For three years The Brothers Grimm have been heading the experimental music series “Tea & Improv” at Dobra Tea. Sadly, Dobra will close it’s doors this January, 2014. We’ll have one last show on Thursday 1/9 as a way to say thanks to all who have worked/come out to enjoy these events since 2011. DB, BC, & Eric will all perform short solo sets, as well as improvise together.
It can be difficult to find a welcoming platform for experimental & improvised music. Dobra has been our enthusiastic home base for much of this Madison experience. It has not simply been “a venue”, but a meeting place of disciplined philosophies, where music & tearoom perfectly alight in purpose – to have conversation. In a vibrant, hue-struck room with no internet or to-go options, the result is meaningful discussion with close friends. It was never the intent of our music to overpower the space (& people in it) to a hush, but rather to be another conversation & accept all happening sounds as music/inspiration. 3..2..1.. Now! ~ All conversation is improvisation. We fuel off the energy you give us and channel it back, vibrating the air. No sound is excluded from this Cageian discourse ~ kettle boils, clayware scrapes, somewhere a laugh, all is music.
Perhaps the most important element of performance in Dobra has been a public space for unknowing teagoers to encounter “avant-garde”//”difficult-edgy-freaky-‘nonmusic’music-skronky-improvised-noise…stuff”. We’re thankful for situations where people may come/go at any moment, have lively chit-chats, not feel they have to be classically-stuffy/know-the-rules, & happen upon experimental music over the flowing cup. Hearing such racketous free-for-all (beautiful to some…) on a record, coming at you through the speakers can be challenging for unpracticed ears – but having that be a live experience and seeing that the musician performing extended techniques is another breathing, sweating, emoting, human being that is trying to communicate something to you – is when this music becomes immediate & relateable. The more you as an audience give of your energy/vibes – the better the conversation is.
We’ve released a couple of albums at Dobra, including: Moonish Lodestar (2013) by Watercourse Quartet & Redolent Spires (2012) by The Borthers Grimm. Had wonderful performers such as: Watercourse Quartet w/ Ben Willis, Pat Reinholz (aka Weather Duo + Brothers Grimm); Lovely Socialite, db pedersen, Eric Miller, Thollem McDonas (aka Thollem Electric), Brian Tairaku Ritchie, Sult w/ Jacob Felix Heule, Guro Skumsnes Moe, Håvard Skaset; Timbre, Samuel Lockridge, Brother Stripes w/ Timothy Russell & Nick Zoulek; Prom Night Records w/ Brad Henkel, Nathaniel Morgan, & David Grollman; Dale Kaminski, Joey Molinaro, Zane Merritt, TJ Borden, Wrest Trio w/ Benjamin Bennett, Jack Wright, Evan Lipson; Stray Passage w/ Geoff Brady, Brennan Connors & more! – The tearoom has also played host to local Hindustani & Carnatic Indian Music group Saaz, Baroque & early western period instruments, & Yuri on the Russian domra.
Thanks to Qi Hong for fostering communitea.
Thank to the close friends who have come out over the years to support &/or participate in these happenings.
Thanks to all of the great Devoteas who have worked at Dobra & become a part of our lives.
7/7 7pm @ Dobra Tea
$5 suggested donation for yoUToo
$7 MOONISH LODESTAR (11×17 Poster + CD or Cassette)
>> $5 album/poster if you donate $5 at the register
The boys are back in town!
On 7/7 WCQ4 returns to Dobra Tea to release Moonish Lodestar – a 65 min, 8 track album featuring contrapunctus, avant-garde string quartet improvisations & Madison vocalist Page Foster on “beautiful lies”. (poster art by Justin Richardson)
Behind the scenes video of the recording session at Bradbury’s Coffee!
Notes on the Score:
The concept for this score involved setting a foley/sound-design score > No melody & rhythm, but dissonant, atonal harmony, soundscapes & uncomfortable textures.We began by going into Bradbury’s Coffee (Madison, WI) after hours and recording every sound that triangular room was capable of. AJ was our sound-guide as we recorded: room noise, beams, ladders, stools, tables, washing machines, refrigerators, espresso machines, coffee grinders, various water drips, toilets, knives, and general kitchen-ware. With this Bradbury’s audio (recorded by Jon Brumbaugh) and other foley recorded at home, we’ve created roughly 100 Sound Libraries for MACBETH – each library housing up to 128 ten-octave, velocity/pressure sensitive Sample Instruments. The end result is about 2,300 custom-constructed sample instruments nested into one-channel (maximum of 16,384 instruments per channel). Controlling these sounds in real time with Ableton Live 8 through Akai APC 40 & Keith McMillen QuNeo midi controllers, we hope to instantaneously surprise, inspire, pace, & effect the actors performances with our live sound-experiments.
Macbeth set up: Ableton Live w/ Akai APC 40 & K. McMillen QuNeo
||Special thanks to Bradbury’s Coffee for letting us record ALL of the sounds in their space! Also, thank you Jon Brumbaugh for recording audio & Glynnis Ritchie for taking excellent video during the Bradbury’s recording session!