6/11 | Isthmus Jazz Festival: Five Points Jazz Collective CD Release + Live Art!

Tues, 6/11, 9p-12a no cover @ The Mason Lounge
416 S Park St, Madison, WI 53715, USA
Isthmus Jazz Festival presents the
Five Points Jazz Collective CD Release show with Live Art!

“Don’t Worry About It” CDs $10

Entering Madison’s Mason Lounge for the first time, one immediately notices the quirks. The stuffed chicken in a henhouse in the wall, complete with straw. The action figures dangling from string, rigged up to move when someone opens the door to the restroom. The collection of neckties and paint can lids on the walls. Every element is so out of place, it somehow fits.

Like the décor, the Five Points Jazz Collective is quirky and disparate. Serving as the house band since the Mason opened in 2010, the Collective is an extended family of local musicians from varied backgrounds. Playing a mixture of jazz old and new, the group has evolved over the years from an open jam into a stable sextet with an increasingly large repertoire.

In its current incarnation, the group consists of Rin Ribble (violin), Eric Shackelford (drums), band leader Charlie Painter (guitar), Trey Grimm (keyboard), Kyle Rightley (trombone and euphonium), and Brian Grimm (bass and contracello). As Tuesday night regulars will attest, no two shows are ever alike. Listeners can expect to hear many subgenres of Jazz including swing standards, modal jazz, latin jazz, pop arrangements, blues, and funk.

Five Points at the Mason’s frozen back patio on set break – photo by Matthew Norman

About the CD Release

In collaboration with the Isthmus Jazz Festival, the Five Points Jazz Collective will be celebrating its first official album release! For 5 years the sextet version of this collective has played nearly 50 shows a year and decided it was time to lay down favorite selections of our vast catalogue. When listening to this debut album, you’ll feel the energy and spontaneity of the Five Points live sound with the buzzing atmosphere created by our regular fans. CDs and download cards will be available for sale at the show. Come grab your very own copy of this special recording captured live at the Mason Lounge!

Our CD Release will be made extra special with live visual artist contributions. Watch along as one of our most regular supporters John Ribble, plus special guest Jim McKiernan, create portraits of band members in real time to our music!

Live Drawing of me on bass at the Mason by John Ribble!

June 5th-9th, the 2019 LunART Festival is here!

The mission of LunART Festival is to support, inspire, promote, and celebrate women in the arts through public performances, exhibitions, workshops, and interdisciplinary collaboration; thus enriching our community and creating a welcoming space for learning and experimentation. This international art festival features engaging and accessible events and concerts in Madison, an educational program for emerging composers, as well as community building events for artists. LunART interweaves art forms throughout events, offering diverse and exciting programming, where creativity is queen!

Wed June 5, 6pm free | Overture Center for the Arts
Women Against Hate United By Love Gallery Reception

Join us for a Playhouse Gallery Reception from 6 PM – 8 PM!
Art Discussion with Kelly Parks Snider starts at 6:30 PM!

We are women united against hate. We are mothers, sisters, grandmother and caretakers. We are joined together purposely to shine a light, capture attention, and push back against injustice.

A collective effort of artists and activists, “Women Against Hate United by Love” is a platform, an entry point for a female-led anti-hate campaign united against bigotry, intolerance and racism. The creative building blocks for our artwork and messaging are women’s stories—powerful, tough, revealing stories of injustice, tragedy, strength, and amazingly, hope.


Thr June 6th, 9am free @ First United Methodist Church
From Page to Stage: Emerging Composers Masterclass

Free and open to the public!

The goal of “From Page to Stage” is to support emerging women composers in gaining a clearer understanding of not only expressing their creativity, but also creating clear scores, cultivating relationships with performers, and the art of collaboration. The master class with festival composer-in-residence Valerie Coleman will explore works submitted by participants, while talks about collaboration and the role of the independent composer will offer participants a well-rounded approach to growing their own careers.

Thr June 6th, 7pm $20 @ Maiahaus (402 E Mifflin St)
Only The Words Themselves – Opening Gala Concert

Join the LunART Festival in celebrating women in the arts with our opening gala concert. Featuring chamber music, poetry, monologues and aerial dancing, this concert will be a spectacular showcase of creativity by women artists!

Program:
Kirsten Volness little tiny stone, full of blue fire for flute/alto, clarinet/bass clarinet, violin & cello

Valerie Coleman, Tzigane for woodwind quintet

Barbara Strozzi, L’Astratto, Opus 8.04
Che si può fare, Opus 8.06

Hilary Tann, The Walls of Morlais Castle for oboe, viola & cello

Kate Soper, Only the Words Themselves Mean What They Say for flute & soprano

Special guests:
Andrea Musher – poet
Deborah Hearst – theatre artist
Linda DiRaimondo – aerial dancer + BC Grimm guqin zither


Fri June 7th, 6pm free @ Overture Center for the Arts
Portrait of the Artist as a Young Woman

What does it mean to create art as a woman in the 21st century, and how do our experiences shape what we produce and perform? Join us to hear stories of modern women and their unique personal journeys that led them to lives and careers in the arts.

This is a free pre-concert lecture that is open to the public. Stick around for the 7 PM concert Portraits of Josephine featuring an evening of music and dance.

Fri June 7th, 7pm $20 @ Overture Center for the Arts
Portraits of Josephine – Friday Gala Concert

Join us for a night of music and dance! Featuring a percussive string quintet by composer Edna Alejandra Longoria and a choreographed exploration of rhythm by dancer Liz Sexe & Kimi Evelyn, this concert will have you moving in your seat throughout the evening.

Program:

Ellen Taaffe Zwilich, Concerto for trumpet and five players

Valerie Coleman, Portraits of Josephine wind quintet

Edna Alejandra Longoria, Danzas Cautivas for string quintet & piano

Liz Sexe, Lone Sum: Part II (choreographed dance)

Stacy Garrop, My Dearest Ruth for soprano, violin, cello, clarinet & piano

Kimi Evelyn, She (choreographed dance)

Missy Mazzoli, The Sound of the Light for flute, violin, trumpet, trombone & piano

Fri June 7th, 9pm $7/$10 @ Robinia Courtyard
Holding Court – All Women Comedy Show

This lineup of amazing comedians is gonna be a stunner! Featuring local comics from the Midwest who are blazing a trail of funny that will leave you gasping in their wake. Come to the Robinia courtyard where these Queens will be “Holding Court.”

Featuring Vanessa Tortolano, Chastity Washington, Vickie Lynn, Samara Suomi & Cynthia Marie!


Sat June 8th, 10am free @ Madison Public Library
The Multi-Faceted Artist – Panel Discussion

This engaging panel discussion is for anyone interested in the ongoing trend and need for artists to wear multiple hats to succeed and thrive.

This panel will be held in the Bubbler Room of Madison Public Library Central. Free and open to the public.

Led by Valerie Coleman-Page Flutist & Composer, Linda DiRaimondo & Katrin Talbot

Sat June 8th, 2pm free @ Capitol Lakes
From Page to Stage: Emerging Composers Concert

We are extremely excited to welcome our 2019 participants to LunART’s educational program “From Page to Stage: Emerging Composers!” After attending masterclasses and workshops, these 6 talented composers will have their compositions performed by Madison musicians during this free concert at Capitol Lakes.

Program:

Emily Joy Sullivan – Dangerous Curves Ahead for violin, cello & piano

Claudia Sofía Alvarez Cuba – Nada queda (Nothing Left) for soprano & marimba

Shelby Scott – Going Thoughts for piano solo

Veronica Cator – Direction for string quartet

Anna Marcus-Hecht – Transfiguration for mezzo-soprano & piano

Nikea Randolph – Underground for wind quintet

Sat June 8th, 7pm $20 @ Furst Unitarian Society
Gaia – Closing Gala Concert

Join us for our final gala concert of the festival! This program will feature a wickedly upbeat clarinet & piano duo by Eunike Tanzil (who will be here to perform the piece herself!), Clara Schumann’s classic Piano Trio in G minor, and Valerie Coleman’s groundbreaking Afro-Cuban Concerto for wind quintet.

The ARTemis Women’s Choir returns for a second year and we’ll be featuring the artwork of women artists from Studio 84, Inc. and ARTWORKING, two nonprofit organizations that support artists with disabilities.

Full program:

ARTemis Women’s Choir:
Joan Szymko, Eli Eli
Meg Huskin, Oblivion
​Jocelyn Hagen, Moon Goddess
Alexandra Olsavsky, What Happens When a Woman?

Eunike Tanzil, Catching Time! for clarinet & piano

Clara Schumann, Piano Trio in G minor for violin, cello & piano

Valerie Coleman-Page Flutist & Composer, Afro-Cuban Concerto for wind quintet

Andrea Clearfield, Gaia for soprano, oboe & piano


Sun June 9th, 10am free @ Common Ground Middleton
Mooning Around – Poetry Reading and Artist Mixer

“Mooning Around” Poetry Reading and Artist Mixer – no better way to close our 2019 season! Join us for a performance of “One for Mileva Maric (Einstein)” by Andrea Musher, with special guests Sarah Whelan and Jackie Bradley, and poetry readings by The Line-Breakers: Andrea Potos, Eve Robillard, Rosemary Zurlo-Cuva & Katrin Talbot.

Enjoy your morning coffee and brunch while making creative connections with other artists. Open the public and all artists – bring your portfolios, business cards, and get creative!


6/2 | Uncle Valentine (Philly) + BC Grimm, Tarek Sabbar, Raj’r Taim @ Art In

Sun, 6/2 | 7:30pm, $7 @ Art In, Madison WI
1444 E Washington Ave, Madison, Wisconsin 53703

Two electric cellists Uncle Valentine and BC Grimm come head to head for a duo set at Art In + sound scaping analog electronic sets from Madison’s own Raj’r Taim and Tarek Sabbar!

Uncle Valentine (Philly, on tour) + BC Grimm duo set
The solo project of Rachel Icenogle, a versatile cellist based in Philadelphia with a mind for new and interesting sounds. Uncle Valentine thrives in the scratchy, creaky, whirly sounds the cello can make, layering diverse musical textures in a lush groundwork for wild fables about insects and impressionistic stories about human batteries.

Rachel also composes music for puppet shows with Company Aiello, and is also a member of the Philadelphia band Upholstery.  Rachel has performed improvisation with Roscoe Mitchell and has collaborated as a musician with several independent theater and dance groups in Philadelphia (BRAT Productions, Ombelico Mask Ensemble, Transmissions Theater, SWARM, and Birds on a Wire). She also often records cello for other bands, including in the last year on new albums from both Eric Slick and Hop Along.  With a passion for the unique and unexpected, Rachel sets herself apart as a performer, always seeking opportunities to diversify and discover new artistic expression.


Raj’r Taim (Mad)
Live P.A. All analog electronic soundscape. Unique rhythms and catchy synth melodies bring otherworldly yet familiar moods that coax the listener to contemplate the complexities and texture of sound.


Tarek Sabbar (Mad)
Austere electronic music combining motorik drums, bleak ambience, and angular synthesis.


9/20 | CJ Boyd, Taralie Peterson + Brian Grimm, Scaroth @ Communication

CJ Boyd 9%2F20 in Madison.jpg

Thr, 9/20 | 7:30pm  $8  All Ages  Alcohol

@ Communication

2645 Milwaukee St. Madison, WI 53704

CJ BOYD (permatour)

Taralie Peterson + Brian Grimm

Scaroth

In the last 5 years, I’ve had the pleasure of collaborating in various ways with ambient bassist & vocalist CJ Boyd (Joyful Noise RecordingsObsolete Media Objects).  We have a track “Horses” coming out on his yet-to-be-released, mammoth sized “50 states project” (more on that when the time comes!).  Back in 2014, I contributed a track to his fundraiser compilation for reproductive rights: Running Up That Hill.  When CJ came through town in 2013, it was the impetus for Mine All Mine Records + GrimmusiK Records ambient compilation Colias.  I also made an official remix of “slowly by your passing” for his Visions & Revisions remix compilation.  The point being, for someone who is on perpetual tour I’ve managed to collaborate with CJ nearly as much as some of my regular bandmates in town!  Now multiply that by all of the musicians that he is keeping track of on the road, constantly in a cycle of scheduling tours, booking shows, recording albums (sometimes in our local coffee shop bathrooms!), releasing collaborative projects, etc…. this guy is busy!  I am always impressed by the hard work and persistence I see from full time touring musician CJ Boyd.

CJ still finds time to have a voice in matters of social injustice, whether it’s through social media platforms or directly in his music.  The timing doesn’t always work out when he is coming through town, but I’m glad it did this year! As always, I am excited to spend some time with CJ before/after the show and to enjoy his ambient music stylings at Madison’s new all ages venue, Communication.

Check out CJ’s many records here: https://cjboyd.bandcamp.com/

More on CJ: http://www.cjboyd.com/

CJ and I are both fans of Taralie Peterson’s musical output, including her solo projects as Tar Pet, Louise Bock, and in the dynamic duo Spires That In The Sunset Rise.  A multi-instrumentalist and improviser extraordinaire, Taralie has the rare gift to pull sounds through the void from other dimensions for you to hold momentarily.  This will be our first duo collaboration and I am honored to sit next to her on stage this Thursday.


 

 

 

9/20 | Sh*tty Barn Session 172: Dosh // Lovely Socialite

BUY TICKETS!

Wed 9/20 | @ The Sh*tty Barn

506 E Madison St, Spring Green, WI 53588

$15 doors 6p / 7p music

Lovely Socialite  //  Dosh

Lovely Socialite is a Madison-based six-piece that combines the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop.  Lauded for their bold and intricate compositions, the group often draws comparisons to Frank Zappa and the Mothers of Invention.  The bands original music combines strict notation with moments of improvisation and maintains a healthy balance of dark and heavy rock grooves with quirky jazz obscurities.

While Lovely Socialites unusual mix of strings, traditional Chinese instruments, brass, and a jazz rhythm section suggest that the group might be a contemporary music ensemble, it is their use of stomp boxes, vocal processors, and other electronics that makes the group a suitable fit for any rock, hip-hop, or jazz bill.  In fact, Lovely Socialite has been privileged to share the stage with such artists as Dessa, of Minneapolis hip-hop collective Doomtree, as well as performing live on the UW Madison Terrace with Brian Ritchie of the Violent Femmes.

This summer Lovely Socialite released their new Rock EP “DoubleShark”, come hear it live at The Shitty Barn!


DOSH (anticon)

There he was, this musically lucked child of a once-priest and a near-nun, 12 years old and piled high with a Radio Shack combo stereo, stacks of records, and pockets full of dubbed tapes. It was 1984 and Martin Dosh was orchestrating the soundtracks to his junior high school dances, playing only the choice cuts for the budding romantics and perspiring wallflowers: Run DMC, Prince, Devo, the Cars, New Order… At age 3, Marty had started harassing his folks to bone up for piano lessons (after three years of persistence, they gave in); that he’d developed considerable musical taste before hitting puberty should come as no real surprise.

Call him a one-man band, a virtuoso, a gifted collaborator or a family man, Martin, Marty, Dosh or Dad, our subject has gotten to now by what seems an uncanny path (perhaps call it fate). When they met, Dosh’s father was a Catholic priest with pile of degrees, and his mother was living in a convent in Minneapolis preparing herself for nunhood. They left the fold for marriage; subsequently the elder Dosh found himself blacklisted from local employment, and so they left Minnesota as well. Martin was born in the greater Los Angeles area, but at age 2, his health problems and the city’s endless sprawl delivered the family back into the musically nurturing arms of the Twin Cities.

Returning to the Midwest, Martin was enrolled in a Montessori school (and piano lessons). By comparison high school was, “academically, horseshit” so Dosh seized his destiny at 16 and moved east to study jazz and drums at Simon’s Rock College of Bard in Massachusetts. What followed was a flurry of summer jobs, road trips to see the Grateful Dead, van living around various college outposts in Mass and NY, Zappa-esque noodling in his band Como Zoo, further schooling, the requisite amount of pot, and a little too much partying. But Dosh wanted more for his music and less for his student debt, so he swallowed his pride and returned (at 25) to his parents’ in Minneapolis.

He figured the move would be temporary — he’d save up money and practice drums until he became a self-sustaining virtuoso –but Dosh was going to shows every night and meeting more and more people in the local music-rich scene (a collision of avant jazz, freewheeling rock and progressive hip-hop), quickly realizing that what he needed had been there all along. And throughout his dedicated solo drum-and-keyboard sessions in mom and dad’s basement, he’d record, record, record, accumulating a massive library of sound. Soon he’d be a touring member of Andrew Broder’s Fog, and full-time player in their instrumental counterpart Lateduster.

In 2003 Anticon proudly released Dosh’s virtuoso debut, Dosh, a loop-building collage of shimmering Rhodes, atypical drumming grounded in groove, field recordings and spontaneous performance (much of the album was pieced together using the 100-plus hours of tape he’d recorded at his parents’). By then he’d developed his untouchable live one-man show (swiveling on his drum stool between a kit, his modified Rhodes piano, a few pots and pans, and a simple looping pedal with a 12-second recording limit), and took to the road. Back in Minneapolis, the city he’d finally recognized as home, Dosh had been teaching drum lessons to children and falling in love on the side. He formed a family with his wife Erin (who he’d wooed by handing her a copy a song called “I Think I’m Getting Married”) and her 6-year-old son Tadhg. Soon he’d be composing a track titled “Building a Strange Child,” and so they would. Dosh’s second full-length, Pure Trash was inspired by his life’s most pleasant turns, and though the album was instrumental (minus cameos by Erin, Tadhg, the newborn Naoise, and his students), it emoted all the warmth and anticipation, fear and relief that comes with building a family.

Dosh’s third album, The Lost Take, showcases the man’s unique approach to sound with an expanded musicality and growing guest-list including Andrew Bird and members of Tapes ‘N Tapes.

His Fourth record, Wolves And Wishes, adds to the ever-impressing oeuvre with the explorative wonderment of a debut album. To date Dosh has recorded with Bonnie ‘Prince’ Billie, Fog, Jel, Odd Nosdam, Neotropic, Andrew Bird, Redstart, Vicious Vicious, Poor Line Condition, Lateduster, Why?, the Interferents, members of Tapes ‘N Tapes, and just about any Twin Cities band with a collective ear for good taste and experimentation. He has shared the stage with Andrew Bird, Wilco, WHY?, Damo Suzuki, Gary Wilson, Golden Smog, Sole, My Morning Jacket, Tapes ‘n Tapes, cLOUDDEAD, Sage Francis, Devendra Banhart, Kid Dakota, Alias, Themselves, Peanut Butter Wolf, P.O.S., Happy Apple, Joseph Arthur, Pizza Boys, the Bad Plus, The Jayhawks, Atmosphere, DJ Vadim and many more.


 

9/8 | Tatsuya Nakatani Gong Orchestra @ Art In

Fri, 9/8 | 8pm $12 @ Art In

1444 E Washington Ave, Madison, Wisconsin 53703

Tone Madison presents:

Tatsuya Nakatani Gong Orchestra

Pennsylvania-based avant-garde percussion master Nakatani returns, this time leading a large ensemble of local musicians playing gongs. The Gong Orchestra uses Nakatani’s bowing techniques to create an otherworldly array of harmonics and textures. It’s a gorgeous, powerful sonic experience you won’t want to miss.

$10 presale, $12 day of, $8 for Tone Madison sustainers (patreon.com/toneMSN)

(September 5th) Update!

Curator’s notes by Scott Gordon via Tone MSN


7/11 | Jonah Parzen-Johnson + BC Grimm @ A+LL

Pre-order the new album!

Tues, 7/11 | 8p $8adv/10do @ Arts + Literature Laboratory

2021 Winnebago St, Madison, WI 53704

JONAH PARZEN-JOHNSON (Brooklyn, NY)

BC GRIMM (Madison, WI)

Brooklyn based saxophonist and composer Jonah Parzen-Johnson performs at Arts + Literature Laboratory on Tuesday, July 11, 2017, with Madison multi-instrumentalist Brian Grimm opening. Tickets are $8 in advance online at http://parzenjohnson.bpt.me/ or $10 at the door. Online sales end one hour before the show.

Jonah plays lofi experimental folk music for solo baritone saxophone and analog synthesizer. Imagine the raw energy of an Appalachian choir, balanced by a fearlessly exposed saxophone voice, resting on a strikingly unique combination of analog synthesizer components sitting on the floor in front of him. It all breathes together, as Jonah uses his feet to weave square and sawtooth waves into a surging base for folk inspired saxophone melodies, overblown multi phonics, vocalizations, and patiently developed circular breathing passages. Every element is performed and recorded at the same time, by one person, without any looping, overdubbing or recorded samples. “I want to make music that has texture, and depth, but most of all I want it to be direct and grounded. Touring and playing solo is all about being connected to the folks listening. I want you to feel like I’m looking you in the eye while I’m playing.”

Click for Tix!


In BC Grimm’s solo set, you may hear dances of the unaccompanied Bach cello suites; ever popular melodies of the Erhu Chinese fiddle adapted for cello; as well as original compositions from his dance/theatre scores & solo albums. Cellist & composer Brian Grimm grew up surrounded by Chinese string instruments of every sort. After initiating lessons in with virtuosos Yang Wei (pipa) & Daxun Zhang (bass) of the Silkroad Ensemble, Brian was lucky to continue his Chinese music studies on guqin (zither), pipa (lute), gaohu (fiddle) & daruan (bass lute) in Hong Kong with members of the 香港中樂團 Hong Kong Chinese Orchestra & Wuji Ensemble 無極樂團. Over the last 15 years Grimm has developed a deep language of Free Improvisation & Composition with groups such as The Brothers Grimm, Lovely Socialite, and Brennan Connors & Stray Passage.

BCG @ Milwaukee Release of “Orbis Obscura”


3/29 | Evil Genius (LA) w Stray Passage @ Art In

Wed, 3/29 | $8 doors 730p  / music 800p @ Art In

1444 E Wash Ave., Madison, WI 53703

EVIL GENIUS (LA) – tuba, guitar, drums

Brennan Connors & Stray Passage

Join us for an evening of Jazz Trios at Art In’s spacious gallery!

Evil Genius (Portland/Los Angeles) is a forward-marching experimental jazz trio formed in 2012. The band is made up of Max Kutner on guitars (Grandmothers of Invention, Magic Band, Alphonso Johnson), Stefan Kac on tuba (Milo Fine, Jon Armstong, Hammerstein) and Michael “Bonepocket” Lockwood on drums and percussion (Atomic Ape, Deradoorian, Matt Kivel). The band’s unique sound has drawn comparisons to groups as wide-ranging as the Minutemen, This Heat and Captain Beefheart to jazz figures like John McLaughlin, Steve Lacy, Henry Threadgill and many more. They have received acclaim from the New York City Jazz Record, Bad Alchemy, Los Angeles Jazz Station, Downtown Music Gallery, El Intruso and more. In the words of Larry Koonse, “this band can do it all–whether its in your face rock, free wheeling open improvisation, 20th century classical music, or jazz–they can pull it off and upend all of your expectations.” Their debut album, “Bitter Human” was released in late 2015 and available through Orenda Records in Los Angeles.

Welcome.

You have arrived at the spontaneous soundscapes of Evil Genius, just on the cusp of this dimension of sound and waiting to transcend to another. Sign in here.

Now you may enter. There’s no need to take off your jacket. Take a seat. Here, sip this iced tea. Or would you like a soda? No, there are no soy lattes. Don’t be ridiculous!

Now drink – it will calm your nerves.

You are now ready to begin.

You are now a participant in the experience. A series of experiments. Each experiment will uncover a new layer of understanding, a new level of intrigue.

It may vary for you depending on you – are you cautious? Are you adventurous?

Only time will tell.

We hope you enjoy your stay…

(excerpt from the liner notes by Angela Allan)