Episode XXI: Return of the Five Points!

Tuesday, 7/6/21 8-11pm No Cover @ the Mason Lounge!
416 S. Park St.

On the left side you can see the Five Points set from our last Tuesday night hit at the Mason on 03/10/2020, before the Covid shutdown happened. On the right side, you can see our set list for 07/06/2021 – the first set we’ll play since the pandemic hit! That squiggling green line down the center of the page represents the last 16 months…. Crazy!

Wow!! After playing bass with the Five Points Jazz Collective at the Mason Lounge every Tuesday for 7 years, the Covid-19 pandemic hit and shut everything down. Hard stop. It was one of the many bizarre experiences resulting from the global pandemic that all musicians had their upcoming gigs cancelled immediately. What a shock and unfamiliar place to find our whole community and then of course we felt it in our pocket books for all of 2020, and now half of 2021. This is the least I’ve performed in a long, long, long, long time. Not only did all of that income straight up disappear, but many of us who teach music as well as perform, &/or hold down multiple part time jobs DID NOT qualify for the new “pandemic gig worker unemployment insurance” (which seems like a huge crack to fall in as a professional musician…). But, more importantly, we didn’t get to hang out with all of our bandmates in rehearsals or on stage for over a year… what a drag!

We’re all very aware of the times we live in, so let’s get on to the good news…. the Five Points Jazz Collective is BACK baby, and we’ll be the first group playing live-music at our most beloved craft brew bar, the Mason Lounge! We’ll be bringing you a classic 5 Points set on Tuesday, 7/6/21, filled with Jazz, Funk, Blues and Originals. And for the record, we plan to write a whole bunch more originals moving forward, which I know you’re excited to hear. Come on, just think of Kyle’s tune “Start Somewhere” or Trey’s originals “Unspiration”, and “After Close” – you know you want to hear more of those jibbiddy-jamz. Plus you better believe that I’ve got a few tunes for the 5PJC up my sleeve. There Will Be Funk.

THE CHANGES

  1. TIME
    First thing for all of you regulars to note is that our time has changed, we are bumping the whole show an hour earlier! From now on, we’ll be playing from 8-11pm. A lot of people have been requesting this change, even some of the bandmembers! So come down a little earlier and enjoy local Jazz for a little longer before you head home. We’re pretty excited about this earlier time slot, and we hope it means that we can see more of more of you at the Mason. 😉❤

  2. EVERY TUESDAY?
    Speaking of time and timing… “are we going back to our EVERY Tuesday of the year schedule???” NO. We will not be playing every Tuesday. We’ve talked with the owner, and he’s got some new, cool plans for the music at the Mason. Five Points will play something closer to once a month. However, that probably won’t always be at the Mason, we are looking to branch out and play other spots too. We’d love to hear suggestions from you, what’s a great place you love to see Jazz and Funky music where you think the Five Points would fit in? Leave a comment or contact us and let us know about cool venues we should check out! There will still be themed music nights at the Mason, for instance Jazz night on Tuesday and Bluegrass night on Thursday… however, it won’t be the same house-band playing each week. Which is cool for you, because that means there will be more variety of music for you to check out! Speaking of the owner….

  3. OWNERSHIP
    Right around when the pandemic hit, the ownership of the Mason changed hands. Many of you regulars got to know Bryan, the tall and good natured bartender serving up delicious beers, but maybe you didn’t realize that baseball cap wearin’ son-of-a-gun was the owner! Now the Mason Lounge is in the hands of Matt, also a baseball cap wearer… but with glasses & beard, so don’t get them confused. Matt has been tending bar at the Mason for years and we know that the joint will be in good hands. The Five Points crew went down to visit, and we can confirm that it still looks and feels like the Mason. Matt has kept up the vibe very well! We wish Matt all of the best luck as he takes the Mason into it’s next chapter!

    We’ve got nothing but love for Bryan (even though he spells it with a “y”), he really took care of us and became our friend. One of my favorite things about Tuesdays was when he would come over to the band to ask if anyone needed a drink. I would simply describe how I was feeling, or give him an abstract prompt. He’d scratch his chin, give it a ponder, then say “yea… I think I’ve got something for that…” Then he’d come back with a beer that perfectly interpreted my mood, fancy and indulgence. A sport for the challenge and never did he disappoint. Thanks for all of the Thanksgiving wines and Christmas socks Bryan; and for being an all around upstanding dude. We will all miss seeing you when we play at the Mason, but hopefully you will stop by sometime when we are playing… for old times sake.

  4. LEADERSHIP / LINE UP:
    Speaking of changes in ownership, or leadership in this case… Charlie Painter, our long time fearless bandleader and friend, has officially decided to step down from his roll as bandleader and also to step away from his roll as guitarist for the Five Points Jazz Collective. Charlie decided he really wants to focus on his Charlie Painter Jazz Trio and put his creative energy there. Charlie’s trio has been active around Madison, even in spite of the pandemic. So go check him out at one of his trio gigs and continue to support his music! Charlie is the one who put the band together in the first place and held down the Tuesday night slot at the Mason for an entire DECADE! Can you believe that, that is a lot of Tuesdays. Charlie came up with our setlists, directed the vision of our arrangements, sorted out who would be soloing and when, took care of the money management and booking duties. That’s a lot of work! Not only that but he showed up each week with the whole 2+ hour set memorized and played his heart out. I don’t think I ever heard Charlie be ‘lazy’ up there on stage, he never gave you any half-assed Jazz. Charlie came to play his best each week and approached the bandstand with respect. And he’s been making good use of this pandemic, studying new courses in Jazz Theory from some cats in New York, so you know he’s going to keep learning and ripping. Go see his trio and hear what he’s up to!

    Charlie, we love ya buddy and wish you the best on your new Jazz journeys. Thanks for bringing Trey (piano), Rin (violin), Kyle (trombone), Eric (drums) and myself (bass) together to form the Five Points Jazz Collective (we’ll be keeping the name). We’ll miss playing with you and appreciate all of the work you put in for this group and for the Mason Lounge the past 10 years! 🎶🎵🎼♥♥♥♥

  5. FRANKENCELLO
    Lastly (I think…), speaking of line up changes, I’ll still be playing fretless bass and fretted bass for the Five Points; but in an exciting turn of events, I’m adding Frankencello to my quiver on stage (*applause and cheers*)!! For those of you who don’t know… #Frankencello is my homemade electric cello that I normally play with Madison Free Jazz Trio Brennan Connors & Stray Passage, and with psychedelic Jazz Rock Sextet Lovely Socialite, and solo as BC Grimm. However, now it is slinked up with traditional gut strings and it sounds freakin’ fantastic. It’s almost unbelievable how much more natural and cello-like it sounds with gut strings on an electric cello, rather than steel. More warmth, more resonance, more bass, and of course more girth. I’m excited for it to open up some new sonic possibilities for the band. As an example, we’ll now have two bowed string instruments in our group, and there’s been some discussion of other instruments sneaking on stage as well….

That’s all for now, just wanted to give you all the inside scoop on this juicy gossip, straight from the source. We hope to see some of your shining faces at the Mason next week! ❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤


9/4, 9/7, 9/8 | Shows This Week

JAZZ SEXTET

Tues, 9/4 | 9p-12 $0 @ The Mason Lounge (every Tuesday!)

416 S Park St, Madison, WI 53715

FIVE POINTS JAZZ COLLECTIVE!

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As always, you can find me on Bass Guitars at the Mason Lounge on S. Park ST every Tuesday night, with the Five Points Jazz Collective!  We’ll have the full sextet this week, featuring Charlie Painter on guitar, Trey Grimm on keyboard, Rin Ribble on violin, Kyle Rightley on trombone/euphonium, and Eric Shackelford on drums!  Sure to please with funk, latin-jazz, swing, and blues along side the wonderful selection of craft brew that the Mason rotates on tap.  Warning! Jazz occurs between 9p-12a.


JAZZ, IMPROV, & INDIE ROCK

 Fri, 9/7 | 7p $Tips @ Bos Meadery

849 E Washington Ave, Madison, WI 53703

BOAT PATROL (on tour Jazz/Grass)

LABRADOR, THE BAND (Indie Rock)

BRENNAN CONNORS & STRAY PASSAGE (Free Jazz)

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Built on an improvisational base, Boat Patrol (pictured above) uses a trove of influences and techniques ranging from bluegrass to avant-garde jazz to create extensive musical landscapes and textures.

Boat Patrol began creating music in the fall of 2017 in the Northwoods of Wisconsin.  Avoiding simple categorization, boat patrol explores every nook and cranny of the musical palate with each live performance serving as a unique portrait of the band.  Featuring Cai Mountjoy – bass/madolin/guitar, Daleth Mountjoy – keys/synths, Evan Verploegh – drums/theremin

Labrador. The band. are a mellow, moody three-piece that sounds like the type of estro-rock you might hear in The Bronze on an episode of Buffy the Vampire Slayer.

Brennan Connors & Stray Passage is a free/outside jazz trio. Performances delve into fiery high energy music, focused minimalism, and raw expression.

Donations suggested.


FREE-IMPROV

Sat, 9/8 |6p potluck 8p music $5 @ The Vault

JACK WRIGHT & ROUGHHOUSING (tour)

HIGH PRIESTS OF THE APOCALYPSE

BRIAN GRIMM (cellos)

Improviser extraordinaire and road warrior Jack Wright and his trio Roughhousing is back in Madison for a show at The Vault!  Roughhousing features bassist Evan Lipson and guitarist Zach Darrup.  Read more about the trio here > Roughhousing EPK. Potluck starts at 6pm – bring a tasty dish to share and enjoy; music starts by 8pm.  Enjoy a night of free improv at one of Madison’s most notorious DIY venues with a trio that aims to strip away the layers of facades that plague the digital marketing age.


10/21 | “Emergence” CD Release Show w/ Invisible Guy Trio (SF)

Sat, 10/21 | No Cover 630-930p @ The Mason Lounge

416 S Park St, Madison, WI

INVISIBLE GUY TRIO (SF)

BRENNAN CONNORS & STRAY PASSAGE (Mad)

↑ CD Release via setola di maiale (Italy)

Brennan Connors & Stray Passage have a new CD “Emergence” coming out this October on Italian label, setola di maile!

http://www.setoladimaiale.net/catalogue/view/SM3300

“Their sets embrace plenty of sinuous melody and conversational interplay,
but can just as easily dive into minimalism and dissonance.” ~ Tone Madison

Experimental Jazz trio Brennan Connors & Stray Passage has been performing in Madison for the past 5 years, exciting listeners with a range of sonic capabilities.  Their improvised music is directly linked to the atmosphere in the room and energy of the audience.  The listener is such a crucial element in shaping the band’s sound that they recorded this album in front of a live studio audience – expertly captured by master engineer Steve Gotcher at Audio for the Arts.  Listeners will experience a jazz trio that embraces both free and structured improvisation, original compositions, groove based experiments, and sound exploration. The breadth of a performance ranges from focused minimalism to fiery high energy music, all while maintaining a sense of narrative organization and compelling ensemble interplay.

The group is led by Brennan Connors on tenor and soprano saxophones.  Geoff Brady orchestrates drum and percussion textures, while Brian Grimm rounds out the trio bowing cello, contra-cello, and electric bass.

We are ecstatic and grateful to setola di maiale records in Italy for officially releasing our first album!


We’ll be joined by a fantastic drummer & friend of mine, Hamir Atwal (San Francisco), with his trio Invisible Guy.  The group features Michael Coleman on keyboard & Ben Goldberg on clarinet.  We are very glad to share our CD release show bill with another trio that explores the dynamics of free-improv in full range!

“Mr. Goldberg is a clarinetist of range and curiosity.” – The New York Times

Ben Goldberg’s Bay Area-based trio looks forward and backward at the same time, creating both nostalgic reveries and modern statements. Goldberg is known for drawing on his Jewish roots and radical versions of Klezmer music and his clarinet work is always focused with an endearing lyrical quality. Pianist Michael Coleman leaps between stride riffs and electronic splatter. Drummer Hamir Atwall provides everything from a swinging undercurrent to a clattery rush.

As a trio, Ben, Michael, and Hamir are in strict pursuit of beautiful melody. Michael Coleman says: “Melody is the knife that cuts through to truth. Then there is the importance of breath, and personal expression.” Reviewing a 2014 concert, Howard Reich of the Chicago Tribune said the group is “an unusually focused ensemble inventing a musical syntax for itself.”

From 1992, when his group New Klezmer Trio released Masks and Faces and “kicked open the door for radical experiments with Ashkenazi roots music” (SF Chronicle) to 2013’s simultaneous release of Subatomic Particle Homesick Blues (featuring Joshua Redman) and Unfold Ordinary Mind (featuring Nels Cline), which the New York Times noted for “a feeling of joyous research into the basics of polyphony and collective improvising,” clarinetist and composer Ben Goldberg has shaped a career through relentless pursuit of musical truth across many genres and styles, resulting in the Downbeat Critics’ Poll naming him the #1 Rising Star Clarinetist in both 2011 and 2013. In 2015 Ben released a recording of his songcycle Orphic Machine , sung by Carla Kihlstedt and performed by an allstar nine piece band including Nels Cline, Greg Cohen, and Ches Smith. The LA Times called Orphic Machine “knotted and occasionally spooky composition marked by dazzling interplay.” All Music Guide says “Orphic Machine is wildly ambitious and sophisticated, but also graceful, emotionally honest, and accessible. It makes the profound embraceable and, as a result, is a masterpiece.” Ben currently composes for and leads the following groups:
Unfold Ordinary Mind ; Go Home ; Ben Goldberg School ; and Ben Goldberg Trio with Greg Cohen and Kenny Wollesen.

Drummer/Percussionist Hamir Atwal is a Berklee College of Music graduate who
has taught at Music Academy International, and the Stanford Jazz Workshop. Hamir is an active endorser of DREAM Cymbals. Hamir has played with saxophonists Joe Lovano, Greg Osby, and Grant Stewart; Bassist/Producer Bill Laswell; and clarinetist Ben Goldberg.

Michael Coleman is a pianist, improviser and composer currently residing in Brooklyn, NY. He has had the pleasure of playing with many great musicians and recording with some of his favorite bands and people. Apart from leading his own groups (Beep!, CavityFang, Young Nudist), Michael has toured the world with Chris Cohen, tUnEyArDs,
Sean Hayes, Miles Kurosky and Jug Free America.


 

9/20 | Sh*tty Barn Session 172: Dosh // Lovely Socialite

BUY TICKETS!

Wed 9/20 | @ The Sh*tty Barn

506 E Madison St, Spring Green, WI 53588

$15 doors 6p / 7p music

Lovely Socialite  //  Dosh

Lovely Socialite is a Madison-based six-piece that combines the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop.  Lauded for their bold and intricate compositions, the group often draws comparisons to Frank Zappa and the Mothers of Invention.  The bands original music combines strict notation with moments of improvisation and maintains a healthy balance of dark and heavy rock grooves with quirky jazz obscurities.

While Lovely Socialites unusual mix of strings, traditional Chinese instruments, brass, and a jazz rhythm section suggest that the group might be a contemporary music ensemble, it is their use of stomp boxes, vocal processors, and other electronics that makes the group a suitable fit for any rock, hip-hop, or jazz bill.  In fact, Lovely Socialite has been privileged to share the stage with such artists as Dessa, of Minneapolis hip-hop collective Doomtree, as well as performing live on the UW Madison Terrace with Brian Ritchie of the Violent Femmes.

This summer Lovely Socialite released their new Rock EP “DoubleShark”, come hear it live at The Shitty Barn!


DOSH (anticon)

There he was, this musically lucked child of a once-priest and a near-nun, 12 years old and piled high with a Radio Shack combo stereo, stacks of records, and pockets full of dubbed tapes. It was 1984 and Martin Dosh was orchestrating the soundtracks to his junior high school dances, playing only the choice cuts for the budding romantics and perspiring wallflowers: Run DMC, Prince, Devo, the Cars, New Order… At age 3, Marty had started harassing his folks to bone up for piano lessons (after three years of persistence, they gave in); that he’d developed considerable musical taste before hitting puberty should come as no real surprise.

Call him a one-man band, a virtuoso, a gifted collaborator or a family man, Martin, Marty, Dosh or Dad, our subject has gotten to now by what seems an uncanny path (perhaps call it fate). When they met, Dosh’s father was a Catholic priest with pile of degrees, and his mother was living in a convent in Minneapolis preparing herself for nunhood. They left the fold for marriage; subsequently the elder Dosh found himself blacklisted from local employment, and so they left Minnesota as well. Martin was born in the greater Los Angeles area, but at age 2, his health problems and the city’s endless sprawl delivered the family back into the musically nurturing arms of the Twin Cities.

Returning to the Midwest, Martin was enrolled in a Montessori school (and piano lessons). By comparison high school was, “academically, horseshit” so Dosh seized his destiny at 16 and moved east to study jazz and drums at Simon’s Rock College of Bard in Massachusetts. What followed was a flurry of summer jobs, road trips to see the Grateful Dead, van living around various college outposts in Mass and NY, Zappa-esque noodling in his band Como Zoo, further schooling, the requisite amount of pot, and a little too much partying. But Dosh wanted more for his music and less for his student debt, so he swallowed his pride and returned (at 25) to his parents’ in Minneapolis.

He figured the move would be temporary — he’d save up money and practice drums until he became a self-sustaining virtuoso –but Dosh was going to shows every night and meeting more and more people in the local music-rich scene (a collision of avant jazz, freewheeling rock and progressive hip-hop), quickly realizing that what he needed had been there all along. And throughout his dedicated solo drum-and-keyboard sessions in mom and dad’s basement, he’d record, record, record, accumulating a massive library of sound. Soon he’d be a touring member of Andrew Broder’s Fog, and full-time player in their instrumental counterpart Lateduster.

In 2003 Anticon proudly released Dosh’s virtuoso debut, Dosh, a loop-building collage of shimmering Rhodes, atypical drumming grounded in groove, field recordings and spontaneous performance (much of the album was pieced together using the 100-plus hours of tape he’d recorded at his parents’). By then he’d developed his untouchable live one-man show (swiveling on his drum stool between a kit, his modified Rhodes piano, a few pots and pans, and a simple looping pedal with a 12-second recording limit), and took to the road. Back in Minneapolis, the city he’d finally recognized as home, Dosh had been teaching drum lessons to children and falling in love on the side. He formed a family with his wife Erin (who he’d wooed by handing her a copy a song called “I Think I’m Getting Married”) and her 6-year-old son Tadhg. Soon he’d be composing a track titled “Building a Strange Child,” and so they would. Dosh’s second full-length, Pure Trash was inspired by his life’s most pleasant turns, and though the album was instrumental (minus cameos by Erin, Tadhg, the newborn Naoise, and his students), it emoted all the warmth and anticipation, fear and relief that comes with building a family.

Dosh’s third album, The Lost Take, showcases the man’s unique approach to sound with an expanded musicality and growing guest-list including Andrew Bird and members of Tapes ‘N Tapes.

His Fourth record, Wolves And Wishes, adds to the ever-impressing oeuvre with the explorative wonderment of a debut album. To date Dosh has recorded with Bonnie ‘Prince’ Billie, Fog, Jel, Odd Nosdam, Neotropic, Andrew Bird, Redstart, Vicious Vicious, Poor Line Condition, Lateduster, Why?, the Interferents, members of Tapes ‘N Tapes, and just about any Twin Cities band with a collective ear for good taste and experimentation. He has shared the stage with Andrew Bird, Wilco, WHY?, Damo Suzuki, Gary Wilson, Golden Smog, Sole, My Morning Jacket, Tapes ‘n Tapes, cLOUDDEAD, Sage Francis, Devendra Banhart, Kid Dakota, Alias, Themselves, Peanut Butter Wolf, P.O.S., Happy Apple, Joseph Arthur, Pizza Boys, the Bad Plus, The Jayhawks, Atmosphere, DJ Vadim and many more.