10/21 | “Emergence” CD Release Show w/ Invisible Guy Trio (SF)

Sat, 10/21 | No Cover 630-930p @ The Mason Lounge

416 S Park St, Madison, WI

INVISIBLE GUY TRIO (SF)

BRENNAN CONNORS & STRAY PASSAGE (Mad)

↑ CD Release via setola di maiale (Italy)

Brennan Connors & Stray Passage have a new CD “Emergence” coming out this October on Italian label, setola di maile!

http://www.setoladimaiale.net/catalogue/view/SM3300

“Their sets embrace plenty of sinuous melody and conversational interplay,
but can just as easily dive into minimalism and dissonance.” ~ Tone Madison

Experimental Jazz trio Brennan Connors & Stray Passage has been performing in Madison for the past 5 years, exciting listeners with a range of sonic capabilities.  Their improvised music is directly linked to the atmosphere in the room and energy of the audience.  The listener is such a crucial element in shaping the band’s sound that they recorded this album in front of a live studio audience – expertly captured by master engineer Steve Gotcher at Audio for the Arts.  Listeners will experience a jazz trio that embraces both free and structured improvisation, original compositions, groove based experiments, and sound exploration. The breadth of a performance ranges from focused minimalism to fiery high energy music, all while maintaining a sense of narrative organization and compelling ensemble interplay.

The group is led by Brennan Connors on tenor and soprano saxophones.  Geoff Brady orchestrates drum and percussion textures, while Brian Grimm rounds out the trio bowing cello, contra-cello, and electric bass.

We are ecstatic and grateful to setola di maiale records in Italy for officially releasing our first album!


We’ll be joined by a fantastic drummer & friend of mine, Hamir Atwal (San Francisco), with his trio Invisible Guy.  The group features Michael Coleman on keyboard & Ben Goldberg on clarinet.  We are very glad to share our CD release show bill with another trio that explores the dynamics of free-improv in full range!

“Mr. Goldberg is a clarinetist of range and curiosity.” – The New York Times

Ben Goldberg’s Bay Area-based trio looks forward and backward at the same time, creating both nostalgic reveries and modern statements. Goldberg is known for drawing on his Jewish roots and radical versions of Klezmer music and his clarinet work is always focused with an endearing lyrical quality. Pianist Michael Coleman leaps between stride riffs and electronic splatter. Drummer Hamir Atwall provides everything from a swinging undercurrent to a clattery rush.

As a trio, Ben, Michael, and Hamir are in strict pursuit of beautiful melody. Michael Coleman says: “Melody is the knife that cuts through to truth. Then there is the importance of breath, and personal expression.” Reviewing a 2014 concert, Howard Reich of the Chicago Tribune said the group is “an unusually focused ensemble inventing a musical syntax for itself.”

From 1992, when his group New Klezmer Trio released Masks and Faces and “kicked open the door for radical experiments with Ashkenazi roots music” (SF Chronicle) to 2013’s simultaneous release of Subatomic Particle Homesick Blues (featuring Joshua Redman) and Unfold Ordinary Mind (featuring Nels Cline), which the New York Times noted for “a feeling of joyous research into the basics of polyphony and collective improvising,” clarinetist and composer Ben Goldberg has shaped a career through relentless pursuit of musical truth across many genres and styles, resulting in the Downbeat Critics’ Poll naming him the #1 Rising Star Clarinetist in both 2011 and 2013. In 2015 Ben released a recording of his songcycle Orphic Machine , sung by Carla Kihlstedt and performed by an allstar nine piece band including Nels Cline, Greg Cohen, and Ches Smith. The LA Times called Orphic Machine “knotted and occasionally spooky composition marked by dazzling interplay.” All Music Guide says “Orphic Machine is wildly ambitious and sophisticated, but also graceful, emotionally honest, and accessible. It makes the profound embraceable and, as a result, is a masterpiece.” Ben currently composes for and leads the following groups:
Unfold Ordinary Mind ; Go Home ; Ben Goldberg School ; and Ben Goldberg Trio with Greg Cohen and Kenny Wollesen.

Drummer/Percussionist Hamir Atwal is a Berklee College of Music graduate who
has taught at Music Academy International, and the Stanford Jazz Workshop. Hamir is an active endorser of DREAM Cymbals. Hamir has played with saxophonists Joe Lovano, Greg Osby, and Grant Stewart; Bassist/Producer Bill Laswell; and clarinetist Ben Goldberg.

Michael Coleman is a pianist, improviser and composer currently residing in Brooklyn, NY. He has had the pleasure of playing with many great musicians and recording with some of his favorite bands and people. Apart from leading his own groups (Beep!, CavityFang, Young Nudist), Michael has toured the world with Chris Cohen, tUnEyArDs,
Sean Hayes, Miles Kurosky and Jug Free America.


 

9/20 | Sh*tty Barn Session 172: Dosh // Lovely Socialite

BUY TICKETS!

Wed 9/20 | @ The Sh*tty Barn

506 E Madison St, Spring Green, WI 53588

$15 doors 6p / 7p music

Lovely Socialite  //  Dosh

Lovely Socialite is a Madison-based six-piece that combines the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop.  Lauded for their bold and intricate compositions, the group often draws comparisons to Frank Zappa and the Mothers of Invention.  The bands original music combines strict notation with moments of improvisation and maintains a healthy balance of dark and heavy rock grooves with quirky jazz obscurities.

While Lovely Socialites unusual mix of strings, traditional Chinese instruments, brass, and a jazz rhythm section suggest that the group might be a contemporary music ensemble, it is their use of stomp boxes, vocal processors, and other electronics that makes the group a suitable fit for any rock, hip-hop, or jazz bill.  In fact, Lovely Socialite has been privileged to share the stage with such artists as Dessa, of Minneapolis hip-hop collective Doomtree, as well as performing live on the UW Madison Terrace with Brian Ritchie of the Violent Femmes.

This summer Lovely Socialite released their new Rock EP “DoubleShark”, come hear it live at The Shitty Barn!


DOSH (anticon)

There he was, this musically lucked child of a once-priest and a near-nun, 12 years old and piled high with a Radio Shack combo stereo, stacks of records, and pockets full of dubbed tapes. It was 1984 and Martin Dosh was orchestrating the soundtracks to his junior high school dances, playing only the choice cuts for the budding romantics and perspiring wallflowers: Run DMC, Prince, Devo, the Cars, New Order… At age 3, Marty had started harassing his folks to bone up for piano lessons (after three years of persistence, they gave in); that he’d developed considerable musical taste before hitting puberty should come as no real surprise.

Call him a one-man band, a virtuoso, a gifted collaborator or a family man, Martin, Marty, Dosh or Dad, our subject has gotten to now by what seems an uncanny path (perhaps call it fate). When they met, Dosh’s father was a Catholic priest with pile of degrees, and his mother was living in a convent in Minneapolis preparing herself for nunhood. They left the fold for marriage; subsequently the elder Dosh found himself blacklisted from local employment, and so they left Minnesota as well. Martin was born in the greater Los Angeles area, but at age 2, his health problems and the city’s endless sprawl delivered the family back into the musically nurturing arms of the Twin Cities.

Returning to the Midwest, Martin was enrolled in a Montessori school (and piano lessons). By comparison high school was, “academically, horseshit” so Dosh seized his destiny at 16 and moved east to study jazz and drums at Simon’s Rock College of Bard in Massachusetts. What followed was a flurry of summer jobs, road trips to see the Grateful Dead, van living around various college outposts in Mass and NY, Zappa-esque noodling in his band Como Zoo, further schooling, the requisite amount of pot, and a little too much partying. But Dosh wanted more for his music and less for his student debt, so he swallowed his pride and returned (at 25) to his parents’ in Minneapolis.

He figured the move would be temporary — he’d save up money and practice drums until he became a self-sustaining virtuoso –but Dosh was going to shows every night and meeting more and more people in the local music-rich scene (a collision of avant jazz, freewheeling rock and progressive hip-hop), quickly realizing that what he needed had been there all along. And throughout his dedicated solo drum-and-keyboard sessions in mom and dad’s basement, he’d record, record, record, accumulating a massive library of sound. Soon he’d be a touring member of Andrew Broder’s Fog, and full-time player in their instrumental counterpart Lateduster.

In 2003 Anticon proudly released Dosh’s virtuoso debut, Dosh, a loop-building collage of shimmering Rhodes, atypical drumming grounded in groove, field recordings and spontaneous performance (much of the album was pieced together using the 100-plus hours of tape he’d recorded at his parents’). By then he’d developed his untouchable live one-man show (swiveling on his drum stool between a kit, his modified Rhodes piano, a few pots and pans, and a simple looping pedal with a 12-second recording limit), and took to the road. Back in Minneapolis, the city he’d finally recognized as home, Dosh had been teaching drum lessons to children and falling in love on the side. He formed a family with his wife Erin (who he’d wooed by handing her a copy a song called “I Think I’m Getting Married”) and her 6-year-old son Tadhg. Soon he’d be composing a track titled “Building a Strange Child,” and so they would. Dosh’s second full-length, Pure Trash was inspired by his life’s most pleasant turns, and though the album was instrumental (minus cameos by Erin, Tadhg, the newborn Naoise, and his students), it emoted all the warmth and anticipation, fear and relief that comes with building a family.

Dosh’s third album, The Lost Take, showcases the man’s unique approach to sound with an expanded musicality and growing guest-list including Andrew Bird and members of Tapes ‘N Tapes.

His Fourth record, Wolves And Wishes, adds to the ever-impressing oeuvre with the explorative wonderment of a debut album. To date Dosh has recorded with Bonnie ‘Prince’ Billie, Fog, Jel, Odd Nosdam, Neotropic, Andrew Bird, Redstart, Vicious Vicious, Poor Line Condition, Lateduster, Why?, the Interferents, members of Tapes ‘N Tapes, and just about any Twin Cities band with a collective ear for good taste and experimentation. He has shared the stage with Andrew Bird, Wilco, WHY?, Damo Suzuki, Gary Wilson, Golden Smog, Sole, My Morning Jacket, Tapes ‘n Tapes, cLOUDDEAD, Sage Francis, Devendra Banhart, Kid Dakota, Alias, Themselves, Peanut Butter Wolf, P.O.S., Happy Apple, Joseph Arthur, Pizza Boys, the Bad Plus, The Jayhawks, Atmosphere, DJ Vadim and many more.


 

9/2 | The Lights Fest (Make-A-Wish Foundation)

Sat, 9/2  | THE LIGHTS FEST 

6-7pm Brian Grimm (Classical/World) Cello and Guqin solo set

Donating to Make A Wish Foundation

> CLICK FOR TICKETS <

Dodge County Fairgrounds

WI-33, Beaver Dam, Wisconsin 53916

DESCRIPTION

The Lights Fest is an experience where thousands of friends and families gather to listen to live music, fill up on food trucks and light up life by sharing personal wishes, dreams and goals. At the perfect moment everyone ignites their personalized sky lanterns with Tiki torches and lets them take flight. It creates a surreal ambiance, where time slows down and your single flame rises and joins with thousands of others to light up your life.

The lights fest is dedicated to leaving a positive impact on the environment and everyone who attends our event. This is an event that is for everyone but cultivates individual experiences. Whether you’re commemorating or celebrating you’re creating a special memory that will last a lifetime

The Lights Fest is proud to be supporting Make-A-Wish® Wisconsin, an organization that grants wishes to children with life-threatening medical conditions, to enrich the human experience with hope, strength and joy. The Lights Fest will be making a donation to the organization in honor of this event. For more information visit wisconsin.wish.org

What You Get

Your ticket includes a packet to be picked up at the event. The packet contains a lantern, marker, and key chain flashlight. Come enjoy a magical night and memories to last a lifetime.Any child under three years old is free to the event. Children ages 4 – 12 need to purchase our kids ticket for just eight dollars. They will receive a fun little swag bag and no lantern. 13 years and older will be charged an adult ticket.

Hurry! Space is limited:

> CLICK FOR TICKETS <


 

 

8/4 | Brennan Connors & Stray Passage @ Cafe Coda

Madison Jazz trio Brennan Connors & Stray Passage will perform tonight at Cafe Coda from 8-11pm.  The cover is $10.  We’re very excited to play a club which is specifically meant for listening to Jazz!  If you are free, come hang with us.

Cafe Coda
113 W Dayton St., Madison, Wisconsin 53703

 ** Keep an ear out for our upcoming CD, “Emergence”, coming out this fall on Italian labelsetola di maile |http://www.setoladimaiale.net/catalogue/view/SM3300

7/15 | Lovely Socialite and Left Field Quartet double release show @ Art In

click the pic and RSVP on our facebook event

DOUBLE RELEASE SHOW

Sat, 7/15  |  @ ART IN   1444 E Washington ST, Madison, WI

730p doors // 800p music

$10 gets you into the show

OR $15 gets you in + both CDs!

1st AND ILLUSIONS

2nd LEFT FIELD QUARTET – Please Take Us Seriously release

3rd LOVELY SOCIALITE – DoubleShark EP release

Lovely Socialite performing at The Shitty Barn in 2016. Photo by Connie Ward (c) In The Rushes Photogaphy

 🔗 Tone Madison Podcast: Lovely Socialite get leaner and louder

Lovely Socialite (lovelysocialitemusic.com) “DoubleShark” ep release
Lovely Socialite, formerly Lovely Socialite Mrs. Thomas W. Phipps, is a Milwaukee/Madison-based six-piece that combines the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop. Lauded for their bold and intricate compositions, the group often draws comparisons to Frank Zappa and the Mothers of Invention. The band’s original music combines strict notation with moments of improvisation and maintains a healthy balance of dark and heavy rock grooves with quirky jazz obscurities.


Left Field Quartet at UW Madison, where they met and cut their teeth together on Jazz.

 🔗 Tone Madison premieres Left Field Track “Straight Ahead F Blues”

Left Field Quartet  “Please Take Us Seriously” album release
Left Field Quartet is a collaborative group of Midwest-raised musicians specializing in eclectic, original music. With a unique and versatile tone, the group has scored plays and politically-charged events in the local community. What makes Left Field work so cohesively together is their adventurous desire for creativity in all of its multifaceted forms. “Please Take Us Seriously” is the band’s first official album release which combines gritty and fiery grooves with a personal touch and a playful sound.

And Illusions
And Illusions is a collaboration of local experimental musicians Emili Earhart and Michael Groome. With a focus on the psychedelic and long patient song structures, And Illusions occupies a wonderful space somewhere between noise music and kraut rock. It is at once meditative and soothing, a balancing act of angular and rounded tones.


 

3/29 | Evil Genius (LA) w Stray Passage @ Art In

Wed, 3/29 | $8 doors 730p  / music 800p @ Art In

1444 E Wash Ave., Madison, WI 53703

EVIL GENIUS (LA) – tuba, guitar, drums

Brennan Connors & Stray Passage

Join us for an evening of Jazz Trios at Art In’s spacious gallery!

Evil Genius (Portland/Los Angeles) is a forward-marching experimental jazz trio formed in 2012. The band is made up of Max Kutner on guitars (Grandmothers of Invention, Magic Band, Alphonso Johnson), Stefan Kac on tuba (Milo Fine, Jon Armstong, Hammerstein) and Michael “Bonepocket” Lockwood on drums and percussion (Atomic Ape, Deradoorian, Matt Kivel). The band’s unique sound has drawn comparisons to groups as wide-ranging as the Minutemen, This Heat and Captain Beefheart to jazz figures like John McLaughlin, Steve Lacy, Henry Threadgill and many more. They have received acclaim from the New York City Jazz Record, Bad Alchemy, Los Angeles Jazz Station, Downtown Music Gallery, El Intruso and more. In the words of Larry Koonse, “this band can do it all–whether its in your face rock, free wheeling open improvisation, 20th century classical music, or jazz–they can pull it off and upend all of your expectations.” Their debut album, “Bitter Human” was released in late 2015 and available through Orenda Records in Los Angeles.

Welcome.

You have arrived at the spontaneous soundscapes of Evil Genius, just on the cusp of this dimension of sound and waiting to transcend to another. Sign in here.

Now you may enter. There’s no need to take off your jacket. Take a seat. Here, sip this iced tea. Or would you like a soda? No, there are no soy lattes. Don’t be ridiculous!

Now drink – it will calm your nerves.

You are now ready to begin.

You are now a participant in the experience. A series of experiments. Each experiment will uncover a new layer of understanding, a new level of intrigue.

It may vary for you depending on you – are you cautious? Are you adventurous?

Only time will tell.

We hope you enjoy your stay…

(excerpt from the liner notes by Angela Allan)


8/7 | Ben Willis + Brian Grimm @ Bos Meadery

8-7 Ben Willis and Brian Grimm v2

Sun 8/7  |  6pm  $5  @ Bos Meadery

849 E Washington Ave, Madison, WI 53703

solo & duo performances from

BEN WILLIS – double bass

BRIAN GRIMM – guqin, cello

Bos Meadery – “Mead Made Modern” our mission is to make the world’s oldest fermented beverage in the most modern possible way using local ingredients, so that our mead reflects the flavor of the Wisconsin landscape. Much like farm to table eating, this is field to glass drinking.

BEN WILLIS (DET/AA, MI) – solo double bass

Egret/Flatlander is a set of solo bass pieces by Ben Willis. Composed through development and exploration of improvisational practice, the movements have taken shape as open cellular structures, that act as themes and zones for extemporaneous development.

The pieces make use of a range of extended double bass techniques, drawing inspiration from contemporary classical music and free improvisation. The musical language draws from many influences, including rock structures, folk harmonies and melodies, and doom metal.

Ben Willis is a bassist whose affinities lie in collaborative projects, new music, improvisation, and the merging of cross-disciplinary elements. He’s performed his original collaborative work at venues and festivals around the U.S., including the International Society for Improvised Music Conference, Electroacoustic Barn Dance at the University of Mary Washington, the Whitewater Arts Alliance Series at the University of Wisconsin, Whitewater and the Ratchet Series at the Skylark in Chicago. In 2013, he was a Robert Black Bass Fellow at the Bang on a Can Summer Festival. Much of his work highlights the importance of collaborative, performative process in the development of new art. He is a member of the Weather Duo, an electroacoustic ensemble with cellist Pat Reinholz, dedicated to performing new music that blends classical training with improvisation and folk idioms. The Weather Duo has contributed music to the Li Chiao Ping dance company, a video project with artist Doug Rosenberg and dancer Sally Gross, and composed occasional film scores. In live performance, they explore multimedia collaboration with the help of live video artist Anna Weisling. He has also toured and recorded as a sideman, working with many indie/folk artists, including Anna Vogelzang, Dietrich Gosser, and Thistle and the Thorns. He often participates in recitals of new music and collaborations with composers, and performs regularly with the jazz/rock project Lovely Socialite Mrs. Thomas W. Phipps, and the free improvisation trio Glacier. He currently resides in Ann Arbor, MI. He earned a BM in Performance at the University of Wisconsin, Madison, and MM in Improvisation from the University of Michigan, Ann Arbor. He’s studied bass with Richard Davis, Diana Gannett, and Bob Hurst, and composition with Andrew Bishop.

Buy Egret/Flatlander here >>


BRIAN GRIMM (MAD, WI) – solo cello & guqin

Cellist & composer Brian Grimm grew up surrounded by Chinese string instruments of every sort. After initial lessons in Chinese music with Yang Wei (pipa) & Daxun Zhang (bass) of the Silkroad Enesemble, he was lucky to then study guqin (zither), pipa (lute), gaohu (fiddle) & daruan (bass lute) in Hong Kong with members of the 香港中樂團 Hong Kong Chinese OrchestraWuji Ensemble 無極樂團. Over the last 15 years Grimm has developed a deep language of Free Improvisation & Composition with groups such as The Brothers Grimm, Lovely Socialite, and Brennan Connors & Stray Passage. In conjunction with performing & teaching, Brian runs GrimmusiK Records – a label for all projects involving him & his brother AJ (classical & flamenco guitar).

** BC Grimm’s new CD “Orbis Obscura” for Pipa, Fuzz & Delay drops Friday, 8/12 on Other Obscura Records @ ArtIn Gallery on East Wash! **

J100

COMING SOON! NEW BC GRIMM CD “ORBIS OBSCURA” DROPS FRI 8/12


 

 

7/23, 7/25, 7/27 | 3not2miss shows: Lovely Socialite @ Sh*tty Barn & more!

Sat 7/23  |  10pm  Free  @ Mickey’s Tavern

1524 Williamson St, Madison, Wisconsin 53703

JULIAN LYNCH + BC GRIMM  (MAD)

WEI ZHONGLE  (CHI)

CLOUD BECOMES YOUR HAND  (NYC)

CAP ALAN  (MAD)

Wei Zhongle (CHI) & Cloud Becomes Your Hand (NYC) are touring together this July! Catch them both for free on Sat, 7/23 10pm at Mickey’s Tavern. Local acts bookending: Julian Lynch + BC Grimm duo opens / Cap Alan closes.

Catch a sneak peak of Wei Zhongle’s new single “peeping tom” on Impose Magazine

Impose Magazine interviews Cloud Becomes Your Hand


Mon 7/25  |  7pm door $8  all ages @  Arts + Literature Laboratory

2021 Winnebago St, Madison, WI

FAUN AND A PAN FLUTE  (ATL)

CYRUS PIREH  (MPLS)

BRENNAN CONNORS & STRAY PASSAGE  (MAD)

Though experimental may be the quickest catchall word that comes to mind when describing Faun and a Pan Flute, the multi-talented nine-piece has evolved beyond its experimental roots. Last year’s sprawling self-titled LP showcased a virtually unclassifiable, new musical vocabulary. The individual strengths of the group’s members ebb and flow, giving each song its own tonal combinations where change is the only constant. Every song is composed with careful precision, but the unpredictability of the group’s songwriting adds a fluidity uncharacteristic of contemporary classical music. With any of its debut album’s four numbers, “John,” “Linda,” “Augur,” and “Dave,” Faun glides from swells of noise to modal motifs to abstract textures. The collective’s true strength lies in how nine musicians with such distinct styles find a unifying form instead of devolving into a battle of conflicting egos. Even when the group descends into an amorphous mass of sound, every second is unmistakably Faun.

Cyrus Pireh, a crafty guitarist who leans towards the tremolo side of life, specializes in making guitar amps inside of pill bottles and out of old telephones.  Recently, Cyrus joined up with Rob Lundberg (JOBS) & Ryan Packard to form power trio Nestle.  We can’t wait for his solo set on Monday!

Experimental Jazz Trio Brennan Connors & Stray Passage has been performing in Madison for over three years, exciting listeners with their range of sonic capabilities. The breadth of a performance ranges from focused minimalism to fiery high energy music, all while maintaining a sense of narrative organization and compelling ensemble interplay. Repertoire includes original compositions, a few old favorite tunes, and raw improvisation. The group is led by Brennan Connors on tenor and soprano saxophones. Geoff Brady provides orchestrated drum and percussion textures & Brian Grimm who rounds out the trio playing cello, contra-cello, and electric bass.


Wed 7/27  |  7pm $15 @ Shitty Barn Sessions: 139

506 E Madison St, Spring Green, WI 53588

ME eN YOU (MAD)

LOVELY SOCIALITE (MAD/MKE)

TICKETS AVAILABLE

ME eN YOU are not an artist collective, ME eN YOU are a collective artist. We are the band that everybody in the world is in.

From the Wisconsin Public Television 30 Minute Music Hour: Madison-based hip-hop ensemble that combines the intense beats of a classic urban house party with the sweet expressions of a gospel choir.

Watch ME eN YOU on Wisconsin Public Television 30-Minute Music Hour

Lovely Socialite, formerly Lovely Socialite Mrs. Thomas W. Phipps, is a Madison-based six-piece that combines the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop. Lauded for their bold and intricate compositions, the group often draws comparisons to Frank Zappa and the Mothers of Invention. The bands original music combines strict notation with moments of improvisation and maintains a healthy balance of dark and heavy rock grooves with quirky jazz obscurities.

While Lovely Socialites unusual mix of strings, traditional Chinese instruments, brass, and a jazz rhythm section suggest that the group might be a contemporary music ensemble, it is their use of stomp boxes, vocal processors, and other electronics that makes the group a suitable fit for any rock, hip-hop, or jazz bill. In fact, Lovely Socialite has been privileged to share the stage with such artists as Dessa, of Minneapolis hip-hop collective Doomtree, as well as performing live on the UW Madison Terrace with Brian Ritchie of the Violent Femmes.