9/20 | Sh*tty Barn Session 172: Dosh // Lovely Socialite

BUY TICKETS!

Wed 9/20 | @ The Sh*tty Barn

506 E Madison St, Spring Green, WI 53588

$15 doors 6p / 7p music

Lovely Socialite  //  Dosh

Lovely Socialite is a Madison-based six-piece that combines the aesthetics of modern jazz with contemporary classical, driving rock, and hip hop.  Lauded for their bold and intricate compositions, the group often draws comparisons to Frank Zappa and the Mothers of Invention.  The bands original music combines strict notation with moments of improvisation and maintains a healthy balance of dark and heavy rock grooves with quirky jazz obscurities.

While Lovely Socialites unusual mix of strings, traditional Chinese instruments, brass, and a jazz rhythm section suggest that the group might be a contemporary music ensemble, it is their use of stomp boxes, vocal processors, and other electronics that makes the group a suitable fit for any rock, hip-hop, or jazz bill.  In fact, Lovely Socialite has been privileged to share the stage with such artists as Dessa, of Minneapolis hip-hop collective Doomtree, as well as performing live on the UW Madison Terrace with Brian Ritchie of the Violent Femmes.

This summer Lovely Socialite released their new Rock EP “DoubleShark”, come hear it live at The Shitty Barn!


DOSH (anticon)

There he was, this musically lucked child of a once-priest and a near-nun, 12 years old and piled high with a Radio Shack combo stereo, stacks of records, and pockets full of dubbed tapes. It was 1984 and Martin Dosh was orchestrating the soundtracks to his junior high school dances, playing only the choice cuts for the budding romantics and perspiring wallflowers: Run DMC, Prince, Devo, the Cars, New Order… At age 3, Marty had started harassing his folks to bone up for piano lessons (after three years of persistence, they gave in); that he’d developed considerable musical taste before hitting puberty should come as no real surprise.

Call him a one-man band, a virtuoso, a gifted collaborator or a family man, Martin, Marty, Dosh or Dad, our subject has gotten to now by what seems an uncanny path (perhaps call it fate). When they met, Dosh’s father was a Catholic priest with pile of degrees, and his mother was living in a convent in Minneapolis preparing herself for nunhood. They left the fold for marriage; subsequently the elder Dosh found himself blacklisted from local employment, and so they left Minnesota as well. Martin was born in the greater Los Angeles area, but at age 2, his health problems and the city’s endless sprawl delivered the family back into the musically nurturing arms of the Twin Cities.

Returning to the Midwest, Martin was enrolled in a Montessori school (and piano lessons). By comparison high school was, “academically, horseshit” so Dosh seized his destiny at 16 and moved east to study jazz and drums at Simon’s Rock College of Bard in Massachusetts. What followed was a flurry of summer jobs, road trips to see the Grateful Dead, van living around various college outposts in Mass and NY, Zappa-esque noodling in his band Como Zoo, further schooling, the requisite amount of pot, and a little too much partying. But Dosh wanted more for his music and less for his student debt, so he swallowed his pride and returned (at 25) to his parents’ in Minneapolis.

He figured the move would be temporary — he’d save up money and practice drums until he became a self-sustaining virtuoso –but Dosh was going to shows every night and meeting more and more people in the local music-rich scene (a collision of avant jazz, freewheeling rock and progressive hip-hop), quickly realizing that what he needed had been there all along. And throughout his dedicated solo drum-and-keyboard sessions in mom and dad’s basement, he’d record, record, record, accumulating a massive library of sound. Soon he’d be a touring member of Andrew Broder’s Fog, and full-time player in their instrumental counterpart Lateduster.

In 2003 Anticon proudly released Dosh’s virtuoso debut, Dosh, a loop-building collage of shimmering Rhodes, atypical drumming grounded in groove, field recordings and spontaneous performance (much of the album was pieced together using the 100-plus hours of tape he’d recorded at his parents’). By then he’d developed his untouchable live one-man show (swiveling on his drum stool between a kit, his modified Rhodes piano, a few pots and pans, and a simple looping pedal with a 12-second recording limit), and took to the road. Back in Minneapolis, the city he’d finally recognized as home, Dosh had been teaching drum lessons to children and falling in love on the side. He formed a family with his wife Erin (who he’d wooed by handing her a copy a song called “I Think I’m Getting Married”) and her 6-year-old son Tadhg. Soon he’d be composing a track titled “Building a Strange Child,” and so they would. Dosh’s second full-length, Pure Trash was inspired by his life’s most pleasant turns, and though the album was instrumental (minus cameos by Erin, Tadhg, the newborn Naoise, and his students), it emoted all the warmth and anticipation, fear and relief that comes with building a family.

Dosh’s third album, The Lost Take, showcases the man’s unique approach to sound with an expanded musicality and growing guest-list including Andrew Bird and members of Tapes ‘N Tapes.

His Fourth record, Wolves And Wishes, adds to the ever-impressing oeuvre with the explorative wonderment of a debut album. To date Dosh has recorded with Bonnie ‘Prince’ Billie, Fog, Jel, Odd Nosdam, Neotropic, Andrew Bird, Redstart, Vicious Vicious, Poor Line Condition, Lateduster, Why?, the Interferents, members of Tapes ‘N Tapes, and just about any Twin Cities band with a collective ear for good taste and experimentation. He has shared the stage with Andrew Bird, Wilco, WHY?, Damo Suzuki, Gary Wilson, Golden Smog, Sole, My Morning Jacket, Tapes ‘n Tapes, cLOUDDEAD, Sage Francis, Devendra Banhart, Kid Dakota, Alias, Themselves, Peanut Butter Wolf, P.O.S., Happy Apple, Joseph Arthur, Pizza Boys, the Bad Plus, The Jayhawks, Atmosphere, DJ Vadim and many more.


 

12/12 | WINTERSONG @ The Barrymore Theater

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Sat, 12/12  |  8pm $18 @ The Barrymore Theater

WINTERSONG fundraiser for Second Harvest Food Bank

performances by

PHOX | Anna Vogelzang | Love High | Corey Mathew Hart | Faux Fawn | Crane Your Swan Neck (feat. Julian Lynch & BC Grimm) | DB Pedersen |

For the past three winter seasons, local folk musicians, headed by Anna Vogelzang, have banded together to present Wintersong, an all-ages holiday show to benefit Second Harvest Foodbank of Southern Wisconsin. In 2014 alone – thanks to a packed Barrymore Theatre – over $10,000 was raised, providing 30,252 meals for families and individuals who struggle with hunger. Since 2012, Wintersong has raised 40,452 meals to help end hunger in southwestern Wisconsin.

The public is invited to join musicians Anna Vogelzang, Phox, Love High, Corey Mathew Hart, Faux Fawn, Crane Your Swan Neck, and special guests as the band of merrymakers cover holiday tunes, perform seasonal group numbers, and raise donations for Second Harvest Foodbank in this family-friendly, fun-filled event’s fourth year.

The concert, presented by Majestic Live & the Barrymore Theater, will take place at the Barrymore Saturday December 12, 2015 at 8PM. This event is generously supported by the Isthmus, Wisconsin Public Radio, Furthermore Beer and WORT.

Guests will also hear from Kris Tazelaar of Second Harvest. A raffle with prizes from many local businesses will be held during the evening as well.

Concert tickets are $18 in advance, on sale at B-Side Records, Frugal Muse, Strictly Discs, Star Liquor, MadCity Music, Sugar Shack and the Barrymore. Charge tickets at 608-241-8633, or order online at BarrymoreLive.com. On the day of the show, tickets will be available for $20 at the door, for $18 with a non-perishable food donation or a student ID, or for $10 for children under 12. Non-perishable donations are welcome. For more details, see Wintersong-Madison.com.

About Second Harvest Foodbank of Southern Wisconsin

Second Harvest Foodbank of Southern Wisconsin, southwestern Wisconsin’s largest hunger-relief organization, is a non-profit organization that is committed to ending hunger in 16 southwestern Wisconsin counties through community partnerships. By focusing on a multipronged approach that includes food distribution, increasing participation in public and private food programs, and mobilizing the public, it serves nearly 141,000 people who struggle with hunger each year; 43% of whom are children. From July 1, 2013 to June 30, 2014 Second Harvest Foodbank, together with its more than 225 partner agencies and programs, provided 12.6 million meals to those facing hunger. It is one of 200 members of Feeding America, the nation’s leading domestic hunger-relief charity. For more information, visit SecondHarvestMadison.org.

Generous Support by | Wisconsin Public Radio, WORT FM, YelpMonona State Bank, Furthermore Beer, & Isthmus.

Raffle Prizes from | L’Etoile RestaurantForequarterSarisFromagination Artisan Cheeses and Perfect CompanionsThe Sh*tty BarnShopbopIsthmusMatchless MadeThe Cargo Bike Shop & more! raffle tickets on sale when doors open (7PM) and during intermission only!