6/19-6/25 | SILKROAD’S GLOBAL MUSICIAN WORKSHOP @ DePauw University [Greencastle, IN]

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SILKROAD’S GLOBAL MUSICIAN WORKSHOP 2016

June 19th – 25th, 2016 | DePauw University [Greencastle, IN]

The mission of Silkroad’s Global Musician Workshop (GMW) is to foster a community of globally minded musicians engaged in learning from one another’s traditions and incorporating them into their own artistic voices. An all-star artist-faculty will teach styles of music from across the world. GMW is directed by Silk Road Ensemble cellist Mike Block.

GMW will be taught by an all-star faculty representing a wide range of backgrounds and cultures, including Seamus Blake (jazz saxophone), Sandeep Das (Indian tabla), Hadi Eldebek (Arabic oud), Gamin (Korean wind instruments), Maeve Gilchrist (Celtic harp/vocals), Bruce Molsky (Old-time Appalachian fiddle), Balla Kouyate (Malian balafon), Edward Perez (Afro-Latin bass), Shane Shanahan (world percussion), Abigail Washburn (Banjo/Vocals mixing American/Chinese styles), and GMW Director Mike Block (multi-style strings). (from Silkroad GMW site)

This year’s Guest Artist is banjo virtuoso, Bela Fleck!

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Pt. Sandeep Das leads a workshop on Tehais in Indian Classical music @ 2015 GMW. (Brian Grimm w/ guqin zither, pictured on the right.)

This year, I am absolutely thrilled to participate on cello and guqin zither in chamber ensembles led by Gamin (Korean wind instruments), Edward Perez (Afro-Latin bass), & Hadi Eldebek (Arabic oud)!  I’ve always loved Korean music from afar, the treatment of space, pitch & rhythm fascinates me.  I haven’t heard much of the wind music, so Gamin’s perspective, knowledge & mastery will be a totally new experience.  Edward, or Beast-Hands as I liked to call him, brought so much dancing joy to our workshop last year.  The Afro-Peruvian layering of rhythm coupled with the concept of when to be ‘inbetween a straight rhythm & a swung rythm’ was ear-boggling.  When Edward plays the bass lines solo, the style-shift is instantly felt.  You can almost hear what the rest of the band would be playing – ’tis mark of a true groove master!  The Arabic music presence at last year’s workshop was the highlight of my year.  So soulful & passionate; ranging from pure excitement to calming microtones.  Having learned Flamenco from my brother AJ Grimm, I could immediately hear and see it’s Arabic music roots.  Arabic rhythm stuctures enthrall me, I can’t wait to learn more from Hadi this year.    It’s going to be another blissful week of cross-cultural learning and friendship making!  ~ Brian Grimm


~ 2015 Faculty Performances ~


~ 2015 Participant Performances ~


 

6/8-6/12 | Silk Road Ensemble’s ‘Global Musician Workshop’

GMW_logoI’m thrilled to be attending this upcoming week-long workshop.  After many years of admiring the passion and music of Yo-Yo Ma & Silk Road Ensemble – I can’t wait to learn, learn, learn, learn from them up close!  May the geek-out commence! ~ BCG

Yo-Yo Ma & Silk Road Ensemble presents:

SILKROAD’S GLOBAL MUSICIAN WORKSHOP 2015

directed by cellist Mike Block

June 8th-12th

A Laboratory Where Tradition Meets Innovation


Some info on the project from the Silk Road Ensemble website:

The mission of Silkroad’s Global Musician Workshop (GMW) is to foster a community of globally minded musicians engaged in learning from one another’s traditions and incorporating them into their own artistic voices. In addition to Yo-Yo Ma’s participation in select activities, the artist-faculty will teach styles of music from across the world. GMW is directed by Silk Road Ensemble cellist Mike Block.

GMW will be taught by an all-star faculty representing a unique range of backgrounds, including Sarah Jarosz (American folk), Sandeep Das (Indian tabla), Kaoru Watanabe (Japanese flutes), Hadi Eldebek (Arabic oud), Shane Shanahan (world percussion), Jayme Stone(American banjo), Balla Kouyate (Malian balafon), Edward Perez (Afro-Latin bass), Hanneke Cassel (Celtic fiddle), and Mike Block (multi-style strings).

GMW is open to participants over 18 years of age, from any musical background. University/conservatory students as well as professional performers/teachers with backgrounds in Western classical, jazz, world, or folk styles will be accepted.