Join us for an entertaining evening as our talented music faculty perform some of their favorite songs. Enjoy performances by MSAC instructors Matt Dahm, Leigh-Ann Balthazor, Lisa Mott, Yohan Kim, Brian Grimm, Jaime Guiscafre’, Marina Hegge, Kyeol Lee, and more. A reception and light refreshments will follow. Admission is free but donations are welcome. We hope to see you there!
Thursday, May 16, 2013 – 7:30pm
Friday, May 17, 2013 – 8:00pm
Saturday, May 18, 2013 – 4:00pm
Saturday, May 18, 2013 – 8:00pm
Thursday, May 23, 2013 – 7:30pm
Friday, May 24, 2013 – 8:00pm
Saturday, May 25, 2013 – 8:00pm
Notes on the original live score, composed and performed by Brothers Grimm & db pedersen >
In approaching the score for A Midsummer Night’s Dream, db pedersen presented the Brothers Grimm with theme sketches and initial cue concepts that had been developed with dir.Greg Harris. We then spent the next few weeks of April attending rehearsals, observing the actors develop their character. In the nights following these observations we’d convene to have fast paced cue-composition sessions. One by one, we deconstructed db’s thematic material and built them up from the ground as a trio – finding our strongest instrumentation as we went. Our goal was to reduce the sauce of these themes down to a flavorful, simple substance – and hit tech week with a lot of room to grown organically in our accompaniment to the actors.
AJ ~ classical guitar
BC ~ cello & guzheng
DB ~ vocal-foley/sfx, throat singing, shruti box, various flutes, animal noises
Implements & Sough!
Pot Lid “tree” (struck//bowed)
Wup-Wob Cards (bent//bowed)
boxes of Twigs//Branches
… & etc!
// All material played on the 21 string Chinese guzheng 古筝 zither for this production’s score is in emulation of the European harp & hammered dulcimer. The entire instrument has been customized & re-tuned to fit different theme material in each register/octave. It is a completely unique tuning, never before used on the instrument, designed specifically for this show. [ ~Traditionally, the zither is tuned in multiple octaves of a single pentatonic scale; adapting pentatonic mode to fit the key, from D1 – D5]