9/20 | Musique Concrète élégie “They’re Still Here” by BC Grimm now available for download, honoring loved ones who’ve passed


They’re Still Here” Liner Notes

Composed, Recorded and Premiered in August of 2018 by BC Grimm (b 1986) for the 2018 Madison New Music Festival. All instruments performed by BC Grimm. Available for Download on September 20th, 2019 to mark one year since Grandma Joyce’s passing. This release is also in remembrance my Grandma Nerren who passed away this summer, her 97th birthday would have been on September 17th. Much love to both my Grimm and Nerren families.

[About the Work]
Those who have passed away continue to pop up in the everyday moments of our lives. This work explores the modern dichotomy of navigating grief and mourning whilst carrying on with your work day and life obligations. You’ll hear field recordings of my day-to-day experience fused with instrumental composition and sound design. These “scenes” reference and even recreate real life moments I had in 2018 while in the wake of a series of close friend and family deaths. Many scenes are embedded with inside jokes or nods to the loved ones who passed. In addition, some scenes imagine what may be taking place for the dying at the transition between this world and the next. I felt that I didn’t give myself permission to truly process my grief publicly when this was all happening – how many of us are quietly carrying around these feelings at the same time?

A month after the premier of this work, I felt like I’d had a chance to process and contextualize my feelings and was scheduled to perform the piece a second time on 9/20/2018. Ironically, that was the day my Grandma Joyce passed away and the themes of this piece played out in front of me once again, in real time. I received “the call” right before leaving for work in the morning and had 3 jobs to work that day… run to the next run to the next run to the next. But on that day, I told everyone of the news I’d just heard and what I was going through internally. It helped me to get through that day without breaking down. I just couldn’t believe it had happened again, like clockwork. I’d like to thank Taralie Peterson, who performed a set of free improvisation as a duet with me that night. It was the first time that whole day I was able to let out and explore my feelings about my Grandmother’s passing.

[Dedications]
The 2018 composition, recording and performance of “They’re Still Here” is dedicated in loving memory to Patrick Kelly, Ross Sutherin & Brian White-Stout and to the Grimm, Sutherin, Kelly, Morrow, White-stout & Brethauer families. I’d like to dedicate the 2019 public releasing of this music to my Grandma Joyce & Grandma Nerren, and to my Nerren and Grimm families. Both grandmas passed away in the last year since the making of this piece. I miss you both very much and think of you often when I play cello now.

[Album Art]
A special heartfelt thank you to one of my Art heroines growing up, Aunt Jean (daughter of Grandma Joyce) who made the Album Art for this release. I’m so glad we were able to collaborate on this special project.

[On Listening]
“They’re Still Here” is meant to be listened to and contemplated in one continuous sitting. Therefore the movements haven’t been separated, to facilitate the best listening experience (as it was performed live).


PROGRAM NOTES

[00:00] SCENE I “Passing of a Friend, The Work Day Begins”
Tenor Viola da Gamba with field recording

[02:31] SCENE II “News Cycle On Fire: Rbt. Mueller’s Lonely Russia Probe”
Gaohu Cantonese fiddle with foley, field recording, 1940’s radio broadcast, singing bowls, violoncello, dizi flute, bawu flute, xiao flute, sheng mouth organ

[04:25] SCENE III “Do I Tell The Children? No, Teach On.”
Violoncello with field recording, pipa lute, tenor viola da gamba, contracello

[06:27] SCENE IV “Fluorescence Hums The Harmonic Order of Nature”
APC40 (electric hum in Just Intonation)

[10:31] SCENE V “Morning Routine, Scrambled Brains”
Field Recording with foley

[13:00] SCENE VI “A Call With My Brother, Wise Counsel”
*Sarangi-Cello in pipa tuning with claps, cajon, Tyler’s motorcycle

[14:55] SCENE VII “Ask The Corn Spirits”
Bawu flute with gaohu fiddle

[17:28] SCENE VIII “Hermie’s Chimes, They’re Still Here”
Guqin Zither (tuned to Hermie’s chimes) with pipa lute, gaohu fiddle, dizi flute

[21:07] SCENE IX “Funeral Grave”
solo Violoncello

[22:22] SCENE X “Temple of Ancestors”
Sarangi-Cello in pipa tuning with pipa lute, synthesis

[24:29] SCENE XI “Transfigurations”
Guqin zither with pipa lute, Russian folk harp, singing bowls

[27:27] SCENE XII “Schoolyard in Snow; Children Play On”
Tenor Viola da Gamba, APC40 (electric hum in equal temperament), field recordings,
foley

  • “sarangi-cello” (d, g, a, d’) is tenor-violin (normally G, d, a, e’ or G, d, a, d’) tuned in pipa lute tuning with alternating wound and plain gut strings. I use a Nakatani-Kobo bow to help create a ‘sarangi-style’ on cello. The bowed Sarangi of North India and Pakistan is normally tuned to Sa=E (e, b, e’). I have my cello modeled after this tuning but a wholestep lower where Sa=D, where my guruji pt. Sugato Nag tunes his sitar. The sarangi has 3 melodic strings and the cello has 4, so I have tried a number of different tuning schemes and have settled on the Pipa Chinese lute tuning – as it is the most settled and advantageous one I have tried: d wound gut, g plain gut, a wound gut, d’ plain gut or silk. Alternate tunings I have used: (1) d, a, g, d’ (2) d, g, g, d’ (3) d, a, a, d’

11/3 | InDIGenous Jazz Series: Nestle and Lovely Socialite @ Wisconsin Union Theater

Fri, 11/3 | Free! Doors Open 7:00p

@ Wisconsin Union Theater

800 Langdon St, Madison, WI 53706

Nestle (Album Release)

Lovely Socialite

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from GMJC: Concerts of fresh original music, in a great listening room, with no cover charge. That’s what music fans will find at the UW Memorial Union’s Frederic March Play Circle on four Friday evenings this Fall as the Greater Madison Jazz Consortium (GMJC), Madison Music Collective and Wisconsin Union Theater present the sixth season of “InDIGenous Jazz”, a series that showcases music composed and performed by our community’s finest jazz musicians.


Nestle: Leading off this double-header concert is the experimental trio Nestle, which includes local bassist Rob Lundberg, in the premiere performance of their new GMJC-commissioned suite, “Bird Song.” This unique new suite uses archived sounds from the Cornell University Lab of Ornithology as the music’s primary generative element. In addition to Mr. Lundberg, Nestle members include Twin Ports-based guitarist Cyrus Pireh and Chicago-based percussionist and electronics artist Ryan Packard. They’ve been together as a band for two years and have developed a flexible free-flowing turn-on-a-dime improvisational rapport.

Lovely Socialite: The second set features the quirky Madison-based sextet Lovely Socialite whose bold and intricate compositions combine the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop. Often compared to Frank Zappa & The Mothers of Invention, its members include Corey Murphy (Trombone, Electronics), Abe Sorber (Vibraphone, Drums), Pat Reinholz (Electric Cello, Electronics), Brian Grimm (Pipa, Gaohu, Guzheng, Cello, Electronics), Ben Willis (Double Bass, Electronics), and Mike Koszewski (Drums, Percussion). For this concert, they will perform works composed by the band’s members over the past few years.



Nestle Bio:
The Nestle trio exists in performance.
The Nestle trio is listening.
The Nestle trio is a realization of visions.
The Nestle trio is an expression of being through doing.

The Nestle trio of Robert Lundberg, Ryan Packard, and Cyrus Pireh respectively assemble an instrumentation of double bass and electronics; percussion, accordion, and electronics; and 9-string electric future lute.

To live and thrive in the current situation invokes a certain music: not a music to put on as background or a music to wear as a shirt or badge and gain entry into social sets.

A music that is the result of doing.
A music that is the result of people.
A music that exists as proof of existence.

Lovely Socialite Bio:
Lovely Socialite, formerly Lovely Socialite Mrs. Thomas W. Phipps, is a Milwaukee/Madison-based six-piece that combines the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop. Lauded for their bold and intricate compositions, the group often draws comparisons to Frank Zappa and the Mothers of Invention. The band’s original music combines strict notation with moments of improvisation and maintains a healthy balance of dark and heavy rock grooves with quirky jazz obscurities.

While Lovely Socialite’s unusual mix of strings, traditional Chinese instruments, brass, and a jazz rhythm section suggest that the group might be a contemporary music ensemble, it is their use of stomp boxes, vocal processors, and other electronics that makes the group a suitable fit for any rock, hip-hop, or jazz bill. In fact, Lovely Socialite has been privileged to share the stage with such artists as Dessa, of Minneapolis hip-hop collective Doomtree, as well as performing live on the UW Madison Terrace with Brian Ritchie of the Violent Femmes.

In October of 2015, Lovely Socialite released their second full length album. Nearly two years in the making, “Toxic Consonance” was recorded at Blast House Studios in Madison with Landon Arkens. “Toxic Consonance” represents an edgier and more mature version of the band than their previous endeavor, “Registers Her Delight” (2012), and features extensive production efforts mixing found sounds, vocal samples, and electronic effects into their live-style recording.

Promotional Cosponsor: Terra Incognita

“DoubleShark” EP by Lovely Socialite now available on Bandcamp!

Thank you so much to everyone who came out to the #DoubleRelease show last night! Thanks to Jack Chandler & Art In for hosting. Thanks to Emili Earhart & Michael Groome aka And Illusions for sharing their soundscapes and sonic explorations & kicking off the show. Thanks to Jacob Bicknase, Cooper Schlegel, Joshua Agterberg & Alex Charland for sharing their beautiful compositions as Left Field Quartet – congrats on the release guys; killer set! Thanks to Jess Jacobson & Elizabeth Jesion for coordinating the Sharks&Crafts table. Thanks to my shark bros Ben Willis, Pat Reinholz, Corey Murphy, Michael A Koszewski & Abe Sorber, it’s always a pleasure and an honor to spend time together as Lovely Socialite (est. 2009!). #DoubleShark (& thanks to Scott Gordon of Tone Madison for this freakin badass picture!)

Be sure to check out Left Field Quartet’s new release “Please Take Us Seriously” >>


 

7/15 | Lovely Socialite and Left Field Quartet double release show @ Art In

click the pic and RSVP on our facebook event

DOUBLE RELEASE SHOW

Sat, 7/15  |  @ ART IN   1444 E Washington ST, Madison, WI

730p doors // 800p music

$10 gets you into the show

OR $15 gets you in + both CDs!

1st AND ILLUSIONS

2nd LEFT FIELD QUARTET – Please Take Us Seriously release

3rd LOVELY SOCIALITE – DoubleShark EP release

Lovely Socialite performing at The Shitty Barn in 2016. Photo by Connie Ward (c) In The Rushes Photogaphy

 🔗 Tone Madison Podcast: Lovely Socialite get leaner and louder

Lovely Socialite (lovelysocialitemusic.com) “DoubleShark” ep release
Lovely Socialite, formerly Lovely Socialite Mrs. Thomas W. Phipps, is a Milwaukee/Madison-based six-piece that combines the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop. Lauded for their bold and intricate compositions, the group often draws comparisons to Frank Zappa and the Mothers of Invention. The band’s original music combines strict notation with moments of improvisation and maintains a healthy balance of dark and heavy rock grooves with quirky jazz obscurities.


Left Field Quartet at UW Madison, where they met and cut their teeth together on Jazz.

 🔗 Tone Madison premieres Left Field Track “Straight Ahead F Blues”

Left Field Quartet  “Please Take Us Seriously” album release
Left Field Quartet is a collaborative group of Midwest-raised musicians specializing in eclectic, original music. With a unique and versatile tone, the group has scored plays and politically-charged events in the local community. What makes Left Field work so cohesively together is their adventurous desire for creativity in all of its multifaceted forms. “Please Take Us Seriously” is the band’s first official album release which combines gritty and fiery grooves with a personal touch and a playful sound.

And Illusions
And Illusions is a collaboration of local experimental musicians Emili Earhart and Michael Groome. With a focus on the psychedelic and long patient song structures, And Illusions occupies a wonderful space somewhere between noise music and kraut rock. It is at once meditative and soothing, a balancing act of angular and rounded tones.


 

CD Release: BC Grimm “Orbis Obscura” available via Other Obscura records

OO header

Buy “Orbis Obscura” CD/Digital worldwide for $10 from Other Obscura record label

“Orbis Obscura” is a 35 minute “sci-fi tone poem” for Pipa (Chinese lute) with delay & fuzz pedals by BC Grimm. Now available world wide on CD & Digital from Other Obscura Records! Other Obscura is a label promoting the compositions and improvisations of artists in Milwaukee, Madison and the surrounding areas. Est. 2016.


ORBIS OBSCURA REVIEWS

From Tone Madison, 8/10:
Brian Grimm is something of an experimental-music powerhouse in Madison.”; ” …one of the most sonically untethered things Grimm has put out there so far—which is saying something, and also not a complaint. He uses this eccentric but relatively stripped-down setup to veer through an array of warmly distorted drones, sticky pulsating rhythms, and layers of scratchy texture. The release is also the first from a new Madison- and Milwaukee-focused label, Other Obscura”     

— Scott Gordon, Tone Madison

From Isthmus Daily Page, 8/12:
 Madison composer and cellist Brian Grimm’s meditative, experimental soundscapes blend modern improvisational styles with ancient Chinese string instrument technique. …Prepare to be transported into a beautiful dream.

From Dayz Of Purple And Orange, 8/15:
” – a totally immersive, blissed-out trip that transports the listener away to distant climes…simply beautiful!”; “…glimmers of ‘sci-fi’ noises bleed through the drones. Over the course of the 35 minutes it totally immerses the listener in wave upon wave of gorgeous drones and otherworldly noises – utterly bewitching. (read: full review)     

— Andy Uzzell, Dayz Of Purple And Orange


BC Grimm

Cellist & composer Brian Grimm grew up surrounded by Chinese string instruments of every sort. After initial lessons in Chinese music with Yang Wei (pipa) & Daxun Zhang (bass) of Yo-Yo Ma’s Silkroad Enesemble, he was lucky to then study guqin (zither), pipa (lute), gaohu (fiddle) & daruan (bass lute) in Hong Kong with members of the 香港中樂團 Hong Kong Chinese OrchestraWuji Ensemble 無極樂團. Over the last 15 years Grimm has developed a deep language of Free Improvisation & Composition with groups such as The Brothers Grimm, Lovely Socialite, and Brennan Connors & Stray Passage. In conjunction with performing & teaching, Brian runs GrimmusiK Records – a label for all projects involving him & his brother AJ (classical & flamenco guitar).

BCG on cello + pipa by John Hiller Brumbaugh

BCG on cello + pipa by John Hiller Brumbaugh


 

8/11, 8/12 | BC Grimm “Orbis Obscura” CD Release Show!

J100

Album Artwork by John Praw Kruse

Thr 8/11 | 8pm $5 @ West End Conservatory

5500 W Vliet St, Milwaukee, Wisconsin 53208

“Orbis Obscura” CD Release Show feat.

HENRY/DROBKA/WELLER/MCEVOY/MILLER QUINTET

BC GRIMM

Fri 8/12 | 8pm $5 @ ArtIn Gallery

1444 E Washington Ave, Madison, Wisconsin 53703

“Orbis Obscura” CD Release Show feat.

HENRY (NYC) / WELLER (CHI) QUARTET

BC GRIMM

New BC Grimm “Orbis Obscura” (2016) CD $10
2nd ed. “The Ideating Knell” (2014) CD $10
Both CDs for $15
at the show

“Orbis Obscura” is a 35 minute “sci-fi tone poem” for Pipa (Chinese lute) with delay & fuzz pedals by BC Grimm. Available Friday, 8/12 on CD & Digital from Other Obscura Records! Other Obscura is a label promoting the compositions and improvisations of artists in Milwaukee, Madison and the surrounding areas. Est. 2016.

GrimmusiK Records is running a limited edition second printing of BC Grimm’s “The Ideating Knell”, originally released in 2014 by Signal Dreams. This seminal 70min work by BC Grimm features 16 experimental compositions performed on prepared Guzheng and phased Guqin Chinese zithers.  Available at the show!

BC Grimm

Cellist & composer Brian Grimm grew up surrounded by Chinese string instruments of every sort. After initial lessons in Chinese music with Yang Wei (pipa) & Daxun Zhang (bass) of the Silkroad Enesemble, he was lucky to then study guqin (zither), pipa (lute), gaohu (fiddle) & daruan (bass lute) in Hong Kong with members of the 香港中樂團 Hong Kong Chinese OrchestraWuji Ensemble 無極樂團. Over the last 15 years Grimm has developed a deep language of Free Improvisation & Composition with groups such as The Brothers Grimm, Lovely Socialite, and Brennan Connors & Stray Passage. In conjunction with performing & teaching, Brian runs GrimmusiK Records – a label for all projects involving him & his brother AJ (classical & flamenco guitar).

BCG on cello + pipa by John Hiller Brumbaugh

BCG on cello + pipa by John Hiller Brumbaugh


 

“I, Nefarious” CD available for Pre-Order

Fri, 1/08 *Sat, 1/09* |  8pm @ Audio For The Arts Studios

7 S Blair St, Madison, Wisconsin 53703

DOUBLE RELEASE SHOW

$10 admission gets free copy of Bell Monks “Big Bay” EP [Wren&Shark]
$5 for BRAIN GRIMMER “I, Nefarious”

NUDE HUMAN

BELL MONKS

WILLISGRIMMISWILLIMM DUO


 “I, Nefarious” CD compilation by BRAIN GRIMMER

Release Date Jan 8th 2016

on GrimmusiK & Mine All Mine Records

Drawing influences from Hip-Hop, Jazz, and World Music, this CD compilation features the producer heavily on cello & bass as well as Chinese zithers & lutes to create bizzaro covers and off kilter remixes.  Reserve your limited edition disc, co-release with Mine All Mine Records. Features collaborations with SiLas Be Ritchie, Brian Tairaku Ritchie, C.J. Boyd, Bashiri Asad, Nice Boy Vice, Rob Dixon, Justin Brewer, & Alan Watts

Pre-Order Today!


 

10/9 Mke, 10/10 Mad | Lovely Socialite “Toxic Consonance” CD Release Shows!

release-poster

Pre-Order “Toxic Consonance”

Fri, 10/9 | $7 10pm @ Company Brewing (Mke)

735 E Center St  Milwaukee, WI

Milwaukee LOVELY SOCIALITE “Toxic Consonance” CD release show with

WESTFAHL /NELSON-RANEY /MOLLERSKOV trio (Mke)

UGLY BROTHERS (Mke)

Sat, 10/10 | $5 8pm @ Bright Red Studios (Mad)

9 N Ingersoll Madison, WI

Madison LOVELY SOCIALITE “Toxic Consonance” CD release show with

LUNDBERG /PACKARD /PIREH trio (Mad /Chi /Mpls)

THROWAWAY (Ann Arbor)


After 2 years of collaborating between Madison, Milwaukee & Ann Arbor ~ Lovely Socialite is finally ready to release our second CD, “Toxic Consonance”! We’ve still got our trademark odd-time signature jazz and free-improv cadenzas, however this time with a lot more distortion pedals! Come out to the release show and grab your copy: it includes wonderfully charming album art from Josh Newland, enigmatic Lovely Socialite Mrs. Thomas W. Phipps field notes by Huckleberry Grimm & masterful studio engineering by Landon Arkens. Tracking, mixing & mastering performed by Landon (aka The 7th Socialite) @ Blast House Studios.  We can’t thank him enough for his ability to bring forth the character of our live sound in the studio with such clarity. Thanks to all of our Indie GoGo supporters who pre-ordered the album, you made this possible!