9/20 | Sh*tty Barn Session 172: Dosh // Lovely Socialite

BUY TICKETS!

Wed 9/20 | @ The Sh*tty Barn

506 E Madison St, Spring Green, WI 53588

$15 doors 6p / 7p music

Lovely Socialite  //  Dosh

Lovely Socialite is a Madison-based six-piece that combines the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop.  Lauded for their bold and intricate compositions, the group often draws comparisons to Frank Zappa and the Mothers of Invention.  The bands original music combines strict notation with moments of improvisation and maintains a healthy balance of dark and heavy rock grooves with quirky jazz obscurities.

While Lovely Socialites unusual mix of strings, traditional Chinese instruments, brass, and a jazz rhythm section suggest that the group might be a contemporary music ensemble, it is their use of stomp boxes, vocal processors, and other electronics that makes the group a suitable fit for any rock, hip-hop, or jazz bill.  In fact, Lovely Socialite has been privileged to share the stage with such artists as Dessa, of Minneapolis hip-hop collective Doomtree, as well as performing live on the UW Madison Terrace with Brian Ritchie of the Violent Femmes.

This summer Lovely Socialite released their new Rock EP “DoubleShark”, come hear it live at The Shitty Barn!


DOSH (anticon)

There he was, this musically lucked child of a once-priest and a near-nun, 12 years old and piled high with a Radio Shack combo stereo, stacks of records, and pockets full of dubbed tapes. It was 1984 and Martin Dosh was orchestrating the soundtracks to his junior high school dances, playing only the choice cuts for the budding romantics and perspiring wallflowers: Run DMC, Prince, Devo, the Cars, New Order… At age 3, Marty had started harassing his folks to bone up for piano lessons (after three years of persistence, they gave in); that he’d developed considerable musical taste before hitting puberty should come as no real surprise.

Call him a one-man band, a virtuoso, a gifted collaborator or a family man, Martin, Marty, Dosh or Dad, our subject has gotten to now by what seems an uncanny path (perhaps call it fate). When they met, Dosh’s father was a Catholic priest with pile of degrees, and his mother was living in a convent in Minneapolis preparing herself for nunhood. They left the fold for marriage; subsequently the elder Dosh found himself blacklisted from local employment, and so they left Minnesota as well. Martin was born in the greater Los Angeles area, but at age 2, his health problems and the city’s endless sprawl delivered the family back into the musically nurturing arms of the Twin Cities.

Returning to the Midwest, Martin was enrolled in a Montessori school (and piano lessons). By comparison high school was, “academically, horseshit” so Dosh seized his destiny at 16 and moved east to study jazz and drums at Simon’s Rock College of Bard in Massachusetts. What followed was a flurry of summer jobs, road trips to see the Grateful Dead, van living around various college outposts in Mass and NY, Zappa-esque noodling in his band Como Zoo, further schooling, the requisite amount of pot, and a little too much partying. But Dosh wanted more for his music and less for his student debt, so he swallowed his pride and returned (at 25) to his parents’ in Minneapolis.

He figured the move would be temporary — he’d save up money and practice drums until he became a self-sustaining virtuoso –but Dosh was going to shows every night and meeting more and more people in the local music-rich scene (a collision of avant jazz, freewheeling rock and progressive hip-hop), quickly realizing that what he needed had been there all along. And throughout his dedicated solo drum-and-keyboard sessions in mom and dad’s basement, he’d record, record, record, accumulating a massive library of sound. Soon he’d be a touring member of Andrew Broder’s Fog, and full-time player in their instrumental counterpart Lateduster.

In 2003 Anticon proudly released Dosh’s virtuoso debut, Dosh, a loop-building collage of shimmering Rhodes, atypical drumming grounded in groove, field recordings and spontaneous performance (much of the album was pieced together using the 100-plus hours of tape he’d recorded at his parents’). By then he’d developed his untouchable live one-man show (swiveling on his drum stool between a kit, his modified Rhodes piano, a few pots and pans, and a simple looping pedal with a 12-second recording limit), and took to the road. Back in Minneapolis, the city he’d finally recognized as home, Dosh had been teaching drum lessons to children and falling in love on the side. He formed a family with his wife Erin (who he’d wooed by handing her a copy a song called “I Think I’m Getting Married”) and her 6-year-old son Tadhg. Soon he’d be composing a track titled “Building a Strange Child,” and so they would. Dosh’s second full-length, Pure Trash was inspired by his life’s most pleasant turns, and though the album was instrumental (minus cameos by Erin, Tadhg, the newborn Naoise, and his students), it emoted all the warmth and anticipation, fear and relief that comes with building a family.

Dosh’s third album, The Lost Take, showcases the man’s unique approach to sound with an expanded musicality and growing guest-list including Andrew Bird and members of Tapes ‘N Tapes.

His Fourth record, Wolves And Wishes, adds to the ever-impressing oeuvre with the explorative wonderment of a debut album. To date Dosh has recorded with Bonnie ‘Prince’ Billie, Fog, Jel, Odd Nosdam, Neotropic, Andrew Bird, Redstart, Vicious Vicious, Poor Line Condition, Lateduster, Why?, the Interferents, members of Tapes ‘N Tapes, and just about any Twin Cities band with a collective ear for good taste and experimentation. He has shared the stage with Andrew Bird, Wilco, WHY?, Damo Suzuki, Gary Wilson, Golden Smog, Sole, My Morning Jacket, Tapes ‘n Tapes, cLOUDDEAD, Sage Francis, Devendra Banhart, Kid Dakota, Alias, Themselves, Peanut Butter Wolf, P.O.S., Happy Apple, Joseph Arthur, Pizza Boys, the Bad Plus, The Jayhawks, Atmosphere, DJ Vadim and many more.


 

Lovely Socialite’s new Twin Peaks single “Fire Walk With Me” Now Streaming!

“Fire Walk With Me” (single) is the first release off of Lovely Socialite‘s new rock EP “DoubleShark” – which drops 7/15/2017 @ Art In, Madison, WI (show details).  Lovely Socialite will share a double album release show with Madison’s up & coming jazz combo Left Field Quartet, plus openers And Illusions (Emili Earhart + Michael Groome’s psych-noise duo).

*Downloads of the single will be available upon the release of the album!*
Stream “Fire Walk With Me” via GrimmusiK Records on Bandcamp or Soundcloud

Madison/Milwaukee based Psychedelic Jazz band Lovely Socialite celebrates the new 2017 season of Twin Peaks with an original arrangement of Laura Palmer’s Theme. Since 2015, Lovely Socialite has been performing Angelo Badalamenti’s iconic soundtrack live, transforming into their Twin Peaks alter-ego band “Leo Johnson & The New Shoes”.

Lovely Socialite website: lovelysocialitemusic.com
Lovely Socialite facebook: www.facebook.com/LovelySocialite/
Lovely Socialite EPK: lovelysocialite.wordpress.com/electronic…press-kit/

credits

released May 23, 2017
Laura Palmer’s Theme
Arranged by Brian C Grimm
Composed by Angelo Badalamenti
Copyright Universal-Mca Music Publishing Div. Of Universal Music Corp.

6/26 – 7/2 | Lovely Socialite “Toxic Consonance” Midwest Tour!

“Toxic Consonance” by Lovely Socialite

INDEPENDENT ALBUM RECENTLY RELEASED

Available on Spotify, iTunes, &  Amazon

CDs + Streaming on our Bandcamp

“An omnivorous mutant of a band.” – Isthmus, Daily Page
“ …this band is deeply odd in its bones,” – Tone Madison
“Fans of Modern Jazz, Contemporary Classical Music, Rock & Hip-Hop will become  captivated by the amazing sound of Lovely Socialite.” – High Noon Saloon

Lovely Socialite  website  |  facebook ], formerly Lovely Socialite Mrs. Thomas W. Phipps, is a Madison-based six-piece that combines the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop.  Lauded for their bold and intricate compositions, the group often draws comparisons to Frank Zappa and the Mothers of Invention.  The band’s original music combines strict notation with moments of improvisation and maintains a healthy balance of dark and heavy rock grooves with quirky jazz obscurities.

While Lovely Socialite’s unusual mix of strings, traditional Chinese instruments, brass, and a jazz rhythm section suggest that the group might be a contemporary music ensemble, it is their use of stomp boxes, vocal processors, and other electronics that makes the group a suitable fit for any rock, hip-hop, or jazz bill.  In fact, Lovely Socialite has been privileged to share the stage with such artists as Dessa, of Minneapolis hip-hop collective Doomtree, as well as performing live on the UW Madison Terrace with Brian Ritchie of the Violent Femmes.

In October of 2015, Lovely Socialite released their second full length album.  Nearly two years in the making, “Toxic Consonance” was recorded at Blast House Studios in Madison with Landon Arkens.  “Toxic Consonance” represents an edgier and more mature version of the band than their previous endeavor, “Registers Her Delight” (2012), and features extensive production efforts mixing found sounds, vocal samples, and electronic effects into their live-style recording.

Upcoming “Toxic Consonance” Tour

6/26The Frequency, Madison, WI

9p  $8-11 | w/ We Are The Willows & Mr. Jackson

6/27Elastic Arts, Chicago, IL

9p  $10 | Anagram Series w/ Gerrit Hatcher Trio

6/28 –  The Spot Tavern, Lafayette, IN

6/29Space Bar, Columbus, OH

9p  $5  w/ Us, Today & Radar Hill

6/30MOTR Pub, Cincinnati, OH

10p  Free  w/ Us, Today

7/1 Kerrytown Concert House, Ann Arbor, MI

8p  $10  general admission

7/2Trinosophes, Detroit, MI

8p  $10  w/ Salim Washington