9/2 | The Lights Fest (Make-A-Wish Foundation)

Sat, 9/2  | THE LIGHTS FEST 

6-7pm Brian Grimm (Classical/World) Cello and Guqin solo set

Donating to Make A Wish Foundation

> CLICK FOR TICKETS <

Dodge County Fairgrounds

WI-33, Beaver Dam, Wisconsin 53916

DESCRIPTION

The Lights Fest is an experience where thousands of friends and families gather to listen to live music, fill up on food trucks and light up life by sharing personal wishes, dreams and goals. At the perfect moment everyone ignites their personalized sky lanterns with Tiki torches and lets them take flight. It creates a surreal ambiance, where time slows down and your single flame rises and joins with thousands of others to light up your life.

The lights fest is dedicated to leaving a positive impact on the environment and everyone who attends our event. This is an event that is for everyone but cultivates individual experiences. Whether you’re commemorating or celebrating you’re creating a special memory that will last a lifetime

The Lights Fest is proud to be supporting Make-A-Wish® Wisconsin, an organization that grants wishes to children with life-threatening medical conditions, to enrich the human experience with hope, strength and joy. The Lights Fest will be making a donation to the organization in honor of this event. For more information visit wisconsin.wish.org

What You Get

Your ticket includes a packet to be picked up at the event. The packet contains a lantern, marker, and key chain flashlight. Come enjoy a magical night and memories to last a lifetime.Any child under three years old is free to the event. Children ages 4 – 12 need to purchase our kids ticket for just eight dollars. They will receive a fun little swag bag and no lantern. 13 years and older will be charged an adult ticket.

Hurry! Space is limited:

> CLICK FOR TICKETS <


 

 

8/4 | Brennan Connors & Stray Passage @ Cafe Coda

Madison Jazz trio Brennan Connors & Stray Passage will perform tonight at Cafe Coda from 8-11pm.  The cover is $10.  We’re very excited to play a club which is specifically meant for listening to Jazz!  If you are free, come hang with us.

Cafe Coda
113 W Dayton St., Madison, Wisconsin 53703

 ** Keep an ear out for our upcoming CD, “Emergence”, coming out this fall on Italian labelsetola di maile |http://www.setoladimaiale.net/catalogue/view/SM3300

7/15 | Lovely Socialite and Left Field Quartet double release show @ Art In

click the pic and RSVP on our facebook event

DOUBLE RELEASE SHOW

Sat, 7/15  |  @ ART IN   1444 E Washington ST, Madison, WI

730p doors // 800p music

$10 gets you into the show

OR $15 gets you in + both CDs!

1st AND ILLUSIONS

2nd LEFT FIELD QUARTET – Please Take Us Seriously release

3rd LOVELY SOCIALITE – DoubleShark EP release

Lovely Socialite performing at The Shitty Barn in 2016. Photo by Connie Ward (c) In The Rushes Photogaphy

 🔗 Tone Madison Podcast: Lovely Socialite get leaner and louder

Lovely Socialite (lovelysocialitemusic.com) “DoubleShark” ep release
Lovely Socialite, formerly Lovely Socialite Mrs. Thomas W. Phipps, is a Milwaukee/Madison-based six-piece that combines the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop. Lauded for their bold and intricate compositions, the group often draws comparisons to Frank Zappa and the Mothers of Invention. The band’s original music combines strict notation with moments of improvisation and maintains a healthy balance of dark and heavy rock grooves with quirky jazz obscurities.


Left Field Quartet at UW Madison, where they met and cut their teeth together on Jazz.

 🔗 Tone Madison premieres Left Field Track “Straight Ahead F Blues”

Left Field Quartet  “Please Take Us Seriously” album release
Left Field Quartet is a collaborative group of Midwest-raised musicians specializing in eclectic, original music. With a unique and versatile tone, the group has scored plays and politically-charged events in the local community. What makes Left Field work so cohesively together is their adventurous desire for creativity in all of its multifaceted forms. “Please Take Us Seriously” is the band’s first official album release which combines gritty and fiery grooves with a personal touch and a playful sound.

And Illusions
And Illusions is a collaboration of local experimental musicians Emili Earhart and Michael Groome. With a focus on the psychedelic and long patient song structures, And Illusions occupies a wonderful space somewhere between noise music and kraut rock. It is at once meditative and soothing, a balancing act of angular and rounded tones.


 

3/29 | Evil Genius (LA) w Stray Passage @ Art In

Wed, 3/29 | $8 doors 730p  / music 800p @ Art In

1444 E Wash Ave., Madison, WI 53703

EVIL GENIUS (LA) – tuba, guitar, drums

Brennan Connors & Stray Passage

Join us for an evening of Jazz Trios at Art In’s spacious gallery!

Evil Genius (Portland/Los Angeles) is a forward-marching experimental jazz trio formed in 2012. The band is made up of Max Kutner on guitars (Grandmothers of Invention, Magic Band, Alphonso Johnson), Stefan Kac on tuba (Milo Fine, Jon Armstong, Hammerstein) and Michael “Bonepocket” Lockwood on drums and percussion (Atomic Ape, Deradoorian, Matt Kivel). The band’s unique sound has drawn comparisons to groups as wide-ranging as the Minutemen, This Heat and Captain Beefheart to jazz figures like John McLaughlin, Steve Lacy, Henry Threadgill and many more. They have received acclaim from the New York City Jazz Record, Bad Alchemy, Los Angeles Jazz Station, Downtown Music Gallery, El Intruso and more. In the words of Larry Koonse, “this band can do it all–whether its in your face rock, free wheeling open improvisation, 20th century classical music, or jazz–they can pull it off and upend all of your expectations.” Their debut album, “Bitter Human” was released in late 2015 and available through Orenda Records in Los Angeles.

Welcome.

You have arrived at the spontaneous soundscapes of Evil Genius, just on the cusp of this dimension of sound and waiting to transcend to another. Sign in here.

Now you may enter. There’s no need to take off your jacket. Take a seat. Here, sip this iced tea. Or would you like a soda? No, there are no soy lattes. Don’t be ridiculous!

Now drink – it will calm your nerves.

You are now ready to begin.

You are now a participant in the experience. A series of experiments. Each experiment will uncover a new layer of understanding, a new level of intrigue.

It may vary for you depending on you – are you cautious? Are you adventurous?

Only time will tell.

We hope you enjoy your stay…

(excerpt from the liner notes by Angela Allan)


8/7 | Ben Willis + Brian Grimm @ Bos Meadery

8-7 Ben Willis and Brian Grimm v2

Sun 8/7  |  6pm  $5  @ Bos Meadery

849 E Washington Ave, Madison, WI 53703

solo & duo performances from

BEN WILLIS – double bass

BRIAN GRIMM – guqin, cello

Bos Meadery – “Mead Made Modern” our mission is to make the world’s oldest fermented beverage in the most modern possible way using local ingredients, so that our mead reflects the flavor of the Wisconsin landscape. Much like farm to table eating, this is field to glass drinking.

BEN WILLIS (DET/AA, MI) – solo double bass

Egret/Flatlander is a set of solo bass pieces by Ben Willis. Composed through development and exploration of improvisational practice, the movements have taken shape as open cellular structures, that act as themes and zones for extemporaneous development.

The pieces make use of a range of extended double bass techniques, drawing inspiration from contemporary classical music and free improvisation. The musical language draws from many influences, including rock structures, folk harmonies and melodies, and doom metal.

Ben Willis is a bassist whose affinities lie in collaborative projects, new music, improvisation, and the merging of cross-disciplinary elements. He’s performed his original collaborative work at venues and festivals around the U.S., including the International Society for Improvised Music Conference, Electroacoustic Barn Dance at the University of Mary Washington, the Whitewater Arts Alliance Series at the University of Wisconsin, Whitewater and the Ratchet Series at the Skylark in Chicago. In 2013, he was a Robert Black Bass Fellow at the Bang on a Can Summer Festival. Much of his work highlights the importance of collaborative, performative process in the development of new art. He is a member of the Weather Duo, an electroacoustic ensemble with cellist Pat Reinholz, dedicated to performing new music that blends classical training with improvisation and folk idioms. The Weather Duo has contributed music to the Li Chiao Ping dance company, a video project with artist Doug Rosenberg and dancer Sally Gross, and composed occasional film scores. In live performance, they explore multimedia collaboration with the help of live video artist Anna Weisling. He has also toured and recorded as a sideman, working with many indie/folk artists, including Anna Vogelzang, Dietrich Gosser, and Thistle and the Thorns. He often participates in recitals of new music and collaborations with composers, and performs regularly with the jazz/rock project Lovely Socialite Mrs. Thomas W. Phipps, and the free improvisation trio Glacier. He currently resides in Ann Arbor, MI. He earned a BM in Performance at the University of Wisconsin, Madison, and MM in Improvisation from the University of Michigan, Ann Arbor. He’s studied bass with Richard Davis, Diana Gannett, and Bob Hurst, and composition with Andrew Bishop.

Buy Egret/Flatlander here >>


BRIAN GRIMM (MAD, WI) – solo cello & guqin

Cellist & composer Brian Grimm grew up surrounded by Chinese string instruments of every sort. After initial lessons in Chinese music with Yang Wei (pipa) & Daxun Zhang (bass) of the Silkroad Enesemble, he was lucky to then study guqin (zither), pipa (lute), gaohu (fiddle) & daruan (bass lute) in Hong Kong with members of the 香港中樂團 Hong Kong Chinese OrchestraWuji Ensemble 無極樂團. Over the last 15 years Grimm has developed a deep language of Free Improvisation & Composition with groups such as The Brothers Grimm, Lovely Socialite, and Brennan Connors & Stray Passage. In conjunction with performing & teaching, Brian runs GrimmusiK Records – a label for all projects involving him & his brother AJ (classical & flamenco guitar).

** BC Grimm’s new CD “Orbis Obscura” for Pipa, Fuzz & Delay drops Friday, 8/12 on Other Obscura Records @ ArtIn Gallery on East Wash! **

J100

COMING SOON! NEW BC GRIMM CD “ORBIS OBSCURA” DROPS FRI 8/12


 

 

7/23, 7/25, 7/27 | 3not2miss shows: Lovely Socialite @ Sh*tty Barn & more!

Sat 7/23  |  10pm  Free  @ Mickey’s Tavern

1524 Williamson St, Madison, Wisconsin 53703

JULIAN LYNCH + BC GRIMM  (MAD)

WEI ZHONGLE  (CHI)

CLOUD BECOMES YOUR HAND  (NYC)

CAP ALAN  (MAD)

Wei Zhongle (CHI) & Cloud Becomes Your Hand (NYC) are touring together this July! Catch them both for free on Sat, 7/23 10pm at Mickey’s Tavern. Local acts bookending: Julian Lynch + BC Grimm duo opens / Cap Alan closes.

Catch a sneak peak of Wei Zhongle’s new single “peeping tom” on Impose Magazine

Impose Magazine interviews Cloud Becomes Your Hand


Mon 7/25  |  7pm door $8  all ages @  Arts + Literature Laboratory

2021 Winnebago St, Madison, WI

FAUN AND A PAN FLUTE  (ATL)

CYRUS PIREH  (MPLS)

BRENNAN CONNORS & STRAY PASSAGE  (MAD)

Though experimental may be the quickest catchall word that comes to mind when describing Faun and a Pan Flute, the multi-talented nine-piece has evolved beyond its experimental roots. Last year’s sprawling self-titled LP showcased a virtually unclassifiable, new musical vocabulary. The individual strengths of the group’s members ebb and flow, giving each song its own tonal combinations where change is the only constant. Every song is composed with careful precision, but the unpredictability of the group’s songwriting adds a fluidity uncharacteristic of contemporary classical music. With any of its debut album’s four numbers, “John,” “Linda,” “Augur,” and “Dave,” Faun glides from swells of noise to modal motifs to abstract textures. The collective’s true strength lies in how nine musicians with such distinct styles find a unifying form instead of devolving into a battle of conflicting egos. Even when the group descends into an amorphous mass of sound, every second is unmistakably Faun.

Cyrus Pireh, a crafty guitarist who leans towards the tremolo side of life, specializes in making guitar amps inside of pill bottles and out of old telephones.  Recently, Cyrus joined up with Rob Lundberg (JOBS) & Ryan Packard to form power trio Nestle.  We can’t wait for his solo set on Monday!

Experimental Jazz Trio Brennan Connors & Stray Passage has been performing in Madison for over three years, exciting listeners with their range of sonic capabilities. The breadth of a performance ranges from focused minimalism to fiery high energy music, all while maintaining a sense of narrative organization and compelling ensemble interplay. Repertoire includes original compositions, a few old favorite tunes, and raw improvisation. The group is led by Brennan Connors on tenor and soprano saxophones. Geoff Brady provides orchestrated drum and percussion textures & Brian Grimm who rounds out the trio playing cello, contra-cello, and electric bass.


Wed 7/27  |  7pm $15 @ Shitty Barn Sessions: 139

506 E Madison St, Spring Green, WI 53588

ME eN YOU (MAD)

LOVELY SOCIALITE (MAD/MKE)

TICKETS AVAILABLE

ME eN YOU are not an artist collective, ME eN YOU are a collective artist. We are the band that everybody in the world is in.

From the Wisconsin Public Television 30 Minute Music Hour: Madison-based hip-hop ensemble that combines the intense beats of a classic urban house party with the sweet expressions of a gospel choir.

Watch ME eN YOU on Wisconsin Public Television 30-Minute Music Hour

Lovely Socialite, formerly Lovely Socialite Mrs. Thomas W. Phipps, is a Madison-based six-piece that combines the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop. Lauded for their bold and intricate compositions, the group often draws comparisons to Frank Zappa and the Mothers of Invention. The bands original music combines strict notation with moments of improvisation and maintains a healthy balance of dark and heavy rock grooves with quirky jazz obscurities.

While Lovely Socialites unusual mix of strings, traditional Chinese instruments, brass, and a jazz rhythm section suggest that the group might be a contemporary music ensemble, it is their use of stomp boxes, vocal processors, and other electronics that makes the group a suitable fit for any rock, hip-hop, or jazz bill. In fact, Lovely Socialite has been privileged to share the stage with such artists as Dessa, of Minneapolis hip-hop collective Doomtree, as well as performing live on the UW Madison Terrace with Brian Ritchie of the Violent Femmes.


 

7/13 | “Short Concerts” w/ Daniel Amedee (NO), Katie Burns & Brian Grimm @ Bos Meadery

 7.13 at Bos Meadery V2

Wed, 7/13  |  6:30 – 9:00pm  Free (donations welcome)  @ Bos Meadery

849 E Washington Ave, Madison, WI 53703

“Short Concerts” featuring

DANIEL AMEDEE (New Orleans)

KATIE BURNS (Mineral Point)

BRIAN GRIMM (Madison)

Bos Meadery – “Mead Made Modern” our mission is to make the world’s oldest fermented beverage in the most modern possible way using local ingredients, so that our mead reflects the flavor of the Wisconsin landscape. Much like farm to table eating, this is field to glass drinking.

Daniel Amedee (New Orleans) – solo acoustic guitar & vocals
Daniel’s music has been described as a unique blend of folk, rock, and blues as well as meditative with an edge and urban folk.

Katie Burns (Mineral Point) – voice & guitar + cello
Katie Burns is an indie folk singer/songwriter who currently lives in Mineral Point Wisconsin.  Katie plays original melodic songs backed by Madison cellist Eric Miller.  Their sound is known to be ethereal and angelic.  Katie’s vocals paired with finger style guitar and complicated cello reflect’s early Kate Bush and Nick Drake nuances.  Katie is a veteran musician/songwriter and has performed all over the midwest for the past 20 years.

Brian Grimm (Madison) – solo cello & guqin (Chinese zither)
Cellist & composer Brian Grimm grew up surrounded by Chinese string instruments of every sort. After initial lessons in Chinese music with Yang Wei (pipa) & Daxun Zhang (bass) of the Silkroad Enesemble, he was lucky to then study guqin (zither), pipa (lute), gaohu (fiddle) & daruan (bass lute) in Hong Kong with members of the 香港中樂團 Hong Kong Chinese OrchestraWuji Ensemble 無極樂團. Over the last 15 years Grimm has developed a deep language of Free Improvisation & Composition with groups such as The Brothers Grimm, Lovely Socialite, and Brennan Connors & Stray Passage. In conjunction with performing & teaching, Brian runs GrimmusiK Records – a label for all projects involving him & his brother AJ (classical & flamenco guitar).

 

7/8 | Terrence McManus (NYC) & BC Grimm @ Ritual Barbers

Terrence McManus Fri 7.8 banner

Fri, 7/8  |  @ Ritual Barbers (Madison, WI)

117 S Pinckney St, Madison, WI 53703

7:30p door / 8:30p music / $5-10 suggested donation / BYOB

TERRENCE MCMANUS (NYC) – electric guitar + electronics

BC GRIMM (Mad) – pipa, guqin, frankencello + electronics

A native of Brooklyn, New York, guitarist/composer/sound artist Terrence McManus has been called “… one of New York’s latest guitar heroes …” (All About Jazz), and that he has “… hit on an entirely new language.” (Gambit), and “… possesses the goods to impart a significant impact …” (jazzreview.com). Time Out New York calls him a “Texture-minded guitar abstractionist …” and the NY Times times has described him as a “guitarist drawn to abstract texture”.

He has performed or recorded with many of the major innovators in contemporary music, including John Zorn, Bill Frisell, Tim Berne, Gerry Hemingway, Mark Dresser, Don Byron, Ellery Eskelin, Herb Robertson, Mark Helias, John Hollenbeck, Ben Monder, Russ Lossing, Randy Peterson, Mat Maneri, Tom Rainey, Michael Sarin, and Marty Ehrlich. He has performed at the Metropolitan Museum of Art, Carnegie Hall, the New York Guitar Festival, Jazz Festival Willisau (Switzerland), Jazzfestival Saalfelden (Austria), the New Orleans Jazz National Historic Park, and the inaugural month at John Zorn’s The Stone. Terrence was featured in the book State of the Axe: Guitar Masters in Photographs and Words, by legendary photographer Ralph Gibson.

Terrence currently performs with the Gerry Hemingway Quintet, the Gerry Hemingway/Terrence McManus Duo, the John Hébert/Terrence McManus Duo and in a trio with John Hébert and Billy Mintz. Terrence is featured on the Gerry Hemingway Quintet release Riptide (Clean Feed Records) and the Hemingway/McManus Duo release Below the surface of (Auricle Records). In 2010 the Hemingway/McManus Duo toured the Midwest, performing and teaching in Michigan, Wisconsin, Illinois, and Minnesota. That same year the John Hébert/Terrence McManus duo performed and taught in New Orleans, LA.
 
Terrence is also a member of multiple NYC groups including the Cellar and Point and Bryan and the Haggards, and he has been a guest musician with the new music group Ensemble Pampelmousse.
 
Terrence has also provided music for the theater, in a production with the New York City players at the historic NYC theater venue the Performing Garage.
 
Terrence’s previous ensembles include Transcendental Numbers, with Mark Helias and Gerry Hemingway, which has a recording entitled Transcendental Numbers (NoBusiness Records) that Time Out New York calls “… a set of subtle, highly textural trio improvisation.” He also lead a chamber ensemble that included Ellery Eskelin, Mat Maneri, Russ Lossing and Gerry Hemingway, which performed a sixty minute, multi-sectional, through-composed work titled The Machine; the piece has also been performed in a trio configuration and in a solo guitar setting.
 
An accomplished solo guitarist, Terrence performs his own works on electric and classical guitar and has developed a unique style of improvisation, drawing on extended technique and prepared guitar. His solo recording Brooklyn EP was described as having “… visceral, stimulating fabrics.” (The New York City Jazz Record). He has done numerous solo tours, performing in California, Oregon, Washington, Texas and Alaska. In 2011, Terrence was selected as a semi-finalist on classical guitar in the Portland State University Guitar Festival.
 
Actively involved in education, Terrence has taught at The University of California, San Diego, Hochschule Luzern (Luzern, Switzerland), The New School for Jazz and Contemporary Music, Rutgers University (Newark), California State University, Bakersfield, Loyola University New Orleans, the University of New Orleans, the University of Nebraska-Lincoln and Saddleback College.