Ennio Morricone Tribute: “Gabriel’s Oboe” by The Brothers Grimm + Dedications

Ennio Morricone‘s music has brought profound beauty into my life. In this video The Brothers Grimm pay tribute to the prolific Italian film composer, who passed away this year on July 6th, 2020. “Gabriel’s Oboe” is one of the hallmark pieces from his soundtrack to the 1986 film, “The Mission”. About a year ago, I had an emotionally intense performance of this piece, which has forever changed the meaning it holds in my life (read on below).

I first heard Morricone’s soundtrack for The Mission (1986) while I was studying composition in college. I was struck by the simplicity of the musical themes mixed with clever orchestration to leverage emotional climbs. I also loved that the sound of the symphony orchestra was blended together with traditional instruments of the Guaraní tribe to create such a wide ranging sonic and emotional journey. Awe and Divine Inspiration, Pain and Devastation, Unconditional Giving vs Inexcusable Wrong Doings, the Great Contradictions that reach across time are all present here. And as a cello player, it didn’t hurt that the two main themes, “Gabriel’s Oboe” and “The Falls” showed up as the first two pieces on the album, “Yo-Yo Ma Plays Ennio Morricone“. As the movie deals with events tied to racism, slavery, and religious subjugation in 1700’s South America, so will this memorial dedication meditate on grief in modern America around the persisting systems of Racism.

A special thank you to my brother AJ, who took time out of his busy end-of-semester college teaching schedule in Tokyo, Japan to record this piece with me virtually.

I will always have a special place for this music in my heart , thank you Ennio Morriconne
~ Brian Grimm

For the full length dedication to friends & families from my home town community who have lost loved ones in the past year, plus a dedication to the Black Lives Matter movement and the communities across the country who have lost their loved ones due to the ongoing American tragedy of Racism (with some options for donating to the cause); read on to the end…


Why I will be inextricably linked to this piece for the rest of my days

Last year, while in the middle of teaching cello lessons, I received a phone call from a man who had just lost his 12 year old daughter, Anna. She loved music and played french horn, but her favorite instrument was the cello. He asked me if I would come to Iowa that Saturday to play at her funeral. Of course I said yes, it would be my honor to do so. I have many students around that age and I couldn’t help but think of how sad it’d be to lose any one of them. My original plan was to head over to Iowa on Saturday to play for Anna’s funeral and then head to Chicago on Sunday to visit my Grandma Nerren. She had been in the hospital for over a week at that point and it wasn’t looking good, so I wanted to go down and play cello for her one last time.

On Saturday morning, just as I was heading out of the door to drive 4 hours and play for a 12 year old girl’s funeral – that’s when I received the call from my mother that Grandma had passed away in the night. I was devastated. I summoned my strength and concentration to make the long drive, alone, to play the funeral. Towards the end of Anna’s service, I played “Gabriel’s Oboe” by Ennio Morriconne. It was the most emotionally raw ‘performance’ I’ve ever given, I barely made it through that piece without falling apart. It was everything I could do to hold on and just play to the end. I was playing of course for Anna, who was loved so much by her family, but simultaneously I was playing for my grandma, Therese – saying good bye to her with my heart through a musical prayer. It was heavy. After the service, I found a pew in the church and had myself a good, long, messy cry. It was a very tough 4 hour drive to get back home afterwards.

About a week later, my Mom’s family gathered in Orland Park, IL for my grandma’s funeral. It was bittersweet, but we were all able to be there together to share our love for the matriarch of our family. At the service, my brother AJ and I played “Gabriel’s Oboe” together on guitar and cello. It felt so nice to have AJ’s guitar supporting my cello melodies, especially after having to do that piece solo at Anna’s funeral the week before. We don’t get to play together much anymore, so that made it even more special to me that we could play for Grandma, which she always loved.

After Grandma’s funeral, we were all heading over to the cemetery, next to the church where she had been baptized 96 years ago, to lay her to rest with the rest of her family buried there. On the drive over to the cemetery, we heard Saint-Saëns “The Swan” on the radio, which AJ and I had played at her memorial service, just minutes before. After the family luncheon we headed back to the funeral home to pick up our instruments and go over to Grandma’s house to continue spending some quality time together. My parents pulled the car up to me and my brother in the parking lot and rolled down their window, “Gabriel’s Oboe” was playing on the radio. It seemed that Grandma was letting us know that she was there at the service and had heard it all; our elegies, poems, tears, and music & she was giving some love back down to earth to comfort us in that moment as we said goodbye one last time.


Dedications of this performance to Friends and Families from my community

There are a number of families from my hometown church and music communities who have lost family members this past year. This performance is dedicated to:

The Sevallius, Finke, Zajdel & Rittmann families who I grew up with at church. To Erin and David who lost their sister and Jackie who lost her daughter, Alaina this year. This one stopped me in my tracks when I found out (directly before a gig), I was shocked and saddened to hear of Alaina’s death. It’s hard to comprehend a loss such as this seeing as she was still so young and leaves behind a family. Also that it should come so close on the heels of losing a grandfather & father, Bill Finke last year. I’ll always remember Bill’s big smile & laugh and how Alaina kept us younger kiddos in line, she always felt like a big sis to me.

To Katie, Jason & Joe Rohn who just recently lost their father, Gary. He was kind of like a gentle giant to me growing up, it was always a pleasure to talk with him. You all have the best laughs and I can rarely think of a time that we weren’t laughing together! So it is especially hard to know that you are all going through the pain of losing a father.

And to the show stopping, dynamic comedic entertainer Nick Daering, who AJ and I both had so many good times with over the years, I was very sorry to hear about the loss of your father this year. We’ve been thinking about you buddy and are long over due for a proper catch up!

To one of the sweetest people I know, Sarah Jane, who was my stand-partner in high school orchestra, I was sorry to hear of the loss of your mother, Theresa, last year. I know she faced many challenges throughout her life and that she was very special to you. I can’t believe it’s already been a year, time seems to slip through my fingers these days.

I had the honor of playing cello at both Sarah and Katie’s weddings in past years, I’m glad that I was able to be a part of those joyous occasions.

And to another one of my cello stand-partners in WAYO, Andrea and her mother Lauren Beale, who lost their father/husband Marshall last year. Again, I can’t believe it’s already been over a year and I know the relationship with that grief starts to evolve and change after that ‘year of firsts’. I’m especially sorry that he won’t be around to see Gabriel continue to grow and share those experiences with you. I’m glad our families have shared so much good music together over the years.

Andrea and I had the same private cello teacher, Janet Marshall, who passed away in November of 2019. Janet, I owe you so much and there aren’t enough words to describe the impact you had on my life! I will love and miss you forever, you were like a grandma to me.

To my bandmate Chad Canfield and his family who lost his Grandma this year, I know she played a huge part in your life. Rest assured my friend that she’s keeping watch over you and Marcus too.

My heart goes out to all of you and your family members, grief can come in waves and be unpredictable. You’ve all played a meaningful part in my life, so AJ and I would like to dedicate this music to you.


Dedications of this performance to the Black Lives Matter movement

All of the people listed above were folks from my own community that I grew up with, but my mourning doesn’t just stop at the edges of my personal community. My heart also goes out to anyone who is still mourning the unnecessary deaths of the recently taken, like Elijah McClain, George Floyd, Breonna Taylor, Ahmaud Arbery, Atatiana Jefferson, Aura Rosser, Stephon Clark, Botham Jean, Philando Castile Alton Sterling, Michelle Cusseaux, Freddie Gray, Janisha Fonville, Sandra Bland, Walter Scott, Tamir Rice, Michael Brown, Eric Garner and many countless others. I dedicate this performance to you, your families, and your local communities. I hope this music can bring to you a moment of comfort, whether brief or lasting, and a reflective remembrance of a loved one’s impact on your life.

To anyone in the white community at large and specifically anyone from the community where I grew up: if you are having a hard time understanding why we have needed a movement like Black Lives Matter or your immediate reaction is to reject the movement, I challenge you to open your heart and find an empathetic understanding through grief. Grief is a universal human experience. Whatever grief I feel when we have lost a loved one in my community is the same grief I feel when I hear about someone in the black community loosing their brothers and sisters, uncles and aunts, fathers and mothers, sons and daughters due to the many persisting systems of Racism. Especially when many black people are struck down so publicly and without hesitation by those sworn to protect. However the communal grief and mourning surrounding these deaths is compounded by generation after generation after generation after generation after generation after generation of unjust and unfair treatment from the white community and the US government and law enforcement and the legal system and housing discrimination and education discrimination and lack of employment opportunities and food inequity and all of the systems of racism woven into the fabric of this country. No matter how hard I might try to imagine, I can never truly understand the depth of grief a black person feels in these situations. But as is clear by the family and friends dedication listed up above, every community loses their loved ones – and for white people who don’t yet understand that Black Lives Matter: grief and community-mourning is certainly one way to begin to understand what the African American community goes through every time there’s another public murder of one of their community members (especially when those responsible not held to account). All of the people we’ve lost this way are family members too, not just some abstract black person that the news media chooses to paint one way or the other. Their absence causes a heavy ripple effect, touching many lives, just as losing anyone in your community does.

White people need to step up and do the work. White people need to seek out ways to listen & learn so we can create lasting, positive, anti-racist change within our communities and professions. I am saying all of this as a white person who has lived with immense privileges. This message is for me too, there’s always room for improvement and growth. We have to keep the conversation going and continue to put in the work.

I believe in the power of beautiful music such as Ennio Morricone’s to bring positive change in this world. If you agree and appreciate the performance of this piece that AJ and I have given, I encourage you to donate to any of the following organizations or any Black Lives Matter related causes you know of which will impact your community directly.


Donate to and Resource directly from Black Lives Matter (Global): https://blacklivesmatter.com/

Donate & Support Freedom Inc. (Madison): https://freedom-inc.org/index.php

Donate & Support Movement Fund (Madison): https://www.movementfund.com/
Follow and Support Young Gifted & Black YGB Ferguson To Madison

Donate & Support ACLU Wisconsin (WI): https://www.aclu-wi.org/

Donate & Support BLOC Black Leaders Organizing for Communities (Milwaukee): https://populardemocracy.org/our-partners/black-leaders-organizing-communities

Donate & Support I Will Not Die Young (Milwaukee): http://www.iwillnotdieyoungcampaign.com/home

Donate & Support Love on Black Women: https://loveonblackwomen.com/

Buy a United T-Shirt or Hoodie from Passions Just Like Mine collective, 100% proceeds go to the official Gianna Floyd Fund: https://passionsjlm.com/

Are you a Classical Music Teacher? Or have a student learning Violin instruments?
Donate to and Buy Sheet Music from Music by Black Composers (classical): https://www.musicbyblackcomposers.org/

Donate to and learn from Decolonizing the Music Room: https://decolonizingthemusicroom.com/


There’s one race, the human race
and we’ve got to work together to make tomorrow better.

2014 MAMAs | 4 GrimmusiK Finalists in 5 Categories [vote now]

mamas_logo2The Madison Area Music Association (aka MAMA) 2014 Awards Finalists have been announced.  This is the third year running that groups associated with GrimmusiK have made the finals, though we have yet to bring one home.  In 2014, we are:

  • finalists in 5 categories: Best Children’s Song / Best Children’s Album / Unique Performer / Unique Album / Best Hip-Hop Album
  • with 4 different groups: Watercourse Quartet / Sisters Three / The Brothers Grimm / Brain Grimmer

The Children of Madison have spoken, let us sweep the “Children’s” & “Unique” categories in their names, for I fear the rioting of babies in the streets if we do not!

VOTING Ends 05/16/2014

**Due to the $5 suggested donation fee to register for voting, we are offering a download code to the GrimmusiK album of your choice from this year’s MAMA finalists.  Simply email your MAMA-voting-verification code to grimmusik@gmail.com along with your choice of one of the following albums:

    1. Moonish Lodestar” by Watercourse Quartet
    2. A Midsummer Night’s Dream” by Sisters Three
    3. This Is Not Shakespeare’s MACBETH” by The Brothers Grimm
    4. (Sketches) Beats EP 2” by BRAIN GRIMMER

。。。。。。。。。。。Category 1 of 5 。。。。。。。。。。。

MAMA2014_Best Childrens Song

Best Children’s Song
– vote “Ladder Study 1 (Alice Cooper’s Tears)” by Sisters Three from COLIAS 1

。。。。。。。。。。。Category 2 of 5 。。。。。。。。。。。

MAMA2014_Best Childrens Album

Best Children’s Album
– vote for either:

Moonish Lodestar” by Watercourse Quartet
A Midsummer Night’s Dream” by Sisters Three

。。。。。。。。。。。Category 3 of 5 。。。。。。。。。。。

MAMA2014_Unique Performer

Unique Performer
– vote for either:

Sisters Three
The Brothers Grimm
Watercourse Quartet

。。。。。。。。。。。Category 4 of 5 。。。。。。。。。。。

MAMA2014_Best Unique Album

Unique Album
– vote for:

This Is Not Shakespeare’s MACBETH” by The Brothers Grimm

。。。。。。。。。。。Category 5 of 5 。。。。。。。。。。。

MAMA2014_Best Hiphop Album

Best Hip-Hop Album
– vote for:

(Sketches) Beats EP 2” by BRAIN GRIMMER

。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。

Redolent Spires (2012) now on Spotify, Amazon, iTunes, Rdio, Beats, G.Play & more!

4/15 |    The Brothers Grimm 2012 release Redolent Spires” 

Now available on all major digital music platforms.
Whichever music service you use,
– simply search for Redolent Spires & add it to your library!

* scheduled for release on Pandora next month

On Spotify > The Brothers Grimm – Redolent Spires

RS.iTunes

click to purchase Redolent Spires on iTunes

RS.GooglePlay

click to purchase Redolent Spires on Google Play

RS.Amazon

click to purchase Redolent Spires on Amazon

 

GrimmusiK 2013 Album Releases

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2013 was an exceptionally robust year of music for The Brothers Grimm – 2 live theater scores, 5 album releases, many collaborative live shows & a couple of guest features.  For your better discovery & enjoyment, we have put all our new 2013 albums in this one post (plus extra video goodies).

\\ Thanks to those who support our music live & online, we are ever appreciative!!

~ The Brothers Grimm

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JAN     Current of Air by Koala Yip 

We started off the year with an international premiere in Hong Kong featuring Live Dance & LED Art scored by the track Chakpur from The Brothers Grimm 2012 release, Redolent Spires.

LED + Lighting |  James Kong, Morgan Aasdam,  PC Sei
​Choreography |  Koala Yip
​Dancer | Christine He
​Score | Brothers Grimm

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APR     COLIAS 1 currated by Mine All Mine Records & GrimmusiK

2xCD | 25 tracks | 02h00m48s

Mine All Mine and GrimmusiK present COLIAS 1, the first in a new series of experimental ambient releases.  COLIAS 1 features many of Madison’s most prolific experimenters (with regional and national guests):: Nude Human, Wayfaraway, bell monks, Kurva Choir (w/ CJ Boyd), Pat R. & Emily Brown, Asumaya, Kathleen Baird (of Spires That In The Sunset Rise), Brain Grimmer, Melancholy Elephants, William Z. Villain, eskimeaux, James Mooney, John Praw, Gregory Tayor, Shawn Kenneth Pierce, *hitmayng, Corey Murphy, Dressed Up, Silas “Be” Ritchie feat. Brian Tairaku Ritchie (of Violent Femmes), Brothers Grimm & db pedersen, Troy Schafer, A.Rex, Thollem Electric, Ben Willis.

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JUL     Moonish Lodestar by Watercourse Quartet

CD+Poster or Cassette | 8 tracks | 65m18s

AJ ‘Huckleberry’ Grimm – Flamenco Guitar
BC ‘Grimmpa’ – Cello, Pipa, Guqin
Ben ‘Curious’ Willis – Double Bass, Vocals (track 4)
‘Saucy’ Pat Reinholz – Cello
Track 4 features Page Foster (Vocals)

(review via Arts Extract Podcast 07/01/13 >)

” Watercourse Quartet showcases the willfully unsettling improvisations of four players who’ve each left a distinct mark on Madison music. Several of the Quartet’s members play in the ambitious avant-jazz band Lovely Socialite Mrs. Thomas W. Phipps […]; bassist Ben Willis has played behind Anna Vogelzang. Cellist/multi-instrumentalist Brian Grimm has recently played some live sets with Julian Lynch, and lately has composed everything from original scores for Madison theater companies to the cracked instrumental hip-hop of his project Brain Grimmer. Grimm and his brother A.J., record dense compositions under the name The Brothers Grimm. […] the album mixes cello, upright bass, classical guitar, and Chinese stringed instruments in sometimes-scraping, playfully obtuse pieces.

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AUG     (Sketches) Beats EP 2 by BRAIN GRIMMER

Poster (w/ download codes for 7 albums) | 20 tracks | 44m34s

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SEP   ___________________________________________________________________
          A Midsummer Night’s Dream by Sisters Three (aka Bros.Grimm & db pedersen)

dbl-side Poster w/ codes | 46 tracks | 53m12s

 | AJ Grimm – classical guitar | BC Grimm – cello & guzheng
| DB Pedersen – vocal-foley/sfx, throat singing, shruti box, various flutes, animal noises

Implements & Sough:
Pot Lid “tree” (struck//bowed), bowed Saw, various Bells, Slide Whistles, Woodblock, Wup-Wob Cards (bent//bowed), boxes of Twigs//Branches … & etc!

Original Live Theater Score for
Strollers Theatre
A MIDSUMMER NIGHT’S DREAM
May 3rd – May 25th, 2013 @ Bartell Theatre
William Shakespeare | directed by Greg Harris

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This Is Not Shakespeare’s MACBETH by The Brothers Grimm

dbl-side Poster w/ codes | 37 tracks | 01h34m50s

 performed by BRAIN GRIMMER | Ableton Live > APC40 + QuNeo

Original Live Theater Score for
NoExit Performance
THIS IS NOT SHAKESPEARE’S MACBETH
June 13th – June 29th, 2013
@ The Irvington Center (Indianapolis, IN)
William Shakespeare | directed by Michael Burke

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Behind The Scenes: Bradbury’s Foley Sessions
Video by Glynnis Ritchie & Jon Brumbaugh

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\\ Unreleased albums/eps recorded in 2013 & scheduled for release in 2014 

The Brothers Grimm
[1]  ‘MACBETH: Sound Library Auditions, Vol I’    | 12 tracks | 60m15s
[2]  ‘MACBETH: Sound Library Auditions, Vol II’   | 10 tracks | 29m48s
[3]  ‘MACBETH: Sound Library Auditions, Vol III’  | 10 tracks | 40m29s
[4]  ‘MACBETH: The Complete Recordings’        |13 tracks | 17h21m08s

[5]  Lovely Socialite Mrs. Thomas W. Phipps  ’12 track Sophomore Release’
[6]  BRAIN GRIMMER – ‘Recycle Vol IV’

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9/7 Sat 7pm $10 Color Field Fest @Freq | Bros.Grimm final show + double-album release

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SPECIAL ANNOUNCEMENT!

This Saturday, 9/7 will mark the FINAL Brothers Grimm live show for the next couple of years as our beloved guitarist AJ Huckleberry Grimm will shortly head off to Extremadura, Spain.  Furthermore, this is the “double-album release show” of our two Shakespeare scores A Midsummer Night’s Dream [46 tracks 53’12” | w/ db pedersen – May, 2013 Strollers Theatre @ Bartell Theatre] & This Is Not Shakespeare’s MACBETH [37 tracks 94’50” | June, 2013 NoExit Performance] (preview both albums below!).   The Brothers Grimm set starts 7pm at the Frequency as part of the Color Field Festival for Contemporary Music.  We are ecstatic to be sharing the stage with Chicago’s Anubis Saxophone Quartet!

The Brothers Grimm invite you to celebrate the past few years of wonderful music making experiences in Madison with us at the Color Field Festival for Contemporary Music.  With the release of these two albums, let us gather to send off a most exceptional musician and dear friend to many, Huckleberry Grimm.

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Saturday, 9/7 Frequency  | $10

COLOR FIELD FESTIVAL FOR CONTEMPORARY MUSIC  9/4 ᗔ 9/7

7:00pm | Brothers Grimm (Mad)

8:00pm | Anubis Quartet (Chi)

” The Brothers Grimm open with a set of originals, followed by Anubis Quartet, playing adventurous new music for saxophone quartet including Rasch by Franco Donatoni, New York Counterpoint by Steve Reich, and a new work for saxophone quarter and soprano by Monte Weber. 

Color Field Festival also features guest artists TIGUE  percussion trio (NYC) & Clocks in Motion percussion ensemble (Mad)

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A Midsummer Night's Dream

This Is Not Shakespeare's MACBETH

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Aug-Sep: Shows, Shows, Shows!

August & September – Live Music Series & Festival Show Performances
featuring Lovely Socialite Mrs. Thomas W. Phipps, Brothers Grimm, Sisters Three, BRAIN GRIMMER, & plenty of local friends/favorites!

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LOST CITY MUSIC FESTIVAL  8/8 ᗘ 8/11

presented by Mine All Mine Records

Individual shows will cost $7, with a portion of all proceeds benefiting local music charities. Full-pass wristbands are available for only $12! ”  

Thursday, 8/8 @ the High Noon Saloon  | $7 ($12 full-pass wristband) 

8:00 pm | Bell Monks (Mad)
9:00 pm | Lovely Socialite + Nude Human (Mad)
10:30 pm | Fort Wilson Riot (Mpls)
11:30 pm | Softly, Dear (Eau Claire)

Saturday, 8/10 @ Bright Red Studios  | $7 ($12 full-pass wristband)

5:00 pm | SiLas Be w/ Pakapaka Lightshow (Mad)
5:45 pm | Bill Villain [Ambient Set] (Mad)
6:30 pm | Gregory Taylor (Mad)
7:15 pm | John Praw & the North American Council for a Moonless Tomorrow (Mad)
8:00 pm | [INTERMISSION]
8:45 pm | Sisters Three [DB Pedersen + Brothers Grimm] (Mad)
9:30 pm | Weather Duo (Mad)
10:15 pm | Chants (Mad)

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Saturday, 8/17  @ Dobrá Tea  

7:00pm | Brothers GrimmBorden/Merritt Duo (Buffalo, NY)

performance with Silent Art Auction

Zane Merritt – guitar, throat singing
T.J. Borden – cello, noisy exhalations

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Sunday, 8/18 Broom Street Theater  | $6  all ages

7:00 pm | Broom Street Sessions | Bucky Pope + BRAIN GRIMMER

presented by Broom Street Theater, Dane101.com, & Arts Extract Podcast

” Join us for our most adventurous session yet.

Frank “Bucky” Pope featuring Dave Adler and Calvin Thorne: Bucky Pope of Madison punk greats the Tar Babies plays with his new trio.

Brian Grimm makes bizarre, hip-hop-inspired instrumentals under the name BRAIN GRIMMER (BEATS EP) and will conjure them up with help from an MPC here. 

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> Preview Stream Brain Grimmer’s new 20 track (Sketches) BEATS EP 2 on Arts Extract Podcast!

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Sunday, 9/1 @ Rock County Folk Symposium IV

BRAIN GRIMMER ‘Daytime Transcendence’ set

on Guzheng & Guqin Chinese Zithers

BC Grimm on cello with Julian Lynch 

Times TBA ||  Brain Grimmer (early day set) // Group of the Altos // Julian Lynch // Milo (Rapsmith) // Kalispell // Pioneer (WI) // Icarus Himself // Double Ewes // DJ Golden Donna // late nite Count This Penny ||

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Saturday, 9/7 Frequency  | $10

COLOR FIELD FESTIVAL FOR CONTEMPORARY MUSIC  9/4 ᗔ 9/7

7:00pm | Brothers Grimm

8:00pm | Anubis Quartet (Chi)

” The Brothers Grimm open with a set of originals, followed by Anubis Quartet, playing adventurous new music for saxophone quartet including Rasch by Franco Donatoni, New York Counterpoint by Steve Reich, and a new work for saxophone quarter and soprano by Monte Weber. 

Color Field Festival also features guest artists TIGUE  percussion trio (NYC) & Clocks in Motion percussion ensemble (Mad)

ᄼᄽᄾᄿᄼᄽᄾᄿᄼᄽᄾᄿᄼᄽᄾᄿᄼᄽᄾᄿᄼᄽᄾᄿᄼᄽᄾᄿᄼᄽᄾᄿᄼᄽᄾᄿ

This Is Not Shakespeare’s MACBETH |Closing Weekend |Behind the Scenes (vid)

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It’s closing weekend, get your tickets!

NoExit Performance
THIS IS NOT SHAKESPEARE’S MACBETH
June 13th through June 29th 
The Irvington Office Center (Indianapolis)
William Shakespeare | directed by Michael Burke
Original Foley/Sound-Score
Composed by Brothers Grimm
Performed by BRAIN GRIMMER

Tickets: $20 General Admission | $15 Student/Senior

Thu, 6/13: 8pm – Fri, 6/14: 8pm – Sat, 6/15: 8pm
Thu, 6/20: 8pm – Fri, 6/21: 8pm – Sat, 6/22: 8pm
Thu, 6/27: 8pm – Fri, 6/28: 8pm – Sat, 6/29: 8pm

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Behind the scenes video of the recording session at Bradbury’s Coffee!

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Notes on the Score:

The concept for this score involved setting a foley/sound-design score > No melody & rhythm, but dissonant, atonal harmony, soundscapes & uncomfortable textures.  We began by going into Bradbury’s Coffee (Madison, WI) after hours and recording every sound that triangular room was capable of.  AJ was our sound-guide as we recorded: room noise, beams, ladders, stools, tables, washing machines, refrigerators, espresso machines, coffee grinders, various water drips, toilets, knives, and general kitchen-ware.  With this Bradbury’s audio (recorded by Jon Brumbaugh) and other foley recorded at home, we’ve created roughly 100 Sound Libraries for MACBETH – each library housing up to 128 ten-octave, velocity/pressure sensitive Sample Instruments. The end result is about 2,300 custom-constructed sample instruments nested into one-channel (maximum of 16,384 instruments per channel). Controlling these sounds in real time with Ableton Live 8 through Akai APC 40 & Keith McMillen QuNeo midi controllers, we hope to instantaneously surprise, inspire, pace, & effect the actors performances with our live sound-experiments.  

Macbeth set up: Ableton Live w/ Akai APC 40 & K. McMillen QuNeo

Macbeth set up: Ableton Live w/ Akai APC 40 & K. McMillen QuNeo

||Special thanks to Bradbury’s Coffee for letting us record ALL of the sounds in their space! Also, thank you Jon Brumbaugh for recording audio & Glynnis Ritchie for taking excellent video during the Bradbury’s recording session!
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NoExit | This Is Not Shakespeare’s MACBETH 6/13-6/29 (Indy)

This Is Not Shakespeare's Macbeth banner pMNoExit Performance
THIS IS NOT SHAKESPEARE’S MACBETH
June 13th through June 29th 
The Irvington Office Center (Indianapolis)
William Shakespeare | directed by Michael Burke
Original Foley/Sound-Score
Composed by Brothers Grimm
Performed by BRAIN GRIMMER

Tickets: $20 General Admission | $15 Student/Senior

Thu, 6/13: 8pm – Fri, 6/14: 8pm – Sat, 6/15: 8pm
Thu, 6/20: 8pm – Fri, 6/21: 8pm – Sat, 6/22: 8pm
Thu, 6/27: 8pm – Fri, 6/28: 8pm – Sat, 6/29: 8pm

“NoExit invites you to check into a world where not all things are as they seem… One part Shakespeare, one part Freud, and one part Parnassus, This Is Not Shakespeare’s Macbeth invites you inside a hospital turned imaginarium to witness how susceptible we all are to the power of our own imaginings.

From director Michael Burke (Medea, Pillowman, I Am Peter Pan) this site-specific work, built atop the original Shakespeare, examines the intrinsic connection between conscious and conscience: the idea that retribution comes from within and it is the demons of our own minds that bring us the greatest grief in the wake of our actions.

Pulling from imagery and practices of sanatoriums and asylums of old, and featuring original, live soundscaping by Madison, WI-based, The Brothers Grimm, devices of hospital lore become the stuff of nightmares, transforming the hospital gallery as the wards take an active role as characters and scene-setters in the mania of two particular patients who seem to be violently reliving the events in their lives that continue to torture their souls…

The Irvington Office Center will host …Macbeth, opening on Thursday, June 13, and running through Saturday, June 29.

Get Tickets!

Macbeth back lit in rehearsal

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