It’s closing weekend, get your tickets!

NoExit Performance
THIS IS NOT SHAKESPEARE’S MACBETH
June 13th through June 29th 
@ The Irvington Office Center (Indianapolis)
William Shakespeare | directed by Michael Burke
Original Foley/Sound-Score
Composed by Brothers Grimm
Performed by BRAIN GRIMMER

Tickets: $20 General Admission | $15 Student/Senior

Thu, 6/13: 8pm – Fri, 6/14: 8pm – Sat, 6/15: 8pm
Thu, 6/20: 8pm – Fri, 6/21: 8pm – Sat, 6/22: 8pm
Thu, 6/27: 8pm – Fri, 6/28: 8pm – Sat, 6/29: 8pm

Behind the scenes video of the recording session at Bradbury’s Coffee!

The concept for this score involved setting a foley/sound-design score > No melody & rhythm, but dissonant, atonal harmony, soundscapes & uncomfortable textures.  We began by going into Bradbury’s Coffee (Madison, WI) after hours and recording every sound that triangular room was capable of.  AJ was our sound-guide as we recorded: room noise, beams, ladders, stools, tables, washing machines, refrigerators, espresso machines, coffee grinders, various water drips, toilets, knives, and general kitchen-ware.  With this Bradbury’s audio (recorded by Jon Brumbaugh) and other foley recorded at home, we’ve created roughly 100 Sound Libraries for MACBETH – each library housing up to 128 ten-octave, velocity/pressure sensitive Sample Instruments. The end result is about 2,300 custom-constructed sample instruments nested into one-channel (maximum of 16,384 instruments per channel). Controlling these sounds in real time with Ableton Live 8 through Akai APC 40 & Keith McMillen QuNeo midi controllers, we hope to instantaneously surprise, inspire, pace, & effect the actors performances with our live sound-experiments.  

Macbeth set up: Ableton Live w/ Akai APC 40 & K. McMillen QuNeo