3/25 | Cello/Gamba Night @ Arts + Literature Laboratory

Sat, 3/25  | Tix $10 in advance / $15 at the doors

doors 730p / music 8p

Arts + Literature Laboratory

2021 Winnebago St, Madison, Wisconsin 53704

Patrick Reinholz – cello + electronics

Eric Miller – viola da gamba

Brian Grimm – cellitar, cross tuned cello

Join us for an evening of old and new music with Eric Miller, Patrick Reinholz, and Brian Grimm on Saturday, March 25, 2017. Tickets $10 in advance at http://ericmiller.bpt.me/, or $15 at the door starting at 7:30pm.

ERIC MILLER

Eric Miller presents the intimate and ethereal music for the unaccompanied viola da gamba, an instrument which was described in the late 18th century as one “with which one forgets the troubles of the day in quiet twilight.” The evening will center upon a pair compositions, one by the obscure and brilliant Parisian Le Sieur de Machy, and the other by the Dutch master Johannes Schenk, Sprinkled throughout will be smaller pieces by other luminaries of the rarefied instrument. A classically trained cellist and viola da gambist, Eric is known to Madison as a member of the Wisconsin Baroque Ensemble and has appeared with many of Madison and Milwaukee’s top ensembles.


PATRICK REINHOLZ


Patrick Reinholz is a cellist, improviser, composer, and educator currently living in Milwaukee, Wisconsin. Always innovating, he is a member of the new music/improvising chamber group Tontine Ensemble, and the jazz/rock outfit Lovely Socialite.  

Pat will be releasing his new album for solo cello + electronics via Other Obscura, so come grab your copy!


BRIAN GRIMM

In Brian Grimm’s solo set, you may hear dances of the unaccompanied Bach cello suites; ever popular melodies of the Erhu Chinese fiddle adapted for cello; as well as original compositions from his dance/theatre scores & solo albums.


8/7 | Ben Willis + Brian Grimm @ Bos Meadery

8-7 Ben Willis and Brian Grimm v2

Sun 8/7  |  6pm  $5  @ Bos Meadery

849 E Washington Ave, Madison, WI 53703

solo & duo performances from

BEN WILLIS – double bass

BRIAN GRIMM – guqin, cello

Bos Meadery – “Mead Made Modern” our mission is to make the world’s oldest fermented beverage in the most modern possible way using local ingredients, so that our mead reflects the flavor of the Wisconsin landscape. Much like farm to table eating, this is field to glass drinking.

BEN WILLIS (DET/AA, MI) – solo double bass

Egret/Flatlander is a set of solo bass pieces by Ben Willis. Composed through development and exploration of improvisational practice, the movements have taken shape as open cellular structures, that act as themes and zones for extemporaneous development.

The pieces make use of a range of extended double bass techniques, drawing inspiration from contemporary classical music and free improvisation. The musical language draws from many influences, including rock structures, folk harmonies and melodies, and doom metal.

Ben Willis is a bassist whose affinities lie in collaborative projects, new music, improvisation, and the merging of cross-disciplinary elements. He’s performed his original collaborative work at venues and festivals around the U.S., including the International Society for Improvised Music Conference, Electroacoustic Barn Dance at the University of Mary Washington, the Whitewater Arts Alliance Series at the University of Wisconsin, Whitewater and the Ratchet Series at the Skylark in Chicago. In 2013, he was a Robert Black Bass Fellow at the Bang on a Can Summer Festival. Much of his work highlights the importance of collaborative, performative process in the development of new art. He is a member of the Weather Duo, an electroacoustic ensemble with cellist Pat Reinholz, dedicated to performing new music that blends classical training with improvisation and folk idioms. The Weather Duo has contributed music to the Li Chiao Ping dance company, a video project with artist Doug Rosenberg and dancer Sally Gross, and composed occasional film scores. In live performance, they explore multimedia collaboration with the help of live video artist Anna Weisling. He has also toured and recorded as a sideman, working with many indie/folk artists, including Anna Vogelzang, Dietrich Gosser, and Thistle and the Thorns. He often participates in recitals of new music and collaborations with composers, and performs regularly with the jazz/rock project Lovely Socialite Mrs. Thomas W. Phipps, and the free improvisation trio Glacier. He currently resides in Ann Arbor, MI. He earned a BM in Performance at the University of Wisconsin, Madison, and MM in Improvisation from the University of Michigan, Ann Arbor. He’s studied bass with Richard Davis, Diana Gannett, and Bob Hurst, and composition with Andrew Bishop.

Buy Egret/Flatlander here >>


BRIAN GRIMM (MAD, WI) – solo cello & guqin

Cellist & composer Brian Grimm grew up surrounded by Chinese string instruments of every sort. After initial lessons in Chinese music with Yang Wei (pipa) & Daxun Zhang (bass) of the Silkroad Enesemble, he was lucky to then study guqin (zither), pipa (lute), gaohu (fiddle) & daruan (bass lute) in Hong Kong with members of the 香港中樂團 Hong Kong Chinese OrchestraWuji Ensemble 無極樂團. Over the last 15 years Grimm has developed a deep language of Free Improvisation & Composition with groups such as The Brothers Grimm, Lovely Socialite, and Brennan Connors & Stray Passage. In conjunction with performing & teaching, Brian runs GrimmusiK Records – a label for all projects involving him & his brother AJ (classical & flamenco guitar).

** BC Grimm’s new CD “Orbis Obscura” for Pipa, Fuzz & Delay drops Friday, 8/12 on Other Obscura Records @ ArtIn Gallery on East Wash! **

J100

COMING SOON! NEW BC GRIMM CD “ORBIS OBSCURA” DROPS FRI 8/12


 

 

7/8 | Terrence McManus (NYC) & BC Grimm @ Ritual Barbers

Terrence McManus Fri 7.8 banner

Fri, 7/8  |  @ Ritual Barbers (Madison, WI)

117 S Pinckney St, Madison, WI 53703

7:30p door / 8:30p music / $5-10 suggested donation / BYOB

TERRENCE MCMANUS (NYC) – electric guitar + electronics

BC GRIMM (Mad) – pipa, guqin, frankencello + electronics

A native of Brooklyn, New York, guitarist/composer/sound artist Terrence McManus has been called “… one of New York’s latest guitar heroes …” (All About Jazz), and that he has “… hit on an entirely new language.” (Gambit), and “… possesses the goods to impart a significant impact …” (jazzreview.com). Time Out New York calls him a “Texture-minded guitar abstractionist …” and the NY Times times has described him as a “guitarist drawn to abstract texture”.

He has performed or recorded with many of the major innovators in contemporary music, including John Zorn, Bill Frisell, Tim Berne, Gerry Hemingway, Mark Dresser, Don Byron, Ellery Eskelin, Herb Robertson, Mark Helias, John Hollenbeck, Ben Monder, Russ Lossing, Randy Peterson, Mat Maneri, Tom Rainey, Michael Sarin, and Marty Ehrlich. He has performed at the Metropolitan Museum of Art, Carnegie Hall, the New York Guitar Festival, Jazz Festival Willisau (Switzerland), Jazzfestival Saalfelden (Austria), the New Orleans Jazz National Historic Park, and the inaugural month at John Zorn’s The Stone. Terrence was featured in the book State of the Axe: Guitar Masters in Photographs and Words, by legendary photographer Ralph Gibson.

Terrence currently performs with the Gerry Hemingway Quintet, the Gerry Hemingway/Terrence McManus Duo, the John Hébert/Terrence McManus Duo and in a trio with John Hébert and Billy Mintz. Terrence is featured on the Gerry Hemingway Quintet release Riptide (Clean Feed Records) and the Hemingway/McManus Duo release Below the surface of (Auricle Records). In 2010 the Hemingway/McManus Duo toured the Midwest, performing and teaching in Michigan, Wisconsin, Illinois, and Minnesota. That same year the John Hébert/Terrence McManus duo performed and taught in New Orleans, LA.
 
Terrence is also a member of multiple NYC groups including the Cellar and Point and Bryan and the Haggards, and he has been a guest musician with the new music group Ensemble Pampelmousse.
 
Terrence has also provided music for the theater, in a production with the New York City players at the historic NYC theater venue the Performing Garage.
 
Terrence’s previous ensembles include Transcendental Numbers, with Mark Helias and Gerry Hemingway, which has a recording entitled Transcendental Numbers (NoBusiness Records) that Time Out New York calls “… a set of subtle, highly textural trio improvisation.” He also lead a chamber ensemble that included Ellery Eskelin, Mat Maneri, Russ Lossing and Gerry Hemingway, which performed a sixty minute, multi-sectional, through-composed work titled The Machine; the piece has also been performed in a trio configuration and in a solo guitar setting.
 
An accomplished solo guitarist, Terrence performs his own works on electric and classical guitar and has developed a unique style of improvisation, drawing on extended technique and prepared guitar. His solo recording Brooklyn EP was described as having “… visceral, stimulating fabrics.” (The New York City Jazz Record). He has done numerous solo tours, performing in California, Oregon, Washington, Texas and Alaska. In 2011, Terrence was selected as a semi-finalist on classical guitar in the Portland State University Guitar Festival.
 
Actively involved in education, Terrence has taught at The University of California, San Diego, Hochschule Luzern (Luzern, Switzerland), The New School for Jazz and Contemporary Music, Rutgers University (Newark), California State University, Bakersfield, Loyola University New Orleans, the University of New Orleans, the University of Nebraska-Lincoln and Saddleback College.