11/3 | InDIGenous Jazz Series: Nestle and Lovely Socialite @ Wisconsin Union Theater

Fri, 11/3 | Free! Doors Open 7:00p

@ Wisconsin Union Theater

800 Langdon St, Madison, WI 53706

Nestle (Album Release)

Lovely Socialite

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from GMJC: Concerts of fresh original music, in a great listening room, with no cover charge. That’s what music fans will find at the UW Memorial Union’s Frederic March Play Circle on four Friday evenings this Fall as the Greater Madison Jazz Consortium (GMJC), Madison Music Collective and Wisconsin Union Theater present the sixth season of “InDIGenous Jazz”, a series that showcases music composed and performed by our community’s finest jazz musicians.


Nestle: Leading off this double-header concert is the experimental trio Nestle, which includes local bassist Rob Lundberg, in the premiere performance of their new GMJC-commissioned suite, “Bird Song.” This unique new suite uses archived sounds from the Cornell University Lab of Ornithology as the music’s primary generative element. In addition to Mr. Lundberg, Nestle members include Twin Ports-based guitarist Cyrus Pireh and Chicago-based percussionist and electronics artist Ryan Packard. They’ve been together as a band for two years and have developed a flexible free-flowing turn-on-a-dime improvisational rapport.

Lovely Socialite: The second set features the quirky Madison-based sextet Lovely Socialite whose bold and intricate compositions combine the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop. Often compared to Frank Zappa & The Mothers of Invention, its members include Corey Murphy (Trombone, Electronics), Abe Sorber (Vibraphone, Drums), Pat Reinholz (Electric Cello, Electronics), Brian Grimm (Pipa, Gaohu, Guzheng, Cello, Electronics), Ben Willis (Double Bass, Electronics), and Mike Koszewski (Drums, Percussion). For this concert, they will perform works composed by the band’s members over the past few years.



Nestle Bio:
The Nestle trio exists in performance.
The Nestle trio is listening.
The Nestle trio is a realization of visions.
The Nestle trio is an expression of being through doing.

The Nestle trio of Robert Lundberg, Ryan Packard, and Cyrus Pireh respectively assemble an instrumentation of double bass and electronics; percussion, accordion, and electronics; and 9-string electric future lute.

To live and thrive in the current situation invokes a certain music: not a music to put on as background or a music to wear as a shirt or badge and gain entry into social sets.

A music that is the result of doing.
A music that is the result of people.
A music that exists as proof of existence.

Lovely Socialite Bio:
Lovely Socialite, formerly Lovely Socialite Mrs. Thomas W. Phipps, is a Milwaukee/Madison-based six-piece that combines the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop. Lauded for their bold and intricate compositions, the group often draws comparisons to Frank Zappa and the Mothers of Invention. The band’s original music combines strict notation with moments of improvisation and maintains a healthy balance of dark and heavy rock grooves with quirky jazz obscurities.

While Lovely Socialite’s unusual mix of strings, traditional Chinese instruments, brass, and a jazz rhythm section suggest that the group might be a contemporary music ensemble, it is their use of stomp boxes, vocal processors, and other electronics that makes the group a suitable fit for any rock, hip-hop, or jazz bill. In fact, Lovely Socialite has been privileged to share the stage with such artists as Dessa, of Minneapolis hip-hop collective Doomtree, as well as performing live on the UW Madison Terrace with Brian Ritchie of the Violent Femmes.

In October of 2015, Lovely Socialite released their second full length album. Nearly two years in the making, “Toxic Consonance” was recorded at Blast House Studios in Madison with Landon Arkens. “Toxic Consonance” represents an edgier and more mature version of the band than their previous endeavor, “Registers Her Delight” (2012), and features extensive production efforts mixing found sounds, vocal samples, and electronic effects into their live-style recording.

Promotional Cosponsor: Terra Incognita

3/25 | Cello/Gamba Night @ Arts + Literature Laboratory

Sat, 3/25  | Tix $10 in advance / $15 at the doors

doors 730p / music 8p

Arts + Literature Laboratory

2021 Winnebago St, Madison, Wisconsin 53704

Patrick Reinholz – cello + electronics

Eric Miller – viola da gamba

Brian Grimm – cellitar, cross tuned cello

Join us for an evening of old and new music with Eric Miller, Patrick Reinholz, and Brian Grimm on Saturday, March 25, 2017. Tickets $10 in advance at http://ericmiller.bpt.me/, or $15 at the door starting at 7:30pm.

ERIC MILLER

Eric Miller presents the intimate and ethereal music for the unaccompanied viola da gamba, an instrument which was described in the late 18th century as one “with which one forgets the troubles of the day in quiet twilight.” The evening will center upon a pair compositions, one by the obscure and brilliant Parisian Le Sieur de Machy, and the other by the Dutch master Johannes Schenk, Sprinkled throughout will be smaller pieces by other luminaries of the rarefied instrument. A classically trained cellist and viola da gambist, Eric is known to Madison as a member of the Wisconsin Baroque Ensemble and has appeared with many of Madison and Milwaukee’s top ensembles.


PATRICK REINHOLZ


Patrick Reinholz is a cellist, improviser, composer, and educator currently living in Milwaukee, Wisconsin. Always innovating, he is a member of the new music/improvising chamber group Tontine Ensemble, and the jazz/rock outfit Lovely Socialite.  

Pat will be releasing his new album for solo cello + electronics via Other Obscura, so come grab your copy!


BRIAN GRIMM

In Brian Grimm’s solo set, you may hear dances of the unaccompanied Bach cello suites; ever popular melodies of the Erhu Chinese fiddle adapted for cello; as well as original compositions from his dance/theatre scores & solo albums.


3/17 | Sound Out Loud performs “Pierrot lunaire” @ Mills Hall

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Pierrot écoutant, 1854, by Nadar

Fri, 3/17 | Free, 8:00pm Mills Hall

455 N Park ST, Madison, WI, 53706

Le Domaine Musicale

Schoenberg’s “Pierrot lunaire”

Ravel’s “Chansons madécasses

Sound Out Loud will perform Schoenberg’s expressionistic masterpiece about the ravings of a lunatic clown, featuring UW vocal faculty member Mimmi Fulmer.  Also on the program will be Ravel’s “Chansons madécasses“, featuring vocalist Sarah Richardson.

“Pierrot lunaire” was composed by Arnold Schoenberg (1874 – 1951) in 1912 and is his 21st Opus.  It’s 21 short movements (3 cycles of 7) explore the poetry of Albert Giraud (1860-1929), originally published 1884 in French.

‘Pierrot’ is one of Schoenberg’s last works of “free a-tonality”, before Opus 23 which introduced his 12-tone Serialism approach to composition – forever changing the course of 20th Century music.  In this new dodecaphonic democracy, all notes were equal, and weightless of tonicisms.  It helped form a great schism in the 20thC between two great approaches to composition: Serialism (eg. Schoenberg) vs Neo-Classicism (eg. Stravinsky).  Part of the pre-serialism brilliance of “Pierrot lunaire” is Scheonberg’s invention of sprechstimme.  This new vocal technique was a form of speak-singing, which allows for a beautiful ambiguity in pitch – removing Schoenberg yet one more step from tonality.  In sprechstimme, the singer glides up and down from one note to another – only ever sustaining three “traditional” pitches in the entire 40 minute piece.  All of this results in a dazzling display of colors and orchestrational puissance to tell the tales of this tragic clown.

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UW Madison Voice Faculty Member, Soprano Soloist Mimmi Fulmer.

American soprano Mimmi Fulmer first performed “Pierrot lunaire” in 1978 at the famed Tanglewood Music Festival. Sound Out Loud is thrilled to be performing this work for the first time under the guidance of such an experienced & knowledgeable performer of the work. Mimmi and Ric Merritt have crafted a performers’ singing-translation of this work from German to English.  Friday, March 17th we will perform it in it’s original German text.

Mimmi Fulmer performs repertoire ranging from early music to premieres of works written for her.  Her distinguished career in new music includes premieres of nine roles in eight operas.   An expert on Nordic repertoire, she is the editor of a three-volume anthology of songs from Finland, Sweden, Norway and Denmark.   Her discography includes six CDs of American music and a CD of songs from Finland, Sweden and Norway, and she has been included in the Fulbright Specialist Roster in American music.


 

5/5 | Audio for the Arts presents: HANGING HEARTS punk/jazz trio (Chi)

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This April, I had the fortunate luck of catching a thrilling late night set from Hanging Hearts punk/jazz trio in Detroit. Ben Willis and I were performing on a different side of town & stopped by afterwards to catch one of our favorite drummers, one of Wisconsin’s best, Devin Drobka. Devin, Chris & Cole of Hanging Hearts brought the house down with incredible energy, driving compositions, and excellent group communication. Even after a quite robust set, people were hungry for more. This in-studio concert will help Hanging Hearts prepare to go back into the studio this June to record their next album, produced by drummer Dave King of The Bad Plus.

Thr, 5/5 |  @ Audio for the Arts Studios
7 S. Blair St., Madison, WI
$10  Doors at 7:30p  /  Music at 8p

Recording Engineer & Host – Steve Gotcher

HANGING HEARTS (Chi) is:
Chris Weller – tenor saxophone
Cole DeGenova – keyboards/effects
Devin Drobka – drums/percussion
http://www.hangingheartsmusic.com/

Hanging Hearts is a Chicago-based jazz trio with rock energy dedicated to the fearless exploration of group improvisation. Described by critics as “hammering the walls between genres,” their music bridges the gap between jazz, rock, and experimental music. The band features Chris Weller on tenor saxophone, Cole DeGenova on keyboards, and Devin Drobka on drums. While Chris and Cole grew up in Chicago, playing professionally in jazz and blues clubs by the age of 15, the trio was completed at the Berklee College of Music in Boston, where all three members graduated. The trio’s repertoire consists of their original compositions and free improvisations.

Members of the group have performed around the world and shared the stage with Joe Lovano, Jerry Bergonzi, Greg Osby, Tony Malaby, Tower of Power, Lettuce, Kurt Elling, Snarky Puppy, Lupe Fiasco, Greg Ward, Tim Daisy, and Dave Rempis, among others. Notable performances as a band include the Jazzinec Festival in Czech Republic and Nádasdy Castle in Sárvár, Hungary. Though they have been playing together for years, the group released their debut album in October ’14, with supporting US shows and European tour (Poland, Czech Republic, Slovakia, Hungary, & Romania).


 

11/6 | Music of India – Sitar Concert with Pandit Sugato Nag

Sugato Nag

Fri, 11/6 | 7pm Free @ Morphy Hall

455 N. Park St., UW Madison Campus

PANDIT SUGATO NAG – Sitar

SNEHESH NAG – Sitar

SUBHASIS MUKHERJEE – Tabla

Saaz is proud to present sitar Maestro Pt. Sugato Nag (Kolkata, India) in a LIVE Sitar concert. This will be a special jugalbandi concert with his son Snehesh Nag on sitar. Subhasis Mukherjee will accompany on Tabla.

I have been studying Indian Classical music on cello with sitar master Sugato Nag for the past year.  After 15 years of appreciating Indian Classical as a listener, I’m finally getting a player’s window into the deep inner workings of this profound musical tradition!  Nag’s guru, Pandit Buddhadev Das Gupta, is a sarod master who’s lineage fuses three major schools of sarod playing.  Buddhadev Das Gupta’s gharana has produced in Sugato a highly melodic style.  Variations of the chalan, the main melodic themes of a raga, spin outward in marvelous fashion.  During the opening alap section of a raga performance, Sugato bends melodies out of a single note, called a meend.  At times, by grabbing an upper harmonic tone of an already stopped left hand note, he is able to extend the meend.  It’s certainly hard to describe, so come hear it for yourself this Friday!

 


 

7/3 | LOVELY SOCIALITE w/ Ferris/Dietrich/McQuade trio @ Johnson Public House

11659281_10104408896892167_854733652065706500_nFri, 7/3  |  6:30pm $5 @ Johnson Public House

LOVELY SOCIALITE

FERRIS+DIETRICH+MCQUADE trio

**”Lovely Socialite Mrs. Thomas W. Phipps” has officially shortened her name to, Lovely Socialite.

We’re delighted to share this surprise show on Friday with our friends Ben Ferris – bass, Paul Dietrich – trumpet, & Miguel McQuade – drums.  In case y’all haven’t figured it out, Lovely Socialite is pulling together her second album, “Toxic Consonance”.  Now that the record is finished, we’re designing the packaging & getting a Kickstarter rolling for which to pre-order the album.  Keep your eyes & ears out for Toxic Consonance‘s release!!  In the mean time, please enjoy our first video-single, “Black Yukon Sucker Punch”:

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