Wed, 3/29 | $8 doors 730p / music 800p @ Art In
1444 E Wash Ave., Madison, WI 53703
EVIL GENIUS (LA) – tuba, guitar, drums
Brennan Connors & Stray Passage
Join us for an evening of Jazz Trios at Art In’s spacious gallery!
Evil Genius (Portland/Los Angeles) is a forward-marching experimental jazz trio formed in 2012. The band is made up of Max Kutner on guitars (Grandmothers of Invention, Magic Band, Alphonso Johnson), Stefan Kac on tuba (Milo Fine, Jon Armstong, Hammerstein) and Michael “Bonepocket” Lockwood on drums and percussion (Atomic Ape, Deradoorian, Matt Kivel). The band’s unique sound has drawn comparisons to groups as wide-ranging as the Minutemen, This Heat and Captain Beefheart to jazz figures like John McLaughlin, Steve Lacy, Henry Threadgill and many more. They have received acclaim from the New York City Jazz Record, Bad Alchemy, Los Angeles Jazz Station, Downtown Music Gallery, El Intruso and more. In the words of Larry Koonse, “this band can do it all–whether its in your face rock, free wheeling open improvisation, 20th century classical music, or jazz–they can pull it off and upend all of your expectations.” Their debut album, “Bitter Human” was released in late 2015 and available through Orenda Records in Los Angeles.
You have arrived at the spontaneous soundscapes of Evil Genius, just on the cusp of this dimension of sound and waiting to transcend to another. Sign in here.
Now you may enter. There’s no need to take off your jacket. Take a seat. Here, sip this iced tea. Or would you like a soda? No, there are no soy lattes. Don’t be ridiculous!
Now drink – it will calm your nerves.
You are now ready to begin.
You are now a participant in the experience. A series of experiments. Each experiment will uncover a new layer of understanding, a new level of intrigue.
It may vary for you depending on you – are you cautious? Are you adventurous?
Only time will tell.
We hope you enjoy your stay…
(excerpt from the liner notes by Angela Allan)
Fri, 3/17 | Free, 8:00pm Mills Hall
Le Domaine Musicale
Schoenberg’s “Pierrot lunaire”
Ravel’s “Chansons madécasses“
Sound Out Loud will perform Schoenberg’s expressionistic masterpiece about the ravings of a lunatic clown, featuring UW vocal faculty member Mimmi Fulmer. Also on the program will be Ravel’s “Chansons madécasses“, featuring vocalist Sarah Richardson.
“Pierrot lunaire” was composed by Arnold Schoenberg (1874 – 1951) in 1912 and is his 21st Opus. It’s 21 short movements (3 cycles of 7) explore the poetry of Albert Giraud (1860-1929), originally published 1884 in French.
‘Pierrot’ is one of Schoenberg’s last works of “free a-tonality”, before Opus 23 which introduced his 12-tone Serialism approach to composition – forever changing the course of 20th Century music. In this new dodecaphonic democracy, all notes were equal, and weightless of tonicisms. It helped form a great schism in the 20thC between two great approaches to composition: Serialism (eg. Schoenberg) vs Neo-Classicism (eg. Stravinsky). Part of the pre-serialism brilliance of “Pierrot lunaire” is Scheonberg’s invention of sprechstimme. This new vocal technique was a form of speak-singing, which allows for a beautiful ambiguity in pitch – removing Schoenberg yet one more step from tonality. In sprechstimme, the singer glides up and down from one note to another – only ever sustaining three “traditional” pitches in the entire 40 minute piece. All of this results in a dazzling display of colors and orchestrational puissance to tell the tales of this tragic clown.
American soprano Mimmi Fulmer first performed “Pierrot lunaire” in 1978 at the famed Tanglewood Music Festival. Sound Out Loud is thrilled to be performing this work for the first time under the guidance of such an experienced & knowledgeable performer of the work. Mimmi and Ric Merritt have crafted a performers’ singing-translation of this work from German to English. Friday, March 17th we will perform it in it’s original German text.
Mimmi Fulmer performs repertoire ranging from early music to premieres of works written for her. Her distinguished career in new music includes premieres of nine roles in eight operas. An expert on Nordic repertoire, she is the editor of a three-volume anthology of songs from Finland, Sweden, Norway and Denmark. Her discography includes six CDs of American music and a CD of songs from Finland, Sweden and Norway, and she has been included in the Fulbright Specialist Roster in American music.