7/5 – 7/8 | Omaha Under The Radar

Click for Tix!

July 5th – 8th, 2017 | Omaha, Nebraska

OMAHA UNDER THE RADAR

Omaha Under the Radar is an annual experimental performance festival and educational workshop in the Midwest.

Explore the fourth annual festival lineup on our site, and prepare to experience the diverse work of artists responding to our times.

The 2017 festival features the radical chamber opera, “Eight Songs for a Mad King” by Peter Maxwell Davies.


Event locatioins:
Project Project, Joslyn Art Museum, OutrSpaces, KANEKO, and Reverb Lounge

Reserve tickets online:
http://www.undertheradaromaha.com/2017-schedule

$40 | full festival pass
$75 | VIP pass


Since the first festival, held in 2014, Omaha Under the Radar has presented over 300 artists from more than 20 cities throughout the United States. We work to represent a multiplicity of genres, ideas, and identities through performances, talks, group discussions and educational opportunities.

Omaha Under the Radar is a 501(c)3 Nonprofit Organization. To make a tax-deductible donation in support of our programming efforts, visit our SUPPORT page.


Thr 7/6 8pm  |  BC Grimm’s 35min sci-fi tone poem “Orbis Obscura” for Pipa & Electronics @ OutrSpaces


Full Festival Line Up

Artists websites: http://www.undertheradaromaha.com/2017-artists

July 5, 2017 | 7:00PM | ​ $10 or Full Festival Pass
EVENT 1 | PROJECT PROJECT
Scott Shinbara, Tomm Roland, and Jason Domonkos
Philip Kolbo

July 5, 2017 | 8:00PM
ARTIST AND VIP PARTY | HIFI HOUSE
An opening party for the artists and VIP ticket holders for Omaha Under the Radar 2017​.

July 6, 2017 | 5:00PM | FREE
EVENT 2 | JOSLYN ART MUSEUM
Chinook Collaborative Ensemble
tbd Dance Collective
Elizabeth Baker & Helen Hansen French
Vivian Kim and ensemble​

July 6, 2017 | 8:00PM | $10 or Full Festival Pass
EVENT 3 | OUTRSPACES
Nebraska Modern Dance Theatre
Brian Grimm
Chicago Academy for the Arts
Split the Stick
Dana Jessen
Menmosyne Quartet

July 7, 2017 | 6:00PM | $10 or Full Festival Pass
EVENT 4 | KANEKO
SOUNDRY Showcase
Areon Flutes
Duo Noire

July 7, 2017 | 8:00PM | ​ $10 or Full Festival Pass
EVENT 5 | OUTRSPACES
Kat Fackler and Lori Reckling
andPlay and David Bird
Emilie Rackley, Amanda Sealock, and Nicholas Swoboda
tbd dance collective

July 7, 2017 | 11:00PM | $10 or Full Festival Pass
EVENT 6 | OUTRSPACES
Eight Songs for a Mad King
by Peter Maxwell Davies

Featuring John J. Pearse, baritone
Stacey Barelos, piano; Scott Shinbara, percussion, Mary Perkinson, violin;
Hannah Mayer, cello; Samuel Bertino, clarinet; Erika Nightingale, flute

Directed by Barry Carman
Design by Jenny Pool

July 8, 2017 | 12:00PM  | FREE
EVENT 7 | KANEKO
Zeitgeist
Carly Sinn
Colloquy
Cassia Kite, SOUNDSTITCHING

July 8, 2017 | 3:00PM | $10 or Full Festival Pass
EVENT 8 | OUTRSPACES
New Chamber Ballet
Liz Pearse
Departure Duo
​​
July 8, 2017 | 8:00PM | $10 or Full Festival Pass
EVENT 9 | REVERB LOUNGE
Karma LiLoLa
David Smooke
ridgelines
Obelus
Warp Trio


 

3/25 | Cello/Gamba Night @ Arts + Literature Laboratory

Sat, 3/25  | Tix $10 in advance / $15 at the doors

doors 730p / music 8p

Arts + Literature Laboratory

2021 Winnebago St, Madison, Wisconsin 53704

Patrick Reinholz – cello + electronics

Eric Miller – viola da gamba

Brian Grimm – cellitar, cross tuned cello

Join us for an evening of old and new music with Eric Miller, Patrick Reinholz, and Brian Grimm on Saturday, March 25, 2017. Tickets $10 in advance at http://ericmiller.bpt.me/, or $15 at the door starting at 7:30pm.

ERIC MILLER

Eric Miller presents the intimate and ethereal music for the unaccompanied viola da gamba, an instrument which was described in the late 18th century as one “with which one forgets the troubles of the day in quiet twilight.” The evening will center upon a pair compositions, one by the obscure and brilliant Parisian Le Sieur de Machy, and the other by the Dutch master Johannes Schenk, Sprinkled throughout will be smaller pieces by other luminaries of the rarefied instrument. A classically trained cellist and viola da gambist, Eric is known to Madison as a member of the Wisconsin Baroque Ensemble and has appeared with many of Madison and Milwaukee’s top ensembles.


PATRICK REINHOLZ


Patrick Reinholz is a cellist, improviser, composer, and educator currently living in Milwaukee, Wisconsin. Always innovating, he is a member of the new music/improvising chamber group Tontine Ensemble, and the jazz/rock outfit Lovely Socialite.  

Pat will be releasing his new album for solo cello + electronics via Other Obscura, so come grab your copy!


BRIAN GRIMM

In Brian Grimm’s solo set, you may hear dances of the unaccompanied Bach cello suites; ever popular melodies of the Erhu Chinese fiddle adapted for cello; as well as original compositions from his dance/theatre scores & solo albums.


3/12 | YAK (DET) + visual projections w Emili Earhart & BC Grimm @ Art In

yak_mad_mar12

Sun, 3/12 | $8  730p door / 8p music @ Art In

1444 E Washington Ave., Madison, WI

Emili Earhart – opens

YAK (DET) on tour

BC Grimm – closes

YAK is an ambient/industrial duo of amplified, bowed friction on strings and metal. Their 2017 Midwest Tour is an audio-visual journey into the existential mind-state of the Tibetan beast, the Yak. These sounds are tailor-made for the shaggy beast of burden of the Himalayan Plateau, evoking their life and spirit in a mesmerizing structured improvisation cycle.

Yuri Popowycz (violin) is a Detroit-based violinist, electronic music producer/performer, and illustrator. He performs with the Michigan Opera Theatre and is assistant concertmaster with the Michigan Philharmonic. He also plays out frequently in the city and is active with Detroit Bureau of Sound. Yuri is a graduate of Interlochen Arts Academy ‘11, and the Oberlin Conservatory ‘15, and has toured in Japan as concertmaster of the PMF orchestra as well as performed in Europe alongside the Jack quartet with the Lucerne Festival Academy. Currently he runs the ambient music label Music To Stretch To and enjoys working with all the wonderful artists living nearby.

Zac Brunell (percussion) is a performer and concert producer in the Motor City. As director of the Detroit Bureau of Sound, his work engulfs a range of avant garde music through his productions, which have been described as “sounding as raw as mating bull elephants” (Lansing City Pulse on “X is for Xenakis”). A classically trained percussionist and pianist, Zac is a graduate of the Michigan State University College of Music and is currently Production Manager with the award-winning ensemble New Music Detroit.

Detroit Bureau of Sound Announcing… “BOS MUTUS“, the 2017 meditation in four movements by YAK.  Digital download and physical pre-order available now via Bandcamp >>


Opening the show…

Emili Earhart is a pianist studying at UW-Madison. Recent projects have included performances of the Sonatas and Interludes for Prepared Piano by John Cage, and both books of Piano Etudes by Philip Glass. As Program Director at WSUM 91.7fm student radio, Emili hosts live ‘on-air’ performances and interviews touring acts (a/w/a local musicians!) Fridays on “Live @ WSUM”, 3-5pm. Emili is a member of noise/synth & bass duo, And Illusions. Sunday’s (3/12) set is part of a new effort to explore improvised new age piano and drone music.

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photo via Troy Peterson


Closing the show…

BC Grimm to close the night with an Orbis Obscura set!  Pipa, Guqin, #frankencello + “the hernia-maker” pedalboard.


7/8 | Terrence McManus (NYC) & BC Grimm @ Ritual Barbers

Terrence McManus Fri 7.8 banner

Fri, 7/8  |  @ Ritual Barbers (Madison, WI)

117 S Pinckney St, Madison, WI 53703

7:30p door / 8:30p music / $5-10 suggested donation / BYOB

TERRENCE MCMANUS (NYC) – electric guitar + electronics

BC GRIMM (Mad) – pipa, guqin, frankencello + electronics

A native of Brooklyn, New York, guitarist/composer/sound artist Terrence McManus has been called “… one of New York’s latest guitar heroes …” (All About Jazz), and that he has “… hit on an entirely new language.” (Gambit), and “… possesses the goods to impart a significant impact …” (jazzreview.com). Time Out New York calls him a “Texture-minded guitar abstractionist …” and the NY Times times has described him as a “guitarist drawn to abstract texture”.

He has performed or recorded with many of the major innovators in contemporary music, including John Zorn, Bill Frisell, Tim Berne, Gerry Hemingway, Mark Dresser, Don Byron, Ellery Eskelin, Herb Robertson, Mark Helias, John Hollenbeck, Ben Monder, Russ Lossing, Randy Peterson, Mat Maneri, Tom Rainey, Michael Sarin, and Marty Ehrlich. He has performed at the Metropolitan Museum of Art, Carnegie Hall, the New York Guitar Festival, Jazz Festival Willisau (Switzerland), Jazzfestival Saalfelden (Austria), the New Orleans Jazz National Historic Park, and the inaugural month at John Zorn’s The Stone. Terrence was featured in the book State of the Axe: Guitar Masters in Photographs and Words, by legendary photographer Ralph Gibson.

Terrence currently performs with the Gerry Hemingway Quintet, the Gerry Hemingway/Terrence McManus Duo, the John Hébert/Terrence McManus Duo and in a trio with John Hébert and Billy Mintz. Terrence is featured on the Gerry Hemingway Quintet release Riptide (Clean Feed Records) and the Hemingway/McManus Duo release Below the surface of (Auricle Records). In 2010 the Hemingway/McManus Duo toured the Midwest, performing and teaching in Michigan, Wisconsin, Illinois, and Minnesota. That same year the John Hébert/Terrence McManus duo performed and taught in New Orleans, LA.
 
Terrence is also a member of multiple NYC groups including the Cellar and Point and Bryan and the Haggards, and he has been a guest musician with the new music group Ensemble Pampelmousse.
 
Terrence has also provided music for the theater, in a production with the New York City players at the historic NYC theater venue the Performing Garage.
 
Terrence’s previous ensembles include Transcendental Numbers, with Mark Helias and Gerry Hemingway, which has a recording entitled Transcendental Numbers (NoBusiness Records) that Time Out New York calls “… a set of subtle, highly textural trio improvisation.” He also lead a chamber ensemble that included Ellery Eskelin, Mat Maneri, Russ Lossing and Gerry Hemingway, which performed a sixty minute, multi-sectional, through-composed work titled The Machine; the piece has also been performed in a trio configuration and in a solo guitar setting.
 
An accomplished solo guitarist, Terrence performs his own works on electric and classical guitar and has developed a unique style of improvisation, drawing on extended technique and prepared guitar. His solo recording Brooklyn EP was described as having “… visceral, stimulating fabrics.” (The New York City Jazz Record). He has done numerous solo tours, performing in California, Oregon, Washington, Texas and Alaska. In 2011, Terrence was selected as a semi-finalist on classical guitar in the Portland State University Guitar Festival.
 
Actively involved in education, Terrence has taught at The University of California, San Diego, Hochschule Luzern (Luzern, Switzerland), The New School for Jazz and Contemporary Music, Rutgers University (Newark), California State University, Bakersfield, Loyola University New Orleans, the University of New Orleans, the University of Nebraska-Lincoln and Saddleback College.

 

4/24 | Jack Wright & Bob Marsh @ Arts + Literature Laboratory

4-24 SHOW POSTER 4.2

Sun, 4/24 | All Ages  $10  7pm  @ Arts + Literature Laboratory

2021 Winnebago St, Madison, Wisconsin 53704

JACK WRIGHT & BOB MARSH (TOUR)
sax + bass, electronics, sound suit

BC GRIMM & MICHAEL KOSZEWSKI (Mad) [of Lovely Socialite]
cello, Chinese string instruments + percussion

TONTINE ENSEMBLE (MILWAUKEE)
double bass, cello, viola, violin – through fx

JACK & BOB

These two have been playing together since they met in Detroit in 1986, their duo transforming over time as their music has developed. This despite moving far apart, and never more than at present; after fifteen years in the Bay Area Bob now lives in Pueblo CO and Jack is in Easton Pa, so their meetings are infrequent. They have toured on the East and West Coast and the Midwest, most recently connecting in the Bay Area, before that tours that took them from the east coast to Chicago. Their music has shifted from a huge web of notes and fast-shifting directions on conventional instruments to sound and space, with Bob playing electronics and distorted voice….yet still they are indelibly the same duo. And the best of friends.

A review of a 2012 performance in Philadelphia from Cadence Magazine: “Jack Wright (sax) and his longtime collaborator, Bob Marsh (cello, voicings) sat in cramped quarters with records stacked all around, low ceiling strung with Christmas lights, and frightful paintings lining the wall. The two explorers seemed to like the atmospheric space and quickly went about their business of quietly merging tones and thoughts. Marsh, who was on a rare trip to these parts from this California abode, used everything out of his cello case on his instrument except the kitchen sink, which he was unable to get down the steep stairs of the lair. Also of note was the sighting of Wright in real pants and not his ever-present shorts…” 

GRIMM & KOSZEWSKI

Michael Koszewski (percussion) & Brian Grimm (cello, Chinese string instruments) of Madison’s psychedelic Jazz/Rock outfit Lovely Socialite join forces as a duo. Both cut from the New Music cloth, they bring sensitivity, dynamics & chops to their explorations. Between Koszewski’s 5 years in Madison’s acclaimed Clocks in Motion Percussion ensemble & BC Grimm’s array of Chinese zithers, lutes & bowed strings – who knows what sonic orchestrations may come to pass.

Michael Koszewski and BC Grimm

TONTINE ENSEMBLE

Tontine Ensemble was founded in the spring of 2014 with the mission to perform improvisational and contemporary chamber works, as well as champion the compositions of Milwaukee composers. Its four current members first played together for a Blank Radio recording session and immediately began rehearsing regularly. Allen Russell, Molly Lieberman, Pat Reinholz, and Barry Paul Clark are all classically trained musicians who teach and regularly perform in a variety of styles around the Milwaukee area and beyond.

Tontine Ensemble has appeared as guest artists at Mike Neumeyer and Friends, Danceworks, Inc. (Paleontology of a Woman – 2014, Footsteps, Shadows & Whispers – 2015), Milwaukee Follies, Formations Series for New and Improvised Music, Alverno Presents (Prince Uncovered – 2015) and The Pre-Maturely Air Conditioned Arts Collective.  The ensemble has shared the stage with JOBS, Netmoiré, Lovely Socialite Mrs. Thomas W. Phipps, Geodes, Trench, Jonah Parzen-Johnson, and Jamison Williams.

Tontine Ensemble
http://tontineensemble.com/


6/13 | Jonah Parzen-Johnson / Tar Pet / Lovely Socialite @ Bright Red Studios

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We had a wonderful show last night @ Bright Red Studios!  Thanks to all who came out!

Lovely Socialite explored a quartet free-improv set with Pat on cello, Abe on vibes, Mike on assorted home-made percussion and drum set, & BCG on gaohu, pipa, bass & cajon.  So much open, quiet space.  We were able to explore individual solo moments all around, as well as every duo pairing within the larger quartet.  Very rewarding, as most Socialite sextet improvs exist in a wall-of-sound-madness!  I was grateful to explore sparcer orchestrations for such an open ear’d audience. (new album due out by early fall!)

Taralie of Spires That In The Sunset Rise, known as Tar Pet when solo – gave us a really deep set.  My favorite two pieces were in the middle.  One was a layering of melodic cello drones that bubbled forth minute changes, all playing against one another to create a long landscape.  Once the scene was set, she switched to sax and blew an elegy to Ornette Coleman, who passed away this week.  I think we all knew what it was about, because Taralie was so excellent and clear in her delivery of the meditation.  What a way to send-up Ornette! [peace, respect]

…oh yeah, DISTORTED CELLO DRONES!!!.  < that’s all I need to say on the one that followed.

The touring musician of the night, Jonah Parzen-Johnson (Brooklyn, NYC), treated us to his carefully crafted ‘bari-sax + electronics’ compositions.  Inbetween pieces, he would share introspections and wonderments de jour.  Anything his soul was searching at the moment.  A lot of it about how we interact with each other, but all of it posed in the form of (yet) unanswered questions.  Much appreciation for the insight into his being and process.  Jonah is on tour for his new album “Remember When Things Were Better Tomorrow”, which you should buy right now!  He’s halfway through a 5 week tour, help support his final leg with a purchase of his well developed music!