3/25 | Cello/Gamba Night @ Arts + Literature Laboratory

Sat, 3/25  | Tix $10 in advance / $15 at the doors

doors 730p / music 8p

Arts + Literature Laboratory

2021 Winnebago St, Madison, Wisconsin 53704

Patrick Reinholz – cello + electronics

Eric Miller – viola da gamba

Brian Grimm – cellitar, cross tuned cello

Join us for an evening of old and new music with Eric Miller, Patrick Reinholz, and Brian Grimm on Saturday, March 25, 2017. Tickets $10 in advance at http://ericmiller.bpt.me/, or $15 at the door starting at 7:30pm.

ERIC MILLER

Eric Miller presents the intimate and ethereal music for the unaccompanied viola da gamba, an instrument which was described in the late 18th century as one “with which one forgets the troubles of the day in quiet twilight.” The evening will center upon a pair compositions, one by the obscure and brilliant Parisian Le Sieur de Machy, and the other by the Dutch master Johannes Schenk, Sprinkled throughout will be smaller pieces by other luminaries of the rarefied instrument. A classically trained cellist and viola da gambist, Eric is known to Madison as a member of the Wisconsin Baroque Ensemble and has appeared with many of Madison and Milwaukee’s top ensembles.


PATRICK REINHOLZ


Patrick Reinholz is a cellist, improviser, composer, and educator currently living in Milwaukee, Wisconsin. Always innovating, he is a member of the new music/improvising chamber group Tontine Ensemble, and the jazz/rock outfit Lovely Socialite.  

Pat will be releasing his new album for solo cello + electronics via Other Obscura, so come grab your copy!


BRIAN GRIMM

In Brian Grimm’s solo set, you may hear dances of the unaccompanied Bach cello suites; ever popular melodies of the Erhu Chinese fiddle adapted for cello; as well as original compositions from his dance/theatre scores & solo albums.


3/12 | YAK (DET) + visual projections w Emili Earhart & BC Grimm @ Art In

yak_mad_mar12

Sun, 3/12 | $8  730p door / 8p music @ Art In

1444 E Washington Ave., Madison, WI

Emili Earhart – opens

YAK (DET) on tour

BC Grimm – closes

YAK is an ambient/industrial duo of amplified, bowed friction on strings and metal. Their 2017 Midwest Tour is an audio-visual journey into the existential mind-state of the Tibetan beast, the Yak. These sounds are tailor-made for the shaggy beast of burden of the Himalayan Plateau, evoking their life and spirit in a mesmerizing structured improvisation cycle.

Yuri Popowycz (violin) is a Detroit-based violinist, electronic music producer/performer, and illustrator. He performs with the Michigan Opera Theatre and is assistant concertmaster with the Michigan Philharmonic. He also plays out frequently in the city and is active with Detroit Bureau of Sound. Yuri is a graduate of Interlochen Arts Academy ‘11, and the Oberlin Conservatory ‘15, and has toured in Japan as concertmaster of the PMF orchestra as well as performed in Europe alongside the Jack quartet with the Lucerne Festival Academy. Currently he runs the ambient music label Music To Stretch To and enjoys working with all the wonderful artists living nearby.

Zac Brunell (percussion) is a performer and concert producer in the Motor City. As director of the Detroit Bureau of Sound, his work engulfs a range of avant garde music through his productions, which have been described as “sounding as raw as mating bull elephants” (Lansing City Pulse on “X is for Xenakis”). A classically trained percussionist and pianist, Zac is a graduate of the Michigan State University College of Music and is currently Production Manager with the award-winning ensemble New Music Detroit.

Detroit Bureau of Sound Announcing… “BOS MUTUS“, the 2017 meditation in four movements by YAK.  Digital download and physical pre-order available now via Bandcamp >>


Opening the show…

Emili Earhart is a pianist studying at UW-Madison. Recent projects have included performances of the Sonatas and Interludes for Prepared Piano by John Cage, and both books of Piano Etudes by Philip Glass. As Program Director at WSUM 91.7fm student radio, Emili hosts live ‘on-air’ performances and interviews touring acts (a/w/a local musicians!) Fridays on “Live @ WSUM”, 3-5pm. Emili is a member of noise/synth & bass duo, And Illusions. Sunday’s (3/12) set is part of a new effort to explore improvised new age piano and drone music.

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photo via Troy Peterson


Closing the show…

BC Grimm to close the night with an Orbis Obscura set!  Pipa, Guqin, #frankencello + “the hernia-maker” pedalboard.


7/8 | Terrence McManus (NYC) & BC Grimm @ Ritual Barbers

Terrence McManus Fri 7.8 banner

Fri, 7/8  |  @ Ritual Barbers (Madison, WI)

117 S Pinckney St, Madison, WI 53703

7:30p door / 8:30p music / $5-10 suggested donation / BYOB

TERRENCE MCMANUS (NYC) – electric guitar + electronics

BC GRIMM (Mad) – pipa, guqin, frankencello + electronics

A native of Brooklyn, New York, guitarist/composer/sound artist Terrence McManus has been called “… one of New York’s latest guitar heroes …” (All About Jazz), and that he has “… hit on an entirely new language.” (Gambit), and “… possesses the goods to impart a significant impact …” (jazzreview.com). Time Out New York calls him a “Texture-minded guitar abstractionist …” and the NY Times times has described him as a “guitarist drawn to abstract texture”.

He has performed or recorded with many of the major innovators in contemporary music, including John Zorn, Bill Frisell, Tim Berne, Gerry Hemingway, Mark Dresser, Don Byron, Ellery Eskelin, Herb Robertson, Mark Helias, John Hollenbeck, Ben Monder, Russ Lossing, Randy Peterson, Mat Maneri, Tom Rainey, Michael Sarin, and Marty Ehrlich. He has performed at the Metropolitan Museum of Art, Carnegie Hall, the New York Guitar Festival, Jazz Festival Willisau (Switzerland), Jazzfestival Saalfelden (Austria), the New Orleans Jazz National Historic Park, and the inaugural month at John Zorn’s The Stone. Terrence was featured in the book State of the Axe: Guitar Masters in Photographs and Words, by legendary photographer Ralph Gibson.

Terrence currently performs with the Gerry Hemingway Quintet, the Gerry Hemingway/Terrence McManus Duo, the John Hébert/Terrence McManus Duo and in a trio with John Hébert and Billy Mintz. Terrence is featured on the Gerry Hemingway Quintet release Riptide (Clean Feed Records) and the Hemingway/McManus Duo release Below the surface of (Auricle Records). In 2010 the Hemingway/McManus Duo toured the Midwest, performing and teaching in Michigan, Wisconsin, Illinois, and Minnesota. That same year the John Hébert/Terrence McManus duo performed and taught in New Orleans, LA.
 
Terrence is also a member of multiple NYC groups including the Cellar and Point and Bryan and the Haggards, and he has been a guest musician with the new music group Ensemble Pampelmousse.
 
Terrence has also provided music for the theater, in a production with the New York City players at the historic NYC theater venue the Performing Garage.
 
Terrence’s previous ensembles include Transcendental Numbers, with Mark Helias and Gerry Hemingway, which has a recording entitled Transcendental Numbers (NoBusiness Records) that Time Out New York calls “… a set of subtle, highly textural trio improvisation.” He also lead a chamber ensemble that included Ellery Eskelin, Mat Maneri, Russ Lossing and Gerry Hemingway, which performed a sixty minute, multi-sectional, through-composed work titled The Machine; the piece has also been performed in a trio configuration and in a solo guitar setting.
 
An accomplished solo guitarist, Terrence performs his own works on electric and classical guitar and has developed a unique style of improvisation, drawing on extended technique and prepared guitar. His solo recording Brooklyn EP was described as having “… visceral, stimulating fabrics.” (The New York City Jazz Record). He has done numerous solo tours, performing in California, Oregon, Washington, Texas and Alaska. In 2011, Terrence was selected as a semi-finalist on classical guitar in the Portland State University Guitar Festival.
 
Actively involved in education, Terrence has taught at The University of California, San Diego, Hochschule Luzern (Luzern, Switzerland), The New School for Jazz and Contemporary Music, Rutgers University (Newark), California State University, Bakersfield, Loyola University New Orleans, the University of New Orleans, the University of Nebraska-Lincoln and Saddleback College.