutt. Iva won the Shain Irving Duo Competition in 2015 as well as multiple concerto competitions, performing as a soloist with the UW-Madison Symphony Orchestra and Miami Summer Music Festival Symphony Orchestra. In 2016, Iva received a James R. Smith Orchestra Award for excellency and leadership. She is finishing up her second solo album Cries and Whispers – Flute Works by Doina Rotaru, and currently serves as Artistic Director for the Rural Musicians Forum in Spring Green.